This wonderful family home brings together minimalism and warmth, designed by architect Alessandro Sartore, located at the foot of the Pedra da Gávea Mountains in Itanhangá, a neighborhood in Rio de Janeiro, Brazil. The homeowners wanted the house to have a serious architectural footprint with clean lines and warm undertones, yet not have the appearance of a showroom. Faced with this challenge, the architect made some choices: first selecting cozy materials such as demolition wood (mahogany) and stone walls; and then set the whole house around the enormous tree that occupied the center of the plot of 800 square meters.
The tree, named Bethany by the owner, on account of its stately appearance, has an opening in the floor and ceiling slab of 3 meters in diameter around its trunk. She works as a focal point of the entire distribution of living areas – living room, dining room, kitchen and TV room – and even as a connection between the body of the residence and the garden surrounding the building. “The feeling is that we are in a house-porch,” states the homeowner.
The intervention in the slab, which is repeated to accommodate a much smaller tree in the garage, eventually leading to a second daring in design: the lack of air conditioning. Yes, only the rooms have refrigeration. Thanks to the narrow length of more than 20 meters long of construction and also the opening functions as a vent channel, the home remains cool even under high temperatures. Simply keep open the glass walls and the entrance door, which are all pivoting.
Inside and out, all spaces are connected, especially the interior with the garden and the swimming pool, located right next to the stairs, whose door is never closed to the main entrance.
The home is decorated with plenty of art and furnishings that are inviting and based on convenience. With a catalog of over a thousand items available, the couple focused on furniture with both comfort and beauty, mixing plenty of icons. “The architect designed the entire wall of the living glass, but I begged to have a ‘normal’ section. Otherwise, where would I hang the screen Marcelo Pia I love? “He says.
Photos: Filippo Banberghi
SF House is a contemporary residence designed for a couple and their two teenage children by Studio Guilherme Torres, located in Londrina, Brazil. Completed in 2006, the 5,887 square foot (547 square meters) project was planned on an upward sloping terrain allocated in three floors. The first floor, built at the street level, contains the laundry area which cannot be seen due to the span that forms the garage.
Above the garage one can find the living area and the guest’s bedroom. The big wood brise indicates the stairway that leads to the house. On the third floor, you will find the bedrooms which face a vast terrace. The access to the bedrooms is through a long corridor, brightly illuminated by glass sealed slabs on the ceiling and walls. Light is this project’s main property. It is free, rich, abundant and generous.
In this house, different environs are found with total synergy among the different parts of the house. The dining room, balcony and the home theater have no obstacles between them and can be closed with glass doors that are allocated in the walls. On both floors and walls one can easily notice the materials used: cement, bricks and cumaru wood.
The furniture never fails to match couple the precise and economical features of the house yet following a rejuvenating idea proposed by the family. The materials used either as floor or wall coatings allow room for a new interpretation to the basic Cartesian plans. In other words, the material which is supposedly made for walking on can actually be touched and vice and verse.
The house architecture carries several antagonistic symbolism’s – solidity, lightness, coziness, modernity, warmth, freshness – and complementary so as to shorten the distance between our dreams and achievements, an antidote to the boredom of traditional houses.
Photos: Beto Consorte
Apartment LA has undergone a rustic contemporary renovation for a family with two children, by architect David Guerra, located in Belo Horizonte, Brazil. When the first child started to go to school, the couple bought an apartment in the city, letting the country house where they lived be just for the weekends. The new home combines the coziness aspect of a country house and the urban and practical style of the big city. To attend the needs of the couple with two children, a renovation was needed.
The walls that divide the living room from the balcony were demolished to combine the ambient with larger, fluid and comfortable space. The balcony became a gourmet bar/kitchen that can be used for the wine with friends and breakfast in family with a view of the mountains. Linen sofa and chairs and a vintage armchair appear as a relaxing living area also in the balcony.
A small fireplace has become a major element of the living room wall. The new warming ambiance mix colors, rustic and natural materials with modern and technological ones. They are wool, natural linen, nude tones, leather in different colors – honey, whiskey and chocolate, wood and demolition wood, gray Mister Cryl, Silestone rock, stainless steel, yellow metal, bronze, mirror, glass and acrylic, all materials that combined, gives a great ambiance.
The choices of the furniture, noted the concern of creating a place that prioritizes comfort, warmth, elegance and relaxation. That way we can see a mix of Brazilian designs with Sérgio Rodrigues, Pedro Useche, Frederico Cruze and international designs like De Padova, Minotti of B&Bitalia, Maxalto, Muuto and Mooi.
In the living area a big sofa with a chaise was reformed by JRJ and gains a new linen covering. Pillows by Entreposto, a Jensen leather armchair from Minotti and an armchair Louisiana from Depadova proves the pursuit of comfort and elegance. The Sullivan low tables from Minotti (gray glass round and wood triangular) along with the Still table, also from Minotti and Lens by Patricia Urquiola add a touch of fun and relaxation to the room.
