The Library House is a vibrant home designed to be a peaceful oasis for a family of three by Khosla Associates, located in Bangalore, India. The architects were asked to create a relatively small program for a three bedroom house within a large 13,000 square foot plot of land.
Description from the architects: The brief for this house was a well articulated document that delved into the nuances of how this family of 3 wanted to live. The family, comprising an entrepreneur-industrialist, married to a bohemian writer and with a teenage daughter, wanted the house to reflect the diverse range of their lives.
Our clients wanted privacy from staff and casual visitors. Seeking a peaceful oasis from the stresses of life, the homeowners wanted space to breathe, a verandah to watch the rain fall and a garden to potter about in. They wanted an ecologically sensitive house, contemporary yet nostalgic about old Bangalore; and since they were avid readers, a space to accommodate their ever-growing collection of books.
From the road, a modest colonnaded Mangalore tiled walkway with wooden columns traverses a tropical courtyard and one enters the home via a light filled foyer.
The Library is given importance as a central space as it combines various activities for the family and provides an anchor to the house. The 750 square foot area has a 25 foot high gabled roof with wooden trusses and a bookshelf spanning over 30 feet. It is a casual space where the family congregates, where carefully demarcated areas for lounging, studying, listening to music, playing the piano, and entertaining are carved out in an open plan layout.
The generosity of space gently spills out via large sliding doors into an ample verandah, pool deck and garden. The interconnectedness of these areas allow for a grand and seamless living space. Comfortable clusters of seating in the verandah and deck interact with the library as well as the garden.
The house achieves a great degree of efficiency in generating most of it’s own electricity via photovoltaic solar panels, and stores excess rainwater in a large underground sump.
The Library house juxtaposes different moods within its plan, modulating scale and creating an element of surprise as you enter, and a process of discovery as you move along. There is a layering of space and a continuing bricolage of old and new, global and Indian, that extends through all the spaces.
Photos: Shamanth Patil J.
Mountain Wood Residence is comprised of separate buildings arranged to create a variety of indoor outdoor spaces designed by Walker Warner Architects, located in the small rural town of Woodside, California. The home embodies the San Francisco firm’s belief that architecture should be expressive, timeless, and always united with the natural beauty of the site. The beautiful interiors were designed by interior design firm Shawback Design Associates.
Description from the architects: To create a variety of complementary indoor and outdoor living experiences, the architects arranged three zinc-roofed structures—a main house, an office, and a barn—around a loose central courtyard. The fourth structure—a pool house—comprises a row of three pavilions, constructed of the same understated material palette of wood, stone, glass and steel, as the main buildings.
The rustic stone barn, reminiscent of a beautiful ruin that has long stood on the land, stands at the front of the property, acting as a visual threshold and symbol of the updated rural vernacular.
An open passageway through the barn creates a dramatic frame of the entry facade of the main residence, which is contrastingly contemporary with its exposed steel and large expanses of glass.
At sundown, the house appears like a jewel box in the woods. Having completed other projects in Woodside and similarly picturesque locations, Walker Warner knows properly framing these views is crucial to properly contextualizing the building.
A material palette of stone and western red cedar is contrasted by contemporary elements of exposed steel, and large expanses of glass.
Walker Warner drew from the rustic surroundings and determined appropriate lines and forms for this particular landscape that spoke to their client’s vision, all the while incorporating the highest levels of quality, integrity and craftsmanship.
The result is an artful, tranquil home with a respectful nod to the regional agrarian compounds and iconic forms that came before.
Photos: Matthew Millman
From the architects: Formerly a semi-detached house, this site was converted to a bungalow. A lap pool is placed between the new house and the party wall, creating a private courtyard space.
The first storey opens up to this space with the living, dining and dry kitchen adjacent.
A unique spiral staircase connects the master bedroom to the study above.
Upstairs, the master bathroom features a rainforest tree in the middle.
The kids rooms are custom-designed to the children’s own brief as are their bathrooms.
Here, the shelves are inspired by the shape of the Ligne Roset sofas.
HYLA Architects is an award-winning architectural practice headed and founded by Principal Architect Han Loke Kwang. HYLA’s work seeks to be timeless, unique and personal. Our experience lies strongly in designing high end landed residential projects. The design belief has won the firm numerous awards including the Singapore Institute of Architect’s Design Award and Architectural Heritage Awards by URA. Our work is regularly featured in monographs and magazines internationally, including the Phaidon Atlas of 21st Century World Architecture. To be selected as one of the 1,000 exemplary works of architecture around the world is indeed a humbling accolade.
Photos: Courtesy of HYLA
This project involved the conversion of a Shoreditch Warehouse by Chris Dyson Architects to create a family home, located in Shoreditch, a district in the historic East End of London, England. The proposal included the removal of a modern shed to the rear and a reinstatement of a courtyard at the rear of the property to bring natural light into the bedroom and en-suite. The industrial style home is comprised of 5,381 square feet (500 square meters) of living space.
To bring light deeper into the ground floor study space an existing lantern roof-light was replaced, walk on roof-light fitted flush with the adjacent new terrace. Inclined translucent panels installed below a new mesh access stair brings light even deeper into the plan.
A new timber privacy screen was introduced to shield views and noise to neighbouring properties while the enjoyment of the terrace and courtyard is experienced internally with the introduction of double glazed steel framed doors at ground level and double pivot doors to the new terrace.
CDA was founded in 2004 by Chris Dyson, a former senior designer at Sir James Stirling and Michael Wilford Associates, and more recently at Sir Terry Farrell and Partners. The practice is based in the historic Spitalfields area of London, where Dyson has lived and worked for 20 years, and where many of the practice’s early projects are located.
Photos: Peter Londers
This extraordinary modern farmhouse has been designed by Olsen Studios, located just West of Preston Hollow, a neighborhood outside of Dallas, Texas. The farmhouse gives the impression of a Napa Valley Estate nestled amongst the large Pecan and Oak Trees of “rural” Dallas.
The simple board and batten, gabled structures are mixed with highly textured elements in the landscape to create a perfect visual balance for this Urban Dallas location.
Olsen Studios designed the house as a series of small pavilions connected by glass links. The structures weave their way through the existing trees and site amenities.
It incorporates a south facing courtyard and porch to take advantage of the Texas climate, and a north facing evening court to enjoy the rural streetscape and converse with neighbors.
Enclosed dog run type entry to this Modern Farmhouse, with antique console and limestone floors.
The interior is filled with natural light and views, and is appointed with the Owner’s incredible collection of local artisan paintings and sculpture.
The great room with limestone fireplace and ebonized oak cabinetry.
The home office space features a sliding antique barn door.
The kitchen showcases ebonized oak cabinets, stainless steel appliances, silestone counters and natural white oak floors.
Freestanding Queen Victoria tub in modern bath.
Olsen Studios began its creative existence with founding Principal Jamie Olsen Ali. She started the firm with the simple concept that buildings are experienced from the inside out, and that architecture and interior design should be developed together. As a full service design firm, Olsen Studios creates integrated buildings and environments to last a lifetime.
Photos: Sean Gallagher
Westboro Home was designed to revolve around a two storey light filled raised garden courtyard by Kariouk Associates, located in Ottawa, Ontario, Canada. The contemporary residence was completed in 2013, sited on a narrow lot in a downtown neighborhood.
The site for this home was a narrow lot in a downtown neighborhood, which carried with it extensive code limitations on side windows. A further challenge was negotiating the difference in grade between the two neighboring lots: an already steeply sloping site, the neighbors to the West raised their rear yard an additional 1.5 meters, ultimately creating a difference in neighboring lot heights of approximately 2.5 meters.
The design of the home revolves around a two storey, light-filled raised garden courtyard. The garden takes a “bite” out of the tight, permissible building area, however it allowed for an extensive amount of glass that otherwise, due to restrictive building code requirements, would not be possible. The courtyard’s lot-line side remains open, while its three interior sides are filled with windows and bring natural light into the heart of the home on both living floors. The courtyard is filled with ornamental plantings, and while it serves as a “daylight-magnet,” it also serves as a lush, visual focus for each of the primary living spaces of the home.
Upon stepping into the foyer, one is immediately presented with a series of linked views that unite the very front of the home to the very back of the property. The opposing wall of the interior foyer is entirely glass and shows the exterior, raised garden courtyard; this view continues through the courtyard and joins the interior of the formal dining room; this view then extends to an exterior garden bridge over the lower rear yard that ultimately joins visually to the interior of a three-season reading pavilion set in the rear yard.
A sense of privacy is created, despite the numerous and large windows that were achieved, as the main living areas begin a full-flight above street level; a slate and glass entry stair and walkway create a generous arrival point for visitors. Likewise, the entry stair/foyer volume is clad in white masonry in order to visually advance and welcome visitors towards the walkway (while the volume housing primary living spaces as well as the garage below is clad in black clapboard in order to recede from the sidewalk). A continuous visual and spatial gap cuts entirely through the home between the light and dark volumes; an open-riser stair is inserted into that void, set against the backdrop of the garden courtyard.
Photos: Courtesy of Kariouk Associates
Corte San Pietro Hotel is an abandoned structure that was beautifully restored into a luxury hotel by architect Daniela Amoroso, located in Matera, Italy. Matera is one of the most ancient cities in the world and its territory contains the evidence of human settlements as from the Palaeolithic times.
The Sassi districts, World Heritage site, are the original urban core of the city and, based on natural caves, they have been further extended over the millenniums to be turned into even more complex structures.An intricate network of streets, alleyways, inner courtyards and neighborhoods overlooked by habitations of all sizes, ancient defensive walls, towers, warehouses, wine cellars and cisterns. A never-ending excavated and built system.
In the very heart of the Sassi district, an abandoned structure in disuse dating back to the XVII. C and which surrounds an internal courtyard has been restored and reinvented to be turned into new spaces of a 5,381 square foot (500 square meters) hotel.
Useless architectural contaminations and superfluous layers of pavement have been removed, uncovering the original tufa stonework topped with vaults: the historical structure has been laid bare, as an architectural evidence to confront and dialogue with. In this search for essence, authentic, pure space free from excess, we can recognize the Wabi spirit conceived by the Belgian Axel Vervoordt.
The historical places, full of an attractive identity, harmoniously and precisely combine to the comfort and to the refined and elegant design.
Turned into refined hotel rooms, the former habitations at the ground floor overlook an internal courtyard which, thanks to long and accurate restoration works, is characterized by an original stone pavement called “a chiancarelle”.
Enlightened with candle lights in the evening, the courtyard becomes very cozy and intimate, giving a sense of protection.
The rooms located all around the courtyard are rigorously monochromatic, characterized by chestnut brown shades, from the beige of the stone to the brown of the wood and the weathering steel. Soil, stone pavement and the natural colour of the stone become wall, ceiling and sitting.
The constant search for a connection between the various inner rooms and the landscape is the very base of this combination of local stone, wood and iron in each single room with different proportions according to a linear and essential design. Poor elements usually combined to a country style become light and modern.
The linen curtains of the entrance doors skillfully made by hand let a bright light reach the first area of each room dedicated to sitting/living area and relax whereas the following private areas carved out from the rock face, are enlightened through skylights from the vaults. These small windows, from above, allow beams of light to alternate with large dark intimate areas.
Tufa arches introduce to bathrooms, intimate and cozy spaces featured by niches and cavities now containing large stone bathtubs or showers.
The interior design is based on restored vintage furnishings and typical tools. Nature and timeworn objects perfectly suit each single room through various furnishing elements: old benches in century-old chestnut tree become either doors, shelves or tables, old wooden chairs frames become towel holders, tree logs become stