Casa Zapallar Papudo is a stunning beachfront property that has been designed by architecture studio Raimundo Anguita, and is located on the coast, in the coastal way between Zapallar and Papudo, Chile. The area is one of the more exclusive and elegant places of summer vacation on the central Chilean littoral. This beach home, with an area of 3,000 square meters, is the only one of its kind with this permission, rests along the broad seashore, a domain of the whole north coast. The 5,382 square foot (500 square meters) house consists of two clearly distinct areas that flow outward to an external central courtyard surrounded by public property. This courtyard has the distinction of visually linking enclosures and light with morning sun throughout the interior of the house.
The entrance to the property is through a covered garden area outside of the bedrooms which leads to a hall through which you reach a higher viewpoint to visualize and understand the house and its relationship with the environment. With the exception of this space, the rest of the house is on the ground level with the arranged with the intention of facilitating gatherings and family life, essential elements of the second housing.
The sea is visible from every part of the house, prioritizing all the bedrooms and living and dining rooms, enclosures that are designed as spaces of contemplation.
A curved roof of exposed concrete covers the hall, living and dining rooms, and terrace- giving it a unique specialty and creating, in balance with the maritime environment, an atmosphere of tranquility and belonging.
The Confluence House is the primary residence designed by Incorporated Architecture for a young couple in Harlemville, New York. The home has been developed for the award of a LEED rating for residential construction by the US Green Building Council (USGBC). The form and orientation of the house is optimized to enhance heat gain in the winter and keep the house cool in the summer. Cross ventilation moves through the transom windows on either side of the house. Other green aspects of the home include solar panels, environmentally friendly kitchen cabinets, FSC certified windows and doors, bamboo floors, low flow plumbing fixtures, recycled glass tile, low VOC paints and sealants, and soy based insulation. The mechanical, electrical and plumbing systems were also engineered to comply with the LEED rating system and Energy Star for Homes system.
Photos: Courtesy of Incorporated Architecture
Veronica Beach House is a unique contemporary residence that has been recently designed by Longhi Architects, situated in Lima, Peru. The materiality of this incredible 7,000 square foot (650 square meters) house is solved with the balanced use of five main materials: Cast Stone concrete, with colors derived from natural rock context.
Here is a description of the project from the architect: Peru is known for its food and its music as a cultural representation, the attempt by its architecture to be known, has become one of the most important motivations of our work. This attempt was conducted in a more intuitive than rational way, more feeling and reacting to our own nature that analyzing or justifying our actions with history or references. This is how we present this home to our clients and this is how we learned the many complexes that we have for recognizing us as Peruvians.
In our environment, it is more difficult to try to offer Peruvian architecture than foreign architecture, complicating the attempt when commisions often arrive with specific orders oblivious to what should be in a proper context styles. Veronica house was a great opportunity to explore this search of our architecture in a context that is better related with the international style.
The intervention was seen as the happy meeting between the artificial and the natural. The pool of almost 40 meters long and a staircase of several levels are the architectural landscape elements that allowed integration with the place always seeking a balance between the natural (rock site) and artificial represented by the same architectural elements.
The social area is at the terrace swimming pool level on a raised platform, carved into the hill, it has a glass enclosure that based on a rail system allowing all partitions come together on the north side of the house making integrated spaces living room, kitchen with terrace and pool.
Beton and Pulish concrete, applied to specific architectural elements, such as an artistic beam that supports the glazing system at the level of the deck, and in some steps of the main staircase, window frames and doors. Shihuahuaco wooden balconies and elevated terraces, walls and ceilings painted white and “volumes” of glass.
Intimate areas are accommodated in a volume of two levels that “floats” above the terrace. This volume generates a nice architectural dialogue with the rock side both north and south of the lot, with a bulk composition that could be interpreted as the geometrization of the nature of the place.
In conclusion it was attempted a house that feels comfortable in its place resorting to the only thing that can unite a community, their culture.
Photos: Juan Solano
House Boz is a spacious and luxurious residence designed by Nico van der Meulen Architects situated on a hill within a secluded nature estate in Pretoria, South Africa. The clients requested that this stunning contemporary four bedroom house had an emphasis placed on the design of the living rooms. Ensuring that the magnificent views were optimized was of utmost importance and the design of this 8,288 square foot (770 square meters) house responds well not only to the client’s requirements but also to the context of the site.
The concept of a bush lodge arose from the vastness of the site and the natural setting of the stand within the estate. Werner van der Meulen of Nico van der Meulen Architects was inspired to design a house that resembled a bush lodge in the way it responds to nature and its immediate surroundings. Translating this concept into a contemporary home was almost effortless thanks to the location, orientation and natural beauty of the site.
