Mosman House is an extension project by Anderson Architecture, in collaboration with MacKenzie Design Studio, located in Mosman, a suburb on the Lower North Shore of Sydney, New South Wales, Australia. The project involved opening up the existing rear half of the house to better engage with the backyard. As the rear of the house faces north, the extension was designed to capitalize on passive solar techniques to reduce heating and cooling costs. These techniques include north facing windows which allow sunlight to pass into the house and onto the thermally massive green-concrete slab which stores heat, thereby reducing heating costs during winter.
The use of sustainable, recycled and locally sourced timber and hardwoods featured throughout the project for finishes, shingles and flooring, most notably on the staircase to the first floor. The extensive use of LED and low-watt light fittings, complimented with solar hydronic floor and water heating, which both minimize the amount of electricity needed to power the house.
The use of low VOC paint on the project’s steelwork during construction minimized the amount of harmful vapors released into the environment while the 2.1kW photovoltaic solar panels and 32 000L of rainwater storage help make the house more self-sufficient toward electricity and water consumption.
Photos: Courtesy of Anderson Architecture
When Tanner Kibble Denton Architects took on the renovation and extension of an existing, heritage house located in Mosman on Sydney’s North Shore; they set out to create a spacious and contemporary family home whilst preserving the majestic charm of its original structure.
This project fully explores the relationship between indoor and outdoor. The main living space opens seamlessly to a level lawn and pool, framed with dense landscaping.
Adjacent the internal living space is the loggia, which operates beautifully as an undercover outdoor space. The room includes an outdoor fireplace and can be protected with retractable louvres and cavity sliding flyscreen panels.
The strong dark painted timber form of the upper level floats over the main living space, supported on slim steel flats, and sealed with virtually transparent sheets of frameless glass. Interiors employ stone, timber floors, timber veneer and a muted paint scheme that allows the owners art collection to add to the architecture.
Photos: Nicole England
13th Beach Brick House is a new three bedroom house designed by Auhaus Architecture, located adjacent to a coastal golf course fairway in Melbourne, Australia. The layout, form and construction of the house is designed to counter winds that roll across the dunes and the golf course and provide privacy from the daily procession of golfers whilst also giving views to the golf course.
The embracing masonry walls wrap around a central, north facing courtyard, giving the house an immense sense of privacy and seclusion from neighboring properties and passing golfers.
The encircling plan allows for light, curated vistas and an inherent interconnectedness between the building and landscape. The entry slips between two soaring blade walls into a double height space, the void carrying through the living zone and giving the house a heightened sense of light and space within its contained footprint.
The sculpted interior provides distinct yet connected living zones, while the limewashed brick walls create a luminous and tactile surface finish. A cantilevered study perches over the entry, connecting the two living levels. The house offers a robust, low maintenance and serene internal environment with punctuated views to the landscape.
Bluff House is a contemporary three level house designed by Auhaus Architecture, for a steeply sloping site backing onto the Barwon Heads golf course, in Victoria, Australia. The house was designed as a series of stepped interior and exterior spaces meandering upward from the street towards seclusion and views at the rear of the block.
The house and landscape are fully integrated, providing a series of fluid living zones and a continuous dialogue between the internal spaces and surrounding environment. The tapered, curved studio space, landscape entry stair and roof planters evoke the local bluff landscape, drawing you up and into the heart of the house.
The first floor living sits level with the native vegetation at the rear of the site. Roof gardens and enclosed decks increase the sense of seclusion and connection to the landscape. The natural material palette of copper, timber and concrete will age and patina over time.
Bold and stylized, the building complements the lines of the sculptural Moonah trees that surround it, while a series of fluid living zones instigates a continuous dialogue between the internal spaces and surrounding environment that has been furthered by deep-set reveals that heighten awareness of the surrounding landscape while screening out the adjoining neighbors.
This distinctly modern pavilion house was designed by Arent&Pyke located in Bellevue Hill is an eastern suburb of Sydney, New South Wales, Australia. The interior palette adds a subtle layer of sophistication: figured marble in the kitchen and bathrooms, custom timber joinery elements, hand made concrete tiles. The furniture, lighting and decoration complement this palette and define each space with punctuations of color, texture and warmth.
