Morningstar Residence is a modern home with warm and rustic textures designed by Zone 4 Architects and built by Brikor Associates, located on the Roaring Fork River, Aspen, Colorado. This 5,126 square foot, four bedroom, four-and-a-half bathroom home has been patterned after old European farm structures with a contemporary twist. The floor plan showcases a central core great room with glass hallways leading to the bedrooms and all additional rooms which focus on the fabulous views of the Roaring Fork River. The open plan living area is anchored to one side by a modern kitchen and a stunning massive steel fireplace on the other side. The space is connected by reclaimed timbers, concrete flooring, an award-winning lighting scheme and dry-stacked stone walls. The adjacent dining room features a dramatic wine storage wall.
This sensational property is listed for sale at $11,250,000, from here.
Official description of the listing:
The lighting throughout this breathtaking home was designed to highlight architectural forms with a minimal impact from the source. Mountain exterior lighting fixtures to the exposed structure under the decks created pools of light without the light pollution that can be caused from using decorative fixtures. Consistency of design, accents of architectural forms and materials, and ease of use was the basis for this design and the end result is remarkable.
Photos: David O. Marlow
This family treehouse can be used year round for a variety of activities. The upper deck, with stunning views, is perfect for summer picnics, while the side deck is more suited for a quiet spot to read or relax. The interior has a couch for napping, a desk for writing and working, a kitchenette and small dining area. The initial inspiration for the room was a cozy spot for hosting lunch and dinner parties… in a unique and rustic setting.
The tiny getaway is anchored to a 90 foot spruce tree on the owner’s property, and has been stabilized by several fallen/dead pine trees for extra support. The spiral stair case leads right to the front door, where guests are welcomed with an open living space. To combat the cold temperatures in Colorado, Missy installed an electrical baseboard that will help keep the timber tiny home warm.
Photos: David Patterson
This classic alpine home was designed as a getaway for a Florida couple and their family by Worth Interiors, located at Beaver Creek, in Avon, Colorado. The home is situated so perfectly that the couple can stand on their terrace and watch the skiers come down the slopes of the Beaver Creek Resort. In addition to their stellar views, they also enjoy the generous proportions of the rambling house that was previously remodeled by architect Eric Johnson. The house had a lot of dark wood, so in the brief the clients requested a design scheme that was lighter and brighter and more in keeping with who they are. They wanted to push the envelope and go as contemporary as they could within the building envelope. The designer employed unexpected materials such as grass cloth in the bathroom to embroidered vinyl in the guest room and a silver metallic sheen in the living room.
Also unexpected is the repeated use of cowhide the designer deftly employed with a modern twist. The living room is grounded with a patchwork cowhide rug, alder panels in the master suite’s sitting area were stained dark and fitted with brown cowhide inlays, and the bed is backed with white paneling filled with ivory cowhide. “When you go contemporary, you still have to be respectful of the location and the architecture,” states the designer of his innovative use of the iconic western material. “It also helps to have clients who are brave enough to try layers of dark and light woods, plaster, grass cloth and cowhide.”
“We salvaged a lot of the original building’s structural materials, popped it up and out in every direction and nearly doubled the square footage,” says Johnson, who also added more than 2,000 square feet of outdoor living areas. And according to builder Robert Kehr, those commodious rooms and outdoor spaces made a dramatic difference. “The house has three large suites all with spa bathrooms, and the master has a personal deck with a privacy fence and hot tub,” he says.
In the spacious living room of a Vail Valley home, the designer chose tactile materials that complement the wall’s stone detailing. A cowhide rug from Stark grounds a sitting area where a leather-covered Dunne daybed by Troscan Design Furnishings pairs with a custom tufted ottoman.
The designer gave the kitchen a contemporary feel by painting the island cabinetry black to play off the existing granite countertop and redid the perimeter counters in honed black granite. The Guy Chaddock hand-forged iron chandelier, which features natural burlap and leather lacing, was procured through Town.
Clean lines define the Ted Boerner dining table, purchased through Town, and Jiun Ho chairs, which are covered with durable Joseph Noble Great Fake leather. A Roll & Hill chandelier composed of 12 ceramic antlers lends a whimsical western accent.
The master suite’s sitting area is outfitted with a Kennedy sectional sofa by Edward Ferrell Lewis Mittman and a sturdy coffee table from Taracea. The Stark ikat rug, from Town, lends a punch of color and pattern to the space.
In the master bedroom, the headboard is upholstered with Joseph Noble fabric and stands against a wall custom paneled with hide, chrome and lacquer. The custom table is by Altura Furniture, and the Antoine Proulx chair combines a wood-and-copper frame with a metallic from Edelman Leather.
A lamp from Ralph Pucci International lights the Milo Baughman chairs and ottoman from Thayer Coggin that flank the master bedroom’s antique limestone fireplace. The linen drapes feature the same Romo fabric in two colors.
In the second master bath, an alder vanity topped with dark marble is paired with a chair from Arteriors Home. Crystal sconces by Barbara Barry for Kallista illuminate the Phillip Jeffries grass-cloth wallcovering.
In the game room, tufted patent- leather vinyl wraps around a bar, which is crowned with a glowing Caesarstone top from the Concetto Collection. Benches and bar stools from Four Hands offer comfortable seating.
Photos: Kimberly Gavin
The Syncline house was designed as a place of solitude for a professional couple by architecture studio Arch11, located near Boulder, Colorado. Situated at the fold between the Rocky Mountain foothills and the Great Plains, the house mediates horizons and peaks, city and alpine meadows. Conceived as a frame for viewing the landscape, Arch11 meticulously modeled the residence within the site to ensure that planes of glass capture ridgetop views while respecting the city’s height restrictions.
A Pre-Paleozoic fold creates a distinction between the Great Plains and the Rocky Mountain Foothills. Geologically referred to as a syncline, a crease caused by uplift of an ancient sea bed, the fold distinguishes the inhabited plains from mountain park space. The upward plane of the fold presents a landscape described and observed moving sectionally through the house.
The wedge shaped site was bound by numerous restrictive land use limitations: a wetland buffer, height restrictions, a solar access restriction, and multiple setback and easement boundary requirements. A three-dimensional computer model was developed describing the limits of the buildable envelope.
The project was conceived as a threshold between the city and the mountain park. The client, an entrepreneurial and professional rock climbing couple, requested the house to be “a place where town life can be left behind.” The house is a threshold between both the cultural and geologic creases: one between the domestic and the feral, the other between horizontal and vertical. Through a domestic grove of flowering trees, a solid wood wall, broken only by a perpendicular stone wall, opens to the house interior. Once inside, the stone wall becomes a thickened poche of mechanical and service elements leading through to the west wall of the house, a glazed wall framing the mountain parks.
The western wall phenomenally erodes, revealing the landscape with varying degrees of openness. At the entry, framed apertures provide controlled vignettes of the landscape from foreground meadow to high ground cliffs. As the entry opens to the living spaces the apertures transform in scale to reveal the expansive landscape in its entirety. At the southwest corner thirty feet of glass retracts into the walls, dissolving the boundary between the domestic and the wild; the living spaces are then bounded only by the uplifted cliffs beyond. Reciprocally, the native meadow to the west folds onto the garage roof providing easy outdoor access for visiting guests in the house’s guest suite.
A simple stair cantilevers from the stone wall. Climbing the stairs, the foreground, mid range, and ridge views are sequentially revealed. Experientially scissoring into the landscape and back into the house the stairs connect the mountain park with the house. The west wall of glazing extends the western room boundaries to the wall of rock and meadows beyond. The east wall remains closed, allowing only privileged, controlled views and light from the clerestory above.
Working within some of the strictest energy performance codes in the country, the house is designed to be self sustained utilizing a ground loop heat exchange system that taps into the very bedrock seen at the distant ridge. A ten kilovolt photo-voltaic electrical system powers pumps, compressors and the domestic electrical needs.
To support an envelope comprised of 50% glazing, a structural steel frame is used in place of traditional stick framing throughout the home. The western facade was challenged by height and wind exposure. The thickened wall is a steel brace frame that incorporates vertical vierendeel trusses to resist the 120 mile per hour winds coming down out of the mountains. Additionally, it accommodates the primary vertical mechanical chases.
Built with innovative renewable energy systems and materials crafted to last centuries, the house is a model of cutting-edge sustainable design and attains a LEED gold certification. Roof gardens allow the land to literally envelop the house, and expansive, retracting glass walls provide full views of the Flatirons to the west while connecting interiors with outdoor rooms. Executed with uncompromising detail, surfaces meet with quiet precision, creating a serene background for the landscape and mountains beyond.
Photos: Courtesy of Arch11
We just received images of this net zero home that was designed by HMH Architecture + Interiors in Boulder, Colorado, for two environmental attorneys. One of the attorneys works for the Environmental Protection Agency so maximum sustainability was the only option. However, the environment wasn’t the only design caveat. The owners—a small family with two dogs—also needed a showcase for their expansive art collection of two- and three-dimensional pieces, and requested casual living spaces to accommodate everyday living.
The house was designed in three zones: public, private and the garage. An entry that functions as an airlock separates the garage from the public zone defining the entry as well as help keeping pollutants from entering the main house.
After interviewing several firms in the area, the owners chose HMH Architecture + Interiors in Boulder, Colorado, a firm that specializes in art collection-driven home design, to create home that would be a work of art in its own right.
A seamless integration of the environment, art and family life, the home is a sculptural plan with long, uninterrupted walls throughout to accommodate and complement the art collection. Windows were carefully sized and located throughout to optimize daylight and art lighting while sheltering the works from direct sunlight.
A living room designed for living. This great room area includes the kitchen, dining area, an open office for homework and telecommuting, a living area for family interaction, and a covered porch for eating and playing outdoors.
To achieve an architectural balance between high-concept design and environmental efficiency, the home was built with sustainable materials throughout, including more cost-effective stucco and metal for the exterior.
“The main goal was to build a house that didn’t leave a carbon footprint,” says principal Harvey Hine, who conducted energy modeling prior to construction, which dictated that the house had to be built with fewer windows than originally intended.
The window design was a study of transparency and heat control optimizing the ideal amount of sunlight to keep the home cool in the summer and warm in the winter. With a 10kW solar intake system on the roof and a hot water solar system, the home produces 140% of its energy every year, and the homeowners sell the excess back to Xcel Energy.
No matter how sustainable or sculptural, a home ultimately has to be comfortable and livable, which was the top priority for this small family who wanted the home to serve as a social center for guests and entertaining. The great room includes a kitchen, dining area and an open office for family interaction as well as a covered porch for eating and enjoying the legendary Colorado weather.
An open office for homework and telecommuting. The result is an integration of the environment, living and art, customized for a specific family.
The house is bright, airy and acts as a backdrop for the art, the landscape, and daily family activity. The result of the integration of the environment, art, and daily family activity which has been customized for a specific family and location.
Photos: Courtesy of HMH Architecture + Interiors
The Sunshine Canyon Residence has been designed by THA Architecture, nestled at an elevation of 7,000 feet in the mountains just west of Boulder, Colorado. Completed in 2013, this home was a replacement to a home that the owners had lost the Fourmile Canyon fire of Labor Day weekend in 2010. They sold their property and purchased a larger parcel of eight acres for $150,000 on a higher perch, seven miles above downtown. The new structure was more modest in size to their previous home, coming in at 2,200 square feet and costing $1.2 million to build. The dwelling is set on tall steel columns and encased in corrugated, fire-resistant steel siding that is quickly taking on the patina of an old mining shack. “With passive house features, a geothermal heating and cooling system, and a solar array out back, the house is practically net zero in terms of energy consumption”, states THA Architecture.
The panoramic views are ever-changing and offer their own form of entertainment. Where others may have cleared away the expanse of burned trees, the couple saw beauty and left them standing.
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