Phia van der meulen and the M Square Lifestyle Design team strategically linked spaces through their use of various natural materials in the interior spaces. The design exposes the truth of the materials by using them in their purest form such as incorporating in situ-concrete, quartzite cladding and rusted mild steel in the design.
Regardt van der Meulen’s original steel sculptures were chosen for the project, as they fitted perfectly with the steel theme of the project.
Approaching the stand via a long driveway, you are afforded the opportunity to appreciate the design from a distance before actually getting close enough to appreciate its spaces. The striking square and rectangular forms are strategically positioned to capture your attention while the rusted steel boxes and stone-cladded walls aid in camouflaging the house creating a sense of unity between building and site.
The stretched screen walls seem to want to reach beyond their borders while floating steel boxes are gracefully suspended in mid air. The prominent east-west and north-south axes link and connect all the spaces while this point of collision and interception of the axes becomes the center of the home and it is here where we find the living room and covered patio. Thanks to the views being orientated towards North, the entire Northern facade has the ability to open up and live out onto the expansive views thus also naturally lighting and heating the house in winter, while carefully designed overhangs and brise-soleil keep the summer sum out.
The entrance hall positioned between the double garages is distinctively located alongside a partially covered atrium that gently introduces you to several views through the house as you’re welcomed in. The koi pond introduces water as you approach the front door while various podiums add depth and dimension to this space. An elevated sculpture podium and interlocking planters bring this atrium to life. At the same time it makes it possible to sleep with open doors as it is impossible to get into the atrium once the Mentis grating gate to the driveway is locked.
Every design decision communicates and reinforces the concept, as can be seen in the selection of materials used and the way the internal spaces relate to the outdoors. Limiting the choice of materials to predominately natural materials and earthy colors, it is evident that even the smallest of details make reference to the concept in a very unique way. Initially the site revealed itself as a mound of quartzite rock which was excavated and hand cut for the gabion walls and the stone cladding used throughout the house.
The double volume entrance hall is framed by a back-lit perforated skin of scaffolding boards bolted to a wall, creating the perfect backdrop for the sculptural looking concrete staircase with steel inlays and the sculpture under it by Regardt van der Meulen.
The interiors feature linear and monolithic forms that complement the architect’s vision for this house. Many of the functional elements were designed to become beautiful features that visually connect the spaces and create links throughout the house rather than just remaining purely functional. An example of this would be the way the staircase relates to the aluminum ceiling which features in both the main living room as well as in the main bedroom.
The selection of furniture pieces once again continued this theme where splashes of orange were used in the living room making reference to the orange seen in the rusted metal cladding. The overall charcoal color range used in this house complements the shades of grey found in the off shutter concrete walls.
The kitchen overlooks the lanai and garden while the frameless folding doors create an invisible threshold between the inside and out. These doors, when completely open, allow for the kitchen and dining room to overflow onto the lanai and bar, making entertaining effortless and enabling adults to keep an eye on children in the pool, a mere meter away.
The lanai with a sunken jacuzzi is snugly positioned between the pool on one side and a stone-cladded wall on the west which screens the afternoon sun to ensure the lanai’s temperature remains moderate. It is these design decisions that truly set this house apart from the rest.
All four en suite bedrooms are situated on the first floor with all of the bedrooms having their own private balcony. The three children’s bedrooms are situated on the western wing of the house while the main bedroom is located on the eastern wing. A suspended walkway with steel sheeting as floor tiles, overlooking the atrium links the two wings and creates a sense of privacy for the main bedroom.
Challenges arose during the construction process; however Nico van der Meulen Architects clearly pushed the boundaries on this design. This house prides itself in its design for luxury indoor/outdoor living in the heart of nature where internal spaces effortlessly expand beyond their often invisible borders to a world of beauty outside.
The variety and combination of textures used in this design create a synergy in this home which makes it truly unique.
Photos: Courtesy of Nico van der Meulen Architects
West Seattle Residence is a modern house comprised of concrete, glass, and steel, designed by Lawrence Architecture, situated in the West Seattle district of Seattle, Washington. The 3,800-square-foot house sits on top of a steep hill looking westward with dramatic views of Puget Sound. It’s essentially a loft-like glass curtain wall pavilion that sits on top of an opaque and rectilinear podium next to a similarly massed 925 square foot detached garage. A road runs along the rear of the house on its opaque east side, where the main entry is. Parallel to this road is a tall concrete wall up to twenty-four feet high that shields the house and a side patio for privacy. This wall then extends to the garage and living space unit next door where the client’s parents often stay when they’re visiting, blocking views into the main house’s master bedroom and keeping family at a comfortable distance. “They didn’t want to have to put up blinds,” Lawrence says.