The dining table with an American toned oak that highlights the beauty, lightness and comfort of the Tombly leather chairs from Minotti and also the chandelier by Mooi.
The entire floor of the apartment, except the wet areas, had been replaced by wide planks of mahogany field bought from a farm. The floor has gone through a bleaching process, maintaining the identity and rusticity from the wood and giving a more light and modern touch to the place. On the wall, gray Mister Cryl which brings wellbeing, in addition to panels of different types of wood as mahogany field, pink mahogany, cedar and cinnamon that brings color and warms the room.
In the gourmet kitchen, a block of graphite Silestone sustains the table of mahogany field, design by the architect; Sérgio Rodrigues chairs indicate the relaxed and comfortable way to receive friends for a dinner or even a drink.
The kitchen also provides a mix of materials, the technology of Italian glass Panna and reflective glass, Italian chairs Papiro by B&Bitalia, graphite Silestone on the floor and silver one on the countertops, walls with black and gray hydraulic tiles, wood doors and mahogany table – design by the architect. The kitchen becomes a mix of cozy and contemporary at the same time. That mix can also be seen in the toilet with gauzy Silestone floor and countertops, burgundy Mister Cryl, Hansgrohe mixers that contrast with the tile of the wall and the Indian mirror.
In the master bedroom, the highlights are for the headboard with mahogany with stailess steel profile, Glam lampshade from Pradina, French dresser, linen Selene bed by Maxalto and Pantosh wooden chair. Nude and caramel tones and natural materials, linens, leathers and woods, provide a welcoming place that facilitates relaxation.
In the master bathroom, the priority was the elegance, which was achieved by the Limestone Persiano, cabinet with Italian glass and Rimadesio door
In the boy’s room, the colorful and playful furniture design denotes a hip and timeless style.
Photos: Jomar Bragança
This stunning weekend house was designed by architecture studio SPBR, as a retreat in the city centered around a pool, garden and solarium, located in São Paulo, Brazil. Completed in 2013, this 1,969 square foot (183 square meters) modern property features a rooftop swimming pool to capture the heat of the sun, gardens to soften the hardscape and a solarium to avoid the shade from the closely-packed neighboring residences.
Dug into the air – a swimming pool in Sao Paulo. Clouds, drizzle, rain, snow or hail, in all its physical states water is related to sky. However, if we are requested to think about a [swimming] pool, our imagination automatically starts to dig into the ground. Seas, lakes, and ponds explain the reason we react in that direction: essentially, a pool feels like a piece of a lake. It makes sense, the image corresponds to the word, water that rests smoothly on the ground. Water defines the surface.
But if I mention a specific type of pool, a water tank or a water tower, we first imagine an elevated volume of water, a pool detached from the ground level. In this case, hydrostatic pressure is a requirement to fulfill pipes, to supply water. Water level holds a potential possibility.
While walking on the ground,we could ask: where is the surface? In the specific sense of the word, surface has no layers or thickness. However, if one walks in a city like São Paulo [or New York], the ground level does not correspond to the surface anymore. There are some pieces of the ground that haven’t been touched by the sunlight for decades since buildings have permanently shaded them.
In this specific site, the neighborhood’s average height is defined by the zoning code: 6 m high. No side setbacks are required. The east neighbor building shades our site the entire morning until noon, when the west neighbor building starts to shade it for the whole afternoon. Therefore, if there is a pool to be built, exposed to the sunlight the whole day, it is crucial to define its surface: six meters above the ground level.
The assumption here is like to swim in a water tower and to enjoy that potential as a design possibility. One more water ‘state’ related to the sky of São Paulo.
A WEEKEND HOUSE IN THE CITY
São Paulo is a metropolis of 20 million people. It is approximately one hour from the coast. Because of severe traffic jams, its inhabitants spend hours commuting every day. On weekends, especially in the summer, hundreds of thousands drive to the beach causing jams on the roads as well.
In order to avoid being stuck in traffic during weekends, we received an unexpected but rather logical demand as a counterflow action: a weekend house in downtown São Paulo.
As an anti-FAR [floor area ratio] approach, a swimming pool, a solarium and a garden are the main elements of this project. In a properly inverted hierarchy, everything else on this program is complementary: a bedroom, a small apartment for a caretaker, and a space to cook and receive friends.
The site is very central, between an arterial avenue, Avenida Faria Lima, and a metropolitan infrastructural axis [road and railway] built on the Pinheiros river shore. Also, the site is exactly under the airport conical zone, meaning all flights coming from Rio de Janeiro fly over the site about each 7 minutes.
