Mansion in The Hague is a residential renovation project of a hundred year old building, completed by designer Remy Meijers, located in the outskirts of The Hague, The Netherlands. The French owners wanted a surrounding designed in a neutral color scheme defined by a quite and peaceful ambiance with a lightness of space.
The original layout, the characteristic living room and the original ornaments have been maintained. ‘Because there was no need to change the structure of this impressive building.
Only the kitchen and bedroom were too small for actual standards. Therefore, these areas are increased.’ On the ground floor the separation between living room and kitchen was demolished allowing daylight to penetrate deep into the house.
The white walls contribute to the light and spatial character of the mansion. In this sober, open interior wooden elements act as modest highlights.
Contractor: In Toom Furniture: Bom Interieurs Furniture: Remy Meijers Collectie Natural Stone: Van Leeuwen Natuursteen Lightning: Flos, Modular, Delta Light Wooden Floor: Ebony and Co (begane grond)
Photos: René Gonkel
SF House is a contemporary residence designed for a couple and their two teenage children by Studio Guilherme Torres, located in Londrina, Brazil. Completed in 2006, the 5,887 square foot (547 square meters) project was planned on an upward sloping terrain allocated in three floors. The first floor, built at the street level, contains the laundry area which cannot be seen due to the span that forms the garage.
Above the garage one can find the living area and the guest’s bedroom. The big wood brise indicates the stairway that leads to the house. On the third floor, you will find the bedrooms which face a vast terrace. The access to the bedrooms is through a long corridor, brightly illuminated by glass sealed slabs on the ceiling and walls. Light is this project’s main property. It is free, rich, abundant and generous.
In this house, different environs are found with total synergy among the different parts of the house. The dining room, balcony and the home theater have no obstacles between them and can be closed with glass doors that are allocated in the walls. On both floors and walls one can easily notice the materials used: cement, bricks and cumaru wood.
The furniture never fails to match couple the precise and economical features of the house yet following a rejuvenating idea proposed by the family. The materials used either as floor or wall coatings allow room for a new interpretation to the basic Cartesian plans. In other words, the material which is supposedly made for walking on can actually be touched and vice and verse.
The house architecture carries several antagonistic symbolism’s – solidity, lightness, coziness, modernity, warmth, freshness – and complementary so as to shorten the distance between our dreams and achievements, an antidote to the boredom of traditional houses.
Photos: Beto Consorte
17BR-House is an early 1900’s Peranakan shophouse that has been just recently renovated into a contemporary family home by ONG&ONG in Singapore. The homeowners wanted to build a warm family home that would preserve the shophouse’s historical character and reverse the drastic alterations done during its previous incarnation as an office space.
In reinstating 17BR-House as a residence, an inner courtyard was created on the first floor, allowing sunlight and air to flow freely into and throughout the house. The installation of a green wall as well as the covering of the floor entirely in carpet grass transforms the courtyard into a quaint indoor garden. This space forms the visual focus for the first floor; with the absence of partition walls, there is a seamless visual transition from the kitchen at the back of the building to the living area at the front, allowing the family-oriented homeowner to interact with his children while indulging in culinary exploits in the kitchen.
A dramatic spiral staircase spanning all three levels maximizes vertical circulation while skylights in the jack roof directly above the staircase provide natural illumination. Timber beams installed in the ceiling of the first floor and the roof adds an old world charm to the home.
The second floor holds two bedrooms; both share a bathroom, a long corridor lined with bookshelves and storage space, as well as equally enjoyable views, one of the traditional facade and the other of the green wall in the courtyard.
The top floor houses the master bedroom and a separate bathroom visually connected to the bedroom via a long slab of limestone that serves as the top counter of the bathroom’s vanity and continues onward into the corridor, forming a functional desk area amidst a bookshelf-lined wall. The skylight in the master bathroom illuminates both the bathroom and the balcony on the second floor with natural daylight.
The shophouse’s rear comprises a kitchen, the service quarters as well as a 7-metre long swimming pool, with traditional glazed floor tiles and a replica spiral staircase at the back reminiscent of the shophouse’s early days.
