Toblerone House is a visually stunning modern home comprised of three horizontal concrete slabs with two distinct levels, designed by Studio MK27, sited in São Paulo, Brazil. The basic concept of the home can be described as a unique image: a free first floor with large sliding glass doors which support a wooden box delimited by concrete beams. The first floor houses the collective program, with living room, utilities and kitchen. On the second floor are the three bedrooms, the den and a home theater.
The conceptual and programmatic simplicity of the house joins a structural simplicity: a 14-pillared grid, organized in two lines, support the construction. All of the pillars are exposed with a rounded format. When the doorframes of the first floor are open, the living room becomes a free floor, totally open to the gardens – a house on pilotis. The simple architectural concept reminds of the Domino corbusian system, a type of manifestation about the free structure.
The shape of the land allowed for a longitudinal implanting of the house with spatial permeability between the two extreme areas, with a loose canopy in the garden. The apparent architectural simplicity ends up revealing complex spaces. The veranda, which extends from the living room, becomes a central living space, with an external fireplace. The office, integrated to the living room, is delimited by a stand, free from any other element. This office is connected with the back patio, which has beautiful jabuticabeiras. On the second floor, the master bedroom and bathroom open to a beam – the roof of the veranda – and look out over the treetops that perfume the beam of the first floor.
The wood establishes a dialogue with the other raw material, such as the concrete, and is used as a sun filter for the bedrooms. Each piece of this brise-soleil has a triangular shape and was fixed to folding doors, able to be kept open according to the needs of the users. On the ground floor, cross-ventilation allows for excellent thermal comfort.
The simplicity of Toblerone House surpasses the organization of the house, the solutions for environmental comfort, or even in the everyday use by the inhabitants, little surprises complete the architecture.
Photos: Nelson Kon
This spectacular Rio De Janeiro five bedroom, eight bath luxury oceanfront loft is situated in a prime location between Sao Conrado and Barra Tijuca, Brazil. Showcasing an open living concept spread over 8,500 square feet, the home boasts soaring 18 foot ceilings and floor-to-ceiling sliding doors frame the endless views and compliment the open and dramatic floor plan that’s just perfect for intimate gatherings and large-scale entertaining. The 1,000 square foot master suite is reserved for selfish enjoyment and includes a spa with a vertical garden and a lush waterfall shower with over 1,800 plants. A modern kitchen, home theater, home office, iPad controlled smart-house automation, barbecue, outdoor decks and an infinity edge pool surrounded by a forest facing the ocean are just a few of the features of this stunning property. Designer furnishings are included with this offering to complete the package.
This fabulous home was spotted on The Agency, listed for sale at $10,800,00, from here.
Redux House has been designed by Marcio Kogan’s Studio MK27, located in the countryside of São Paulo, Brazil, in a gated community called Quinta da Baroneza. The open land, on a downwards slope terrain and with a west facing view, is on the edge of a large environmental preservation area of a native forest, aspects which determined the implantation as well as the residence’s architectural parti.
The house was built on the highest level possible, respecting the existing topography in order to could gain the view of the sunset and the vegetation with the least impact on the surroundings. The project is composed of a slab floor, 4 programmatic boxes and a slab ceiling. Externally to the slab of the floor there appears a great concrete volume, pool and deck, which is projected along the decline of the site and terminates floating through a
small although striking span.
The slab of the floor, at 50cm above the ground is supported by beams set back, intensifying the delicate shape in which the projected was implanted onto the land. Visually, the house seems to float. The program was divided into four programmatic blocks. The first block contains the intimate area (4 bedrooms and sauna), the second only has the master suite. On the third we have the services area (kitchen, laundry room, sitting room, bathrooms and maids rooms). Finally, in the last block we have the garage and the technical area.
The distribution of the blocks in the slab floor created interstitial spaces, configuring circulation, terraces and the large space for the living room. This latter, enveloped by a skin of glass with sliding panels open and create a dialogue between the internal and external (native forest and the west). The slab of the roof, the same size as the slab on the floor, overlaps the programmatic volumes which, because of the different heights, here it leans on the roof there it has a reduced ceiling height. The emptiness between the volumes and the slab create an inner rhythm and, simultaneously, makes it possible to have improved natural lighting in the house.
The two main volumes that include the bedrooms are completely clad in vertically slatted wooden panels which open almost entirely. In the day, the panels filter the sunlight creating a texture of light and shade and, at night, it transforms the boxes into large lanterns which light up the land.
Photos: Fernando Guerra
This wonderful family home brings together minimalism and warmth, designed by architect Alessandro Sartore, located at the foot of the Pedra da Gávea Mountains in Itanhangá, a neighborhood in Rio de Janeiro, Brazil. The homeowners wanted the house to have a serious architectural footprint with clean lines and warm undertones, yet not have the appearance of a showroom. Faced with this challenge, the architect made some choices: first selecting cozy materials such as demolition wood (mahogany) and stone walls; and then set the whole house around the enormous tree that occupied the center of the plot of 800 square meters.
The tree, named Bethany by the owner, on account of its stately appearance, has an opening in the floor and ceiling slab of 3 meters in diameter around its trunk. She works as a focal point of the entire distribution of living areas – living room, dining room, kitchen and TV room – and even as a connection between the body of the residence and the garden surrounding the building. “The feeling is that we are in a house-porch,” states the homeowner.
The intervention in the slab, which is repeated to accommodate a much smaller tree in the garage, eventually leading to a second daring in design: the lack of air conditioning. Yes, only the rooms have refrigeration. Thanks to the narrow length of more than 20 meters long of construction and also the opening functions as a vent channel, the home remains cool even under high temperatures. Simply keep open the glass walls and the entrance door, which are all pivoting.
Inside and out, all spaces are connected, especially the interior with the garden and the swimming pool, located right next to the stairs, whose door is never closed to the main entrance.
The home is decorated with plenty of art and furnishings that are inviting and based on convenience. With a catalog of over a thousand items available, the couple focused on furniture with both comfort and beauty, mixing plenty of icons. “The architect designed the entire wall of the living glass, but I begged to have a ‘normal’ section. Otherwise, where would I hang the screen Marcelo Pia I love? “He says.
Photos: Filippo Banberghi
SF House is a contemporary residence designed for a couple and their two teenage children by Studio Guilherme Torres, located in Londrina, Brazil. Completed in 2006, the 5,887 square foot (547 square meters) project was planned on an upward sloping terrain allocated in three floors. The first floor, built at the street level, contains the laundry area which cannot be seen due to the span that forms the garage.
Above the garage one can find the living area and the guest’s bedroom. The big wood brise indicates the stairway that leads to the house. On the third floor, you will find the bedrooms which face a vast terrace. The access to the bedrooms is through a long corridor, brightly illuminated by glass sealed slabs on the ceiling and walls. Light is this project’s main property. It is free, rich, abundant and generous.
In this house, different environs are found with total synergy among the different parts of the house. The dining room, balcony and the home theater have no obstacles between them and can be closed with glass doors that are allocated in the walls. On both floors and walls one can easily notice the materials used: cement, bricks and cumaru wood.
The furniture never fails to match couple the precise and economical features of the house yet following a rejuvenating idea proposed by the family. The materials used either as floor or wall coatings allow room for a new interpretation to the basic Cartesian plans. In other words, the material which is supposedly made for walking on can actually be touched and vice and verse.
The house architecture carries several antagonistic symbolism’s – solidity, lightness, coziness, modernity, warmth, freshness – and complementary so as to shorten the distance between our dreams and achievements, an antidote to the boredom of traditional houses.
Photos: Beto Consorte
Apartment LA has undergone a rustic contemporary renovation for a family with two children, by architect David Guerra, located in Belo Horizonte, Brazil. When the first child started to go to school, the couple bought an apartment in the city, letting the country house where they lived be just for the weekends. The new home combines the coziness aspect of a country house and the urban and practical style of the big city. To attend the needs of the couple with two children, a renovation was needed.
The walls that divide the living room from the balcony were demolished to combine the ambient with larger, fluid and comfortable space. The balcony became a gourmet bar/kitchen that can be used for the wine with friends and breakfast in family with a view of the mountains. Linen sofa and chairs and a vintage armchair appear as a relaxing living area also in the balcony.
A small fireplace has become a major element of the living room wall. The new warming ambiance mix colors, rustic and natural materials with modern and technological ones. They are wool, natural linen, nude tones, leather in different colors – honey, whiskey and chocolate, wood and demolition wood, gray Mister Cryl, Silestone rock, stainless steel, yellow metal, bronze, mirror, glass and acrylic, all materials that combined, gives a great ambiance.
The choices of the furniture, noted the concern of creating a place that prioritizes comfort, warmth, elegance and relaxation. That way we can see a mix of Brazilian designs with Sérgio Rodrigues, Pedro Useche, Frederico Cruze and international designs like De Padova, Minotti of B&Bitalia, Maxalto, Muuto and Mooi.
In the living area a big sofa with a chaise was reformed by JRJ and gains a new linen covering. Pillows by Entreposto, a Jensen leather armchair from Minotti and an armchair Louisiana from Depadova proves the pursuit of comfort and elegance. The Sullivan low tables from Minotti (gray glass round and wood triangular) along with the Still table, also from Minotti and Lens by Patricia Urquiola add a touch of fun and relaxation to the room.
The dining table with an American toned oak that highlights the beauty, lightness and comfort of the Tombly leather chairs from Minotti and also the chandelier by Mooi.
The entire floor of the apartment, except the wet areas, had been replaced by wide planks of mahogany field bought from a farm. The floor has gone through a bleaching process, maintaining the identity and rusticity from the wood and giving a more light and modern touch to the place. On the wall, gray Mister Cryl which brings wellbeing, in addition to panels of different types of wood as mahogany field, pink mahogany, cedar and cinnamon that brings color and warms the room.
In the gourmet kitchen, a block of graphite Silestone sustains the table of mahogany field, design by the architect; Sérgio Rodrigues chairs indicate the relaxed and comfortable way to receive friends for a dinner or even a drink.
The kitchen also provides a mix of materials, the technology of Italian glass Panna and reflective glass, Italian chairs Papiro by B&Bitalia, graphite Silestone on the floor and silver one on the countertops, walls with black and gray hydraulic tiles, wood doors and mahogany table – design by the architect. The kitchen becomes a mix of cozy and contemporary at the same time. That mix can also be seen in the toilet with gauzy Silestone floor and countertops, burgundy Mister Cryl, Hansgrohe mixers that contrast with the tile of the wall and the Indian mirror.
In the master bedroom, the highlights are for the headboard with mahogany with stailess steel profile, Glam lampshade from Pradina, French dresser, linen Selene bed by Maxalto and Pantosh wooden chair. Nude and caramel tones and natural materials, linens, leathers and woods, provide a welcoming place that facilitates relaxation.
In the master bathroom, the priority was the elegance, which was achieved by the Limestone Persiano, cabinet with Italian glass and Rimadesio door
In the boy’s room, the colorful and playful furniture design denotes a hip and timeless style.
Photos: Jomar Bragança
This stunning weekend house was designed by architecture studio SPBR, as a retreat in the city centered around a pool, garden and solarium, located in São Paulo, Brazil. Completed in 2013, this 1,969 square foot (183 square meters) modern property features a rooftop swimming pool to capture the heat of the sun, gardens to soften the hardscape and a solarium to avoid the shade from the closely-packed neighboring residences.
Dug into the air – a swimming pool in Sao Paulo. Clouds, drizzle, rain, snow or hail, in all its physical states water is related to sky. However, if we are requested to think about a [swimming] pool, our imagination automatically starts to dig into the ground. Seas, lakes, and ponds explain the reason we react in that direction: essentially, a pool feels like a piece of a lake. It makes sense, the image corresponds to the word, water that rests smoothly on the ground. Water defines the surface.
But if I mention a specific type of pool, a water tank or a water tower, we first imagine an elevated volume of water, a pool detached from the ground level. In this case, hydrostatic pressure is a requirement to fulfill pipes, to supply water. Water level holds a potential possibility.
While walking on the ground,we could ask: where is the surface? In the specific sense of the word, surface has no layers or thickness. However, if one walks in a city like São Paulo [or New York], the ground level does not correspond to the surface anymore. There are some pieces of the ground that haven’t been touched by the sunlight for decades since buildings have permanently shaded them.
In this specific site, the neighborhood’s average height is defined by the zoning code: 6 m high. No side setbacks are required. The east neighbor building shades our site the entire morning until noon, when the west neighbor building starts to shade it for the whole afternoon. Therefore, if there is a pool to be built, exposed to the sunlight the whole day, it is crucial to define its surface: six meters above the ground level.
The assumption here is like to swim in a water tower and to enjoy that potential as a design possibility. One more water ‘state’ related to the sky of São Paulo.
A WEEKEND HOUSE IN THE CITY
São Paulo is a metropolis of 20 million people. It is approximately one hour from the coast. Because of severe traffic jams, its inhabitants spend hours commuting every day. On weekends, especially in the summer, hundreds of thousands drive to the beach causing jams on the roads as well.
In order to avoid being stuck in traffic during weekends, we received an unexpected but rather logical demand as a counterflow action: a weekend house in downtown São Paulo.
As an anti-FAR [floor area ratio] approach, a swimming pool, a solarium and a garden are the main elements of this project. In a properly inverted hierarchy, everything else on this program is complementary: a bedroom, a small apartment for a caretaker, and a space to cook and receive friends.
The site is very central, between an arterial avenue, Avenida Faria Lima, and a metropolitan infrastructural axis [road and railway] built on the Pinheiros river shore. Also, the site is exactly under the airport conical zone, meaning all flights coming from Rio de Janeiro fly over the site about each 7 minutes.
Pool and solarium were displayed as parallel volumes. Two columns were located in the 1 m wide gap between them. The 12 m span is faced on one side by beams supporting the pool and on the other by beams that support the solarium and also hang the floor underneath. Structurally, the mass of the pool counterweights the volume which holds inhabited spaces. In other words, water is balanced by the beach.
The ground level was kept free from any construction in order to achieve the maximum garden area ratio. As a result there are three different layers or three levels for three different moods: ground level [garden – introspective or encompassed by the site limits], apartment level [the only indoor space floating above the ground and underneath the pool], and rooftop [swimming pool and solarium, an extroverted or panoramic space].
This building and its program differs from the focus of traditional architectural projects in two ways: the metropolis becomes a possible place to stay and enjoy during the weekends and elements generally considered secondary in a big house become fundamental components.
Photos: Nelson Kon
Real Parque Loft was designed for a recently married young entrepreneur by Diego Revollo Arquitetura, located in the south zone from São Paulo, Brazil, in a strictly residential buildings neighborhood. The buildings were built in the 80 and 90 decade and for this reason, the architects started from a traditional compartmentalized apartment with exaggerated number of divisions and closed rooms related to its area.
The main challenge was to open the 1,130 square foot (105 square meters) space, bring the sense of amplitude within the existing structural limitations. In this sense, the owner, was willing for profound changes and already felt attracted by the spatial characteristics of lofts as well as the contemporary aesthetic common in these cases.
The idea of a box with just a coating, burned cement, would bring the contemporary aspect and look like “clean” without amendments or interruptions and would be applied on all surfaces such as floors, walls and ceilings. A particular care has been taken into account in choosing the gray’s tone, which should be modern but not too cold and close by the natural cement’s tone. In the baths we used for the slabs the natural Oasis Blue limestone with a similar tone of cement, employed only as an alternative to cement, to be more appropriate for slabs and carved sinks.
For the owner a cold or too modern result wouldn’t please him, he searched an elegant atmosphere but also comfortable an “hot”. The suggestion of the office was the alliance of the cement and the natural wood inn a reddish chestnut brown tone to “heat up” the environment and that would add value in decorative point of view.
In some places such as the entrance, dining bench and the balcony seat, the Cumaru wood, a Brazilian’s hardwood with high resistance was used by rules to make the wood “weigh” even more. Where the use of solid wood wasn’t viable either by weight or by the natural movement, we chose for the Pau Ferro sheet, a wood with enough personality and a similar design to the Jacarandá, one of the main wood used in furniture production peak in Brazil in the 50 and 60 decade, for example.
The furniture and interior design continues with the choice of textiles as the natural linen or the distressed leather and prioritizes the warm touch and comfort always against the coldness of the cement box. The end result is a loft without excesses, spacious and extremely pleasant to live.
Photos: Alain Brugier
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