Pool and solarium were displayed as parallel volumes. Two columns were located in the 1 m wide gap between them. The 12 m span is faced on one side by beams supporting the pool and on the other by beams that support the solarium and also hang the floor underneath. Structurally, the mass of the pool counterweights the volume which holds inhabited spaces. In other words, water is balanced by the beach.
The ground level was kept free from any construction in order to achieve the maximum garden area ratio. As a result there are three different layers or three levels for three different moods: ground level [garden – introspective or encompassed by the site limits], apartment level [the only indoor space floating above the ground and underneath the pool], and rooftop [swimming pool and solarium, an extroverted or panoramic space].
This building and its program differs from the focus of traditional architectural projects in two ways: the metropolis becomes a possible place to stay and enjoy during the weekends and elements generally considered secondary in a big house become fundamental components.
Photos: Nelson Kon
Real Parque Loft was designed for a recently married young entrepreneur by Diego Revollo Arquitetura, located in the south zone from São Paulo, Brazil, in a strictly residential buildings neighborhood. The buildings were built in the 80 and 90 decade and for this reason, the architects started from a traditional compartmentalized apartment with exaggerated number of divisions and closed rooms related to its area.
The main challenge was to open the 1,130 square foot (105 square meters) space, bring the sense of amplitude within the existing structural limitations. In this sense, the owner, was willing for profound changes and already felt attracted by the spatial characteristics of lofts as well as the contemporary aesthetic common in these cases.
The idea of a box with just a coating, burned cement, would bring the contemporary aspect and look like “clean” without amendments or interruptions and would be applied on all surfaces such as floors, walls and ceilings. A particular care has been taken into account in choosing the gray’s tone, which should be modern but not too cold and close by the natural cement’s tone. In the baths we used for the slabs the natural Oasis Blue limestone with a similar tone of cement, employed only as an alternative to cement, to be more appropriate for slabs and carved sinks.
For the owner a cold or too modern result wouldn’t please him, he searched an elegant atmosphere but also comfortable an “hot”. The suggestion of the office was the alliance of the cement and the natural wood inn a reddish chestnut brown tone to “heat up” the environment and that would add value in decorative point of view.
In some places such as the entrance, dining bench and the balcony seat, the Cumaru wood, a Brazilian’s hardwood with high resistance was used by rules to make the wood “weigh” even more. Where the use of solid wood wasn’t viable either by weight or by the natural movement, we chose for the Pau Ferro sheet, a wood with enough personality and a similar design to the Jacarandá, one of the main wood used in furniture production peak in Brazil in the 50 and 60 decade, for example.
The furniture and interior design continues with the choice of textiles as the natural linen or the distressed leather and prioritizes the warm touch and comfort always against the coldness of the cement box. The end result is a loft without excesses, spacious and extremely pleasant to live.
Photos: Alain Brugier
TB House is a single story private residence designed by Aguirre Arquitetura, located on a spacious site within the gated community of Condominio Fechado Vila do Sol, in Uberlandia, Brazil. The layout of this one-story 9,472 square foot (880 square meters) plan has resulted in a functional design with a harmonious distribution of the living areas, with the emphasis on privacy.
The private quarters, which consist of three suites and an office, face east, meaning that they receive the morning sun and are protected from the afternoon sun. The living/reception spaces – which include a cinema room, living room, dining room and terrace – face south so that they avoid direct exposure to the sun and are thus cooler. The service area faces north and west.
In the front facade the garage’s suspended concrete slab (49 feet) provides shelter for five cars. The entrance portico is in concrete, which also covers the entrance hallway leading to the main body of the residence. The hallway is separated from the garden on one side by a glass wall, allowing light to enter the entrance hall and the corridor leading to the sleeping quarters.
A ribbed cumaru wood panel conceals the floor-to-ceiling front door. To take advantage of the natural slope of the land, a fruit tree grove was created at the lower level. This means that the bedroom volume facing the grove is suspended above it.
As the clients like water features, a pond was designed at the lower level featuring concrete walkways supported by central pillars that look as if they are floating.
The pool is 69 feet long and clad in travertine marble. As the marble is a light color the color of the water is not affected. The pool is 60 centimeters above the ground and features an infinity edge on all sides.
Taking advantage of the living room facing south, a generous ceiling height was given of 5 meters, with sliding glass doors along the whole window span opening up the room to the exterior. A winter garden was also added and the idea of the sliding doors was repeated here. The living room is thus opened up on two sides, providing cross ventilation and a greater sense of freedom. The living room volume was covered externally in stone, contrasting with the other white blocks.
The 55-foot wide terrace is a continuation of the living room, stretching the length of the room and allowing for total integration of the ambiances. It serves as a transition area to the garden and swimming pool. The client loves to cook, so the terrace also features a gourmet kitchen block with worktop, cooker, oven, barbecue grill, and fridge-freezer that is ideal for get-togethers with family and friends.