The façade’s restoration, with the reversion to a single pintu pagar door, the reinstatement of the traditional, taller windows on the second floor, and the use of shiny enamel-finished dado tiles, completes the project that goes beyond the creation of a perfect, modern family home to a preservation of an invaluable cultural heritage.
The shophouse had been in a bad state, having been stripped of its historical characteristics and renovated for office use. With much support from the client, the architects made a conscious effort to bring these traditional elements back while also reinstating the shophouse to residential use. Considering the scale of the restorative work required the final product is both a perfect home for the modern family as well as a fitting tribute to the shophouse’s history.
Photos: Aaron Pocock
Apartment LA has undergone a rustic contemporary renovation for a family with two children, by architect David Guerra, located in Belo Horizonte, Brazil. When the first child started to go to school, the couple bought an apartment in the city, letting the country house where they lived be just for the weekends. The new home combines the coziness aspect of a country house and the urban and practical style of the big city. To attend the needs of the couple with two children, a renovation was needed.
The walls that divide the living room from the balcony were demolished to combine the ambient with larger, fluid and comfortable space. The balcony became a gourmet bar/kitchen that can be used for the wine with friends and breakfast in family with a view of the mountains. Linen sofa and chairs and a vintage armchair appear as a relaxing living area also in the balcony.
A small fireplace has become a major element of the living room wall. The new warming ambiance mix colors, rustic and natural materials with modern and technological ones. They are wool, natural linen, nude tones, leather in different colors – honey, whiskey and chocolate, wood and demolition wood, gray Mister Cryl, Silestone rock, stainless steel, yellow metal, bronze, mirror, glass and acrylic, all materials that combined, gives a great ambiance.
The choices of the furniture, noted the concern of creating a place that prioritizes comfort, warmth, elegance and relaxation. That way we can see a mix of Brazilian designs with Sérgio Rodrigues, Pedro Useche, Frederico Cruze and international designs like De Padova, Minotti of B&Bitalia, Maxalto, Muuto and Mooi.
In the living area a big sofa with a chaise was reformed by JRJ and gains a new linen covering. Pillows by Entreposto, a Jensen leather armchair from Minotti and an armchair Louisiana from Depadova proves the pursuit of comfort and elegance. The Sullivan low tables from Minotti (gray glass round and wood triangular) along with the Still table, also from Minotti and Lens by Patricia Urquiola add a touch of fun and relaxation to the room.
The dining table with an American toned oak that highlights the beauty, lightness and comfort of the Tombly leather chairs from Minotti and also the chandelier by Mooi.
The entire floor of the apartment, except the wet areas, had been replaced by wide planks of mahogany field bought from a farm. The floor has gone through a bleaching process, maintaining the identity and rusticity from the wood and giving a more light and modern touch to the place. On the wall, gray Mister Cryl which brings wellbeing, in addition to panels of different types of wood as mahogany field, pink mahogany, cedar and cinnamon that brings color and warms the room.
In the gourmet kitchen, a block of graphite Silestone sustains the table of mahogany field, design by the architect; Sérgio Rodrigues chairs indicate the relaxed and comfortable way to receive friends for a dinner or even a drink.
The kitchen also provides a mix of materials, the technology of Italian glass Panna and reflective glass, Italian chairs Papiro by B&Bitalia, graphite Silestone on the floor and silver one on the countertops, walls with black and gray hydraulic tiles, wood doors and mahogany table – design by the architect. The kitchen becomes a mix of cozy and contemporary at the same time. That mix can also be seen in the toilet with gauzy Silestone floor and countertops, burgundy Mister Cryl, Hansgrohe mixers that contrast with the tile of the wall and the Indian mirror.
In the master bedroom, the highlights are for the headboard with mahogany with stailess steel profile, Glam lampshade from Pradina, French dresser, linen Selene bed by Maxalto and Pantosh wooden chair. Nude and caramel tones and natural materials, linens, leathers and woods, provide a welcoming place that facilitates relaxation.