The wall is also the organizing element for the circulation including the stairs with cantilevered steel treads. Supported on steel frames and triangular steel trusses, the roof swoops over the concrete wall capping the pavilion. Eight by sixteen foot sections of the curtain wall pivot for ventilation.
The house’s roof is its most engaging and formal feature. Lawrence describes the arcing shell as “springing over” the house from the rear privacy wall. The garage and loft apartment building has a similar curved roof. Both create a dynamic formal tension with the largely rectilinear buildings below.
An interior and exterior fireplace on the north side connects the house to its patio.
Several wood flourishes warm the inside and outside of the house. Douglas fir is used on the underside of the roof and on the ceiling of the kitchen. The opaque facades of the building are covered in metal panels. Inside, the floors are terrazzo and many of the walls are raw concrete. A steel slab floating stair adds more cool, industrial sophistication.
The house sits on a long, rectilinear podium that contains four bedrooms, a family room, bathrooms, and a media library, occupying the daylight basement level. Upstairs, the main level is an open plan, loft-like living room and kitchen, bathed in light and air through the curtain wall’s operable windows and steel structure. The top level of the house contains the master bedroom and bath. There is additional living space above the garage accessible via stair or future elevator.
The stair has demountable guardrails which are normally in place but were removed for the photographs.
Photos: Benjamin Benschneider
Santiago Mid-Century Remodel is a contemporary two story home designed by Christiano Homes, Inc., located in Dover Shores, a unique water front community in Newport Beach, California. The open living room features a wall of glass windows and doors that open onto the backyard deck and pool. The living room blends into the bar featuring a large walnut wood wall to add interest, texture and warmth. The home also features polished concrete floors throughout the bottom level as well as dark white oak floors on the upper level.
The gorgeous entry to the house features a large wood commercial style front door, polished concrete floors and a barn door separating the master suite.
The dining room overlooks the backyard pool and features a wall of windows and large wood floating shelf. The pre-existing wall was removed and replaced with glass to open up the staircase.
The bar area features a walnut wood wall, Caesarstone countertops, polished concrete floors and floating shelves.
The beautiful kitchen features a large island, stainless steel appliances and backsplash, Caesarstone and marble countertops, wood cabinets, polished concrete floors and a large venting skylight.
The large master bathroom features a modern freestanding bathtub, dual sinks, marble countertops and tile, floating wood vanity and glass shower with ceiling mounted rain style shower head.
The guest bathroom features a floating wood vanity with Caesarstone countertop and walk in shower.
Photos: Courtesy of Christiano Homes, Inc.
Los Chillos House has been designed by Quito based architectural firm Diez + Muller Arquitectos in Valle de los Chillos, Cuenca Canton, Ecuador. The home was completed in 2012, comprised of 5,920 square feet of living space with a contemporary exterior facade composed of stone and glass which contracts ascetically with its traditional rustic interior design.
The design of this house arises from previous research and understanding of the regional architecture of the Ecuadorian highlands, and how it engages with a modern system through understanding the place, tectonics and space of each, creating a tension between the two systems. First are the traditional architectural and spatial elements, such as the courtyard, the wall, porch and slope. At the same time, the open plan and the continuous space are modernist concepts contrasted with the elements previously mentioned. The material palette includes local stone, wood and tile as local or endemic materials, and exposed concrete, steel and glass as modern materials. This mix not only expresses a formal idea, but also a structural and constructive idea that reinforces the argument.
In an area of approximately 2 hectares with a steep slope, the house is implanted in the highest part of the site, with a privileged view. In plan, the house is designed linearly, taking advantage of the views from every room. The design in section becomes important, access is from the upper level of the site to the social area, kitchen and terrace. The most private areas and bedrooms are on the lower floor.
The house is stratified into two zones: the stone base and glass box on top. The base is a stone bearing wall, where private areas are distributed. This base, true to its characteristics, is the support of the house on the ground, and contains the excavated soil for its settlement. It comes into view in full from certain viewpoints, while from others it is half-buried and seems to arise. At the back and at the entrance of the house, a large cut in the ground generates a submerged courtyard which serves mainly to illuminate and ventilate the bedroom areas on the ground floor. At the same time, it becomes one of the most important areas of reference of the house. It is contained by an exposed concrete wall, contrasting with the stone wall, thus creating tensions between the two systems.
The arrival to the house is through a steel and glass bridge that intersects with the stone wall, and opens the space to a large steel and glass nave that contains the social areas of the house on the upper floor. On this nave rests a traditional mud tile roof.
Finally, the finishes of the house are simple materials like concrete and wood on floors, concrete walls, wood deck, etc.. The lightness of the glass top volume is even more evident at night when artificial light exposes its permeability and the great nave of the roof, which is juxtaposed with the monolithic volume of the base on which it rests.