All detailing, both in the interior and exterior, was designed to give continuity to the architectural proposal, i.e. clean, uniform lines with the emphasis on lightness and extreme elegance in the definition of the materials. This is evidence both in the choice of the materials (travertine in all living/reception areas and the exterior and wood in the private quarters) and in their application.
The interior decoration work in general follows the architectural proposal, combining furniture pieces with extremely clean lines with the works of art and other cherished objects in the possession of the clients. The aim was to integrate these elements and achieve the desired aesthetic effect without affecting the clients’ comfort.
Photos: Courtesy of Aguirre Arquitetura
Nova Lima House has been designed by Saraiva + Associados, offering luxury and exuberance, the house is located in Nova Lima, 22 km from Belo Horizonte, capital of Minas Gerais, Brazil. Completed in 2011, this property is comprised of 43,056 square feet (4,000 square meters) of living space.
The project was developed by S+A Brazil, under the leadership of Architect Marcelo Montoro, and in partnership with Piantina Architecture, responsible for the interior design project.
The house is divided in four distinct blocks, interconnected through a special steel material, coated with reflective glass. In the middle lays a large garden and a pool. Block 1 is divided in 8 suites, a studio and a restroom; on Block 2, the social area consists of a home cinema room and a heated swimming pool. Block 3 is composed by a kitchen, a spa and a playing area. Block 4 is reserved for home employees including an independent residence.
Outside there is a swimming pool, a tennis court and a playground. The exterior walls are handmade with a local stone (Canga de Minérios) of intense red color that multiplies under sunlight.
Photos: Rafael Carrieri
Casa do Patio is a stunning modern residence that blurs the lines of indoor / outdoor living, designed by Brazilian architect Leo Romano, located in Goiania, Brazil. The design of this residence dates back to modern Brazilian architecture, in which straight lines and simple demarcate the construction party.
From the outside, the play of volumes is necessary. Few plans define the facade that delicately conceals the daily lives of residents. Inside, the house reveals no mysteries, making clear the distribution of sectors and their environments. It all comes back to the courtyard. Thus, visual permeability and usability is complete, providing day to day family living with a heavy, reinforced by the architecture.
Knowledge, creativity, respect, commitment and dedication describe the firm of architect Leo Romano. With a broad palette of customers, stand out designs includes colleges, banks, decoration shops, bars, restaurants, nightclubs among others. Highlights also include residential projects in Goiânia and various squares. The firm continuously has their work published in newspapers, magazines and national and international books and has been featured on covers frequently. His last major publication is the book Roman Leo, in which the architect shows nineteen projects in 130 pages of the exclusive and deluxe edition.
Photos: Edgard César
Acapulco House is a modern double story residence that has been designed in 2010 by architect Flavio Castro, located in Guarujá, a municipality in the São Paulo state of Brazil. The 3,659 square foot (340 square meters) house is made up of six squares grouped in pairs. Within this compositional rule, two subtractions were made at opposite sides to form two venues: the garage in the front and the social area behind. The different relationships that they establish with their neighbors (other squares) were determinate by the unevenness of the floor, transparency and accessibility. In the sketch found at the end of this post, it is possible comprehend this.
Clearly we can perceive one middle axis that articulates empty halves and a pavilion in the backyard that creates a dialog with the main house.
In the left side, there is a succession of rooms is a space width 5.50 meters tall and huge transparency in parallel facades to the street. This transparency reaffirms the continuity of the space. Only one discontinuity happens by the stairs that leads to the upper floor. Metallic self-supporting, acetic and colorless, it cuts the sequence of rooms at one point creating a visual filter between the public street and the private backyard.
At the bottom left side the pavilion ends the succession of social environments. Separated of the house by the pool and deck, creates a tension between the house and itself. This interval space (range, pool) wins quality in the duality between “seeing and being seen”, completely dissolving the notion of attachment that could be created by the pavilion.
In the upper floor we have four suites with a marked symmetry. They are accessed by a hallway illuminated by a window above the head of the visitor and demystifies the corridor such as the word suggests. This entire upper floor is part of a common function (private area) outlined in the project by volume and color (green).
The openings (windows, etc) are projected in function of the touches between the geometries of the house. To the neighbors, the openings are very punctual, while in others facades are quite present.
The water surface under de interior stair returns to the air humidity in days of intense heat in the city of Brazil, a tropical country, and the roof garden of the pavilion keeps a low temperature of its flat roof.
The logic of the regular squares greatly facilitated the mathematical calculations and the structural performance of the house, because the same constructive procedure could be adopted for the entire building. The distances between pillars are almost the same and there are no structural transitions between the main and upper floor.
Photos: Marcelo Scandaroli