In the master bathroom, the priority was the elegance, which was achieved by the Limestone Persiano, cabinet with Italian glass and Rimadesio door
In the boy’s room, the colorful and playful furniture design denotes a hip and timeless style.
Photos: Jomar Bragança
Long Courtyard House is a contemporary addition to a turn of the century terrace house designed in 2013 by SCALE Architecture, located in Alexandria, a suburb in the inner-east of Sydney, New South Wales, Australia. By reorienting the courtyard to the side of the block, the project challenges the typical terrace configuration. It creates a north-facing side garden extending the full length of the addition.
The project is a compact building with a slender footprint, where each interior space relates to a new garden room. An equivalency of interior and exterior space is created, expanding the spatial relationship beyond the building envelope.
The addition is made up of two pure forms, each addressing its own garden. The concrete volume on the ground floor opens north to the long garden court, while a cantilevered timber box floating above opens east to a roof garden.
These discrete forms define the spatial arrangement – living takes place on the ground floor, inside the solid and elemental concrete form, while bedrooms are contained in the lightweight timber box above.
SCALE Architecture is a Sydney based practice committed to excellence in Architecture, design and urbanism. SCALE is a multiple award winning practice led by Matt Chan, established in Amsterdam (2002) and Sydney (2004). Our growing portfolio is extended by collaboration with architects, planners, artists and students both locally and internationally. The studio’s focus on architecture is cross fertilised by our active engagement in research, education, publication, exhibition and talks.
Photos: Brett Boardman
Apple Bay House is a holiday retreat for extended family designed by Parsonson Architects Ltd, nestled on a west facing bush clad hillside of Apple Bay, Marlborough Sounds, New Zealand. The property is located in the Marlborough Sounds, which is at the north end of the South Island of New Zealand. It is accessible by 4 wheel drive vehicle and boat from the nearest township Picton.
We intended to create a delicate platform amongst trees for life to unfold. The house is in two parts, each with a fine roof that follows the slope of the land. The upstairs living areas are configured as a large elongated space with decks at each end to enjoy both the morning and afternoon sun and with retreat and service spaces serving these. Downstairs bedrooms float amongst the trees with windows opening across the tree tops. The gap and junction between the two building parts is a continuation of the path up from the boat house.
Parsonson Architects was established in 1987 and is based in Wellington, New Zealand. The practice has focused primarily on individual houses and aims to produce work with a high level of sensitivity and discipline, engaging the spirit of each owner and site. More recently projects have included apartment buildings, retail fit outs in North America and Europe and competition entries across a variety of building types and project scales.
Photos: Paul Mcredie
Black is back in the latest house to be completed by Luigi Rosselli Architects. This new house, built for a young family on a battle axe block overlooking Bronte, acts as a big balcony built to browse the beach.
The cooperative effort of project architect Corrado Palleschi, interior designer Alexandra Donohoe and the client has seen a graphic palette of black and white tones carried to great effect throughout the house.
Nowhere is the result of this bold application seen more clearly than in the main stairwell where the dark timber treads and handrail seem to float in light.
Australian based, this practice has a humanist approach to architecture and design, not eager to win awards, but always to instil good design and humane architecture that develops affinities, creating sympathetic buildings that flow and appeal. Working from the top floor of a converted Sydney warehouse, they are a team of architects and interior designers under the guidance of Luigi Rosselli and his three decades of international experience in Milano, Switzerland, New York and Sydney. Renowned for their houses, residential architecture, adaptive re-use and heritage designs, the studio has worked on a very wide range of projects: from offices to factories, from libraries to wineries, from childcare to chapels.
Photos: Justin Alexander
The contemporary transformation of North Bondi House was carried out by Australian studio MCK Architects, located in Bondi, an eastern suburb of Sydney, in the state of New South Wales, Australia. This project comprises a first floor addition and a ground floor reinvention to a space + light deprived semi-detached house.
Floorspace has been sacrificed on the first floor to create a double height open core to the center of the house, filtering natural light into the depths of the interior. Dead space has been otherwise eliminated where possible through open planning and recycling circulation functionality.