Photos: Sebastían Crespo Camacho
Nestled on a site in Richfield, Wisconsin that consists of both a small farm field and heavily wooded topography of two glacial kettles, Fieldstone House has been designed by Bruns Architecture. It was the two glacial kettles, their existence the reason the land to the east was never logged or farmed, that drew the owners to this site. Approaching the house’s entry, one’s view is framed by steel trellises and a notch in the stone wall focusing attention on the woodland topography beyond. Once inside, the view is again aligned through the house and towards the forest.
The house’s primary living spaces are collected in a tall volume on the woodland side, with support spaces in the smaller, flat-roofed structure on the field side. The geometries of these forms respond to the varied site conditions as they address the hierarchical program within. The roof of the primary volume gently slopes to a central valley, subtly reminiscent of the adjacent glacial topography.
Beginning south of the entry, continuing through the interior spaces and extending back out to the north, a fieldstone wall organizes circulation and provides an inherent connection and orientation to the site. The fieldstone used for the wall was collected from a nearby site after being brought to the region in a glacier originating in Canada. The veneer itself was polished smooth by glacial activity. And the striations on the surface are the result of debris within the ice that was dragged across the settling stone.
Zinc panels hang like drapes on the facade from the clerestory down to the lower level, blurring the floor line that threads between the spaces. The warm grey metal is balanced with smooth cedar siding that wraps the flat volumes. The taught application highlights a larger geometric composition of the components and blends warmly with the surrounding vegetation.
Centered in the main volume, a board-formed concrete chimney engages and anchors both levels. Wood burning fireplaces are enjoyed from both sides of this element, offering flickering views through its mass while providing visual screening from one space to the next. Within the entry, a cedar wall extends down past a timber and steel stair providing visual connection between the two levels.
The house has low-e, argon filled triple pane glazing throughout. Opaque walls are thermally optimized with air-tight foam insulation. Radiant heat is utilized within polished concrete floor slabs on both levels. The mass of the concrete retains the heat energy and distributes it evenly throughout the day. The south facing eave is precisely extended to allow sunlight to fully penetrate the space on winter days, while passively providing shade in the summer.
Photos: Tricia Shay Photography
Limantos Residence is a contemporary glass and steel dwelling designed by architect Fernanda Marques in the upscale neighborhood of Cidade Jardim (Garden City) in the West Zone of São Paulo, Brazil. The single family residence consists of 8,826 square feet (820 square meters) of living space, spread out over three levels on a steep 8,395 square foot (780 square meters) plot. The house is comprised of 13 rooms: living, dining, kitchen, mezzanine, kids’ playroom, three bedroom suites, powder room, two staff suites, plus laundry and garage. The family engaged Fernanda Marques to create a home – both the architecture and interior are by Marques – that functions well as an everyday residence for the active family, but also lends itself to frequent entertaining. Marques achieved a beautiful balance between maximum transparency and privacy, and managed to insert the building into a challenging plot while preserving the existing trees. Using glass, steel, and concrete, Marques created a timeless house in the spirit of Mies van der Rohe who was the architect’s inspiration for this project.
Photos: Fernando Guerra
This unique home was once an old commercial property, a toy store, then went on to become an ultra-modern house with an amazing layout in Barcelona, Spain. Architecture studio Egue y Seta was commissioned for the reform of the project as well as the interior design. They left the essential walls, renovated facilities and combined warm materials such as iroko and oak woods , with other loft aesthetics, such as concrete, brick and galvanized sheet metal.
Glass is the key material in the reform, which directly influences the organization of space. It is mostly used in the facade, so that natural light takes the leading role. Behind the facade of glass, two fronts of vertical oak slats provide privacy on both sides of the entrance door, flanked by two walls that give life to the house. These shrubs, alongside a real indoor garden, featuring local species and bed of pine bark, forming a green triangle that provides a natural setting environment, something made possible by the special layout of the house.
To the right of the entrance are the common areas, an open plan living room, dining room and kitchen. A sunken living room was a solution for achieving spaciousness, as the difference in level creates the illusion of distance with the dining room when, in fact, they are close.
The walls are enhanced by contrasting brick wall and gray paint. The original wrought ceiling with beams was left exposed and galvanized steel ducts for air conditioning and heating was added.
The bedroom, is separated from two totally glazed volumes: the bathroom and indoor garden located in front of the entrance. Privacy is redefined as well in this house inhabited by a childless couple. In return, the owner’s can enjoy the central garden, as without a wall between the sleeping area and the bathroom, the bedroom is designed as a suite.
Photos: Mi Casa