The brief was to create a light and expansive family home, with warmth and family living as its central values. Spaces were to be connected and suitable for relaxed entertaining with a strong relationship between the interior and exterior courtyard spaces.
As a multi-disciplinary and award-winning interior design practice, Arent&Pyke honour a simple yet clear vision – to enrich people’s lives by creating beautiful and cohesive spaces to which they feel emotionally connected. With a focus on residential interiors, Arent&Pyke’s body of work is testament to our ability to clearly articulate our vision. A palette of natural materials and a sensitive and sophisticated use of colour and lighting typify our practice’s work that draws upon the combined experience of not just the team, but the artisans and suppliers with whom we collaborate. We are influenced by realms such as travel and literature, and have an unwavering appreciation for design in all its guises, a respect of architecture and acute attention to detail.
Photos: Anson Smart
Coronet Grove Residence is two story contemporary home that has been designed by Maddison Architects, built on one of the most elevated seaside locations in Beaumaris, a suburb in Melbourne, Victoria, Australia. The orientation and associated views played a major part in the design response, having 270-degree views of port Philip Bay. These conditions presented a major dichotomy however as the view is to the south. The imperative to therefore place living spaces on the south to capture the view is counter to all ESD (Environmentally Sustainable Design) principles.
A strategy was developed to split the building into two elements, a south facing cantilevered zinc clad living element and a two-story north facing masonry bedroom element. These two elements are pulled apart with a circulation zone and the roof is prised up over between these areas allowing north sun to penetrate into the living zones. The building elements are further pulled apart internally with first floor bridges spanning between them.
We had an awareness of the history of the suburb within which the house is located. Beaumaris was established in the 1950’s and 60’s and has a heritage of experimental architecture from that period. Beaumaris was in the 50’s, the Mornington Peninsular of today. Architects such as Mcglashan and Everest, Chancellor and Patrick, Mockridge Stahle and Mitchell , David Godsell and later Neil Clerehan and Baird Cuthbert Mitchell created incisive original architecture. Our design response therefore acknowledges this historical context.
A skeletal PFC steel frame is expressed internally and externally to accentuate openings. This steel frame provides a fineness and legibility. The use of expressed steel work has its heritage in the 50’s when steel framing became available as an affordable extruded section. A ‘cloak’ of building fabric is hung from the PFC frame in the Coronet Grove Residence. The north facing Bedroom element has its alabaster sawn block work framed and supported by the PFC Steel. Windows in this building part are accentuated with 250mm deep incisive window frames. These provide a strong horizontal window composition.
Black zinc cladding wraps around the elevated southern living element. This cantilevered ‘tube’ hovers on an enormous Universal Steel Channel. The form of this element responds to the lookout nature of its use. The inclined cladding and inclined ends imply movement and provide a counterpoint to the static nature of the block work northern bedroom element. Intermediary spaces are generally clad in spotted-gum ship lap lining boards.
The concept of discreet North and South building elements is further emphasized internally with the PFC expression and concrete block work continuing in the circulation spaces. An emphasis was placed on embracing a cohesive response between the architecture and interior, where a materials run seamlessly from outside to inside. Other prerogatives regarding durability were also considered given the seaside location. This provided a further pragmatic overlay to all material and finished selections. All finishes had to pass strict minimal maintenance criteria.
Principals of sustainability include. The northern portion of the roof is lifted to allow a controlled sun penetration into the living areas. A thermal chimney is employed. The house can be purged through remote controlled highlight windows at night. External operable aluminium louvers provide sun control on all northeast and west windows and therefore minimize the heat load and damage to finishes internally. A geo-thermal bore is used to heat the swimming pool and internal spaces. A 20,000-litre subterranean water tank is used to collect all roof water runoff. A C bus lighting control system is used throughout to minimize power use. Low e glass is used throughout. Low energy led and florescent lighting sources are used throughout. Native planting is used throughout.
This project was cost managed by the builder owner with alternative materials, fittings and fixtures being requested for all selections. Accordingly, the project has been carefully cost scrutinized without loss of the original design intent.