MCK is a young team of multi-award winning architects based in Sydney, Australia. We specialize in residential and commercial projects of high-quality finish and detail that are sensitive to context and brief. Our distinctive aesthetic is known for its classic proportion and geometric form. We enjoy using unexpected materials that challenge and sometimes even surprise. We also believe that good architecture and respect for the environment go hand in hand. Working with your ideas, we can nurture your project from conception to completion. Our innovative and inter-disciplinary skill-set, and extensive network of suppliers, means we can take a project from the first sketch right through to construction. Our team can help you make the right decisions and guide you through the process by bringing our creativity and can-do expertise to the table. Our work-style is collaborative, open and driven by our love of good design.
Photos: Douglas Frost
Gubbins House is a contemporary property designed by Antonio Zaninovic Architecture Studio in collaboration with Rees Roberts & Partners, located at the base of Table Mountain in Cape Town, South Africa. The project won a 2010 Honor Award from the American Society and Landscape Architects for its many sustainable features and its incredible local flora garden.
Surrounded by protected natural parklands on three sides, the house was built on an exceptional plot at the base of Table Mountain with sweeping views down to the city and harbor below. The site lies alongside a ravine, where amid the dense vegetation a stream flows in an uninterrupted path from the mountain parks above all the way to the city dams below.
Tucked in against the mountain, the structure was designed to integrate as much as possible with its surrounding landscape. An excavated courtyard gives access to the house, ensuring total privacy from the street and an adjacent neighbor and also protecting its inhabitants from the strong southern winds. This tranquil space complete with a pond and sculptural indigenous trees leads to the six-meter-high foyer tower which articulates the different elements of the house that continue out from that central focal point.
From there, the sleeping quarters branch off to the west and hover over the ravine and trees. The more public entertaining spaces extend towards the north, and by cantilevering these spaces over the garden and swimming pool below, views afforded to the forest, city, and ocean below were maximized. Towards the south, the kitchen and service rooms enjoy the protection of the mountainside from the fierce natural elements.
In terms of energy and functional programming, the foyer is the central location for various processes that keep the house running efficiently. A reflective pond filled with borehole water flows from the interiors to the outside; in turn, breezes travel over the water back inside through low windows, helping to cool the house in the summer. Once outside, the pond continues into a waterfall, which becomes a filter for the natural swimming pool below as well as a seamless water wall for the sauna room behind. The foyer’s roof also houses the solar components that provide under-floor water heating during the winter months, in addition to hot water year round.
While the house was designed to employ cross-ventilation, temperature control is also achieved through the inclusion of semi-excavated rooms in the built house, which allow the stable temperatures of the earth to act as a climactic moderator. Heat-repelling glass and appropriate cantilevers to the north combined with highly insulated glass to the south keep heat in or out, depending on the season. Notably, the house was built with locally produced materials to maximize constructive potential by utilizing the craftsmanship and techniques native to the region.
The landscape draws on the context of the site by continuing the Fynbos, a natural heathland vegetation native to a small belt of the Western Cape, down from Table Mountain and through the garden landscape, effectively marrying it with the surrounding mountains. Garden pathways and steps meander through the varied planting areas, creating a seamless connection between interior and garden rooms. An outdoor seating area is nestled in the plantings away from the mountain winds, yet has dynamic views of the Cape Town Harbor below. In addition to the waterfall, the natural swimming pool also uses plantings to filter the water, giving the experience of swimming in a crystal clear lake. Ultimately, the landscape is designed to fully integrate the built house with its natural surrounding environment.
The design strategy for the interiors also takes cues from the surrounding site. Rich carpets and fabrics are juxtaposed against hard concrete floors and other simple surfaces. Modern furniture with clean lines is employed along with more sculptural pieces and artwork that add character and vitality to the interior mood. The simple color palette of the house gives a bright and airy feeling that defers to the views outside. The outdoors is also actively engaged, as in the case of the Master Bedroom and its free form plan that extends toward an open air screening space. Despite its carefully planned and richly treated interiors, the house retains a comfortable and relaxed style that draws upon recognizably native elements such as local wood paneled walls and pieces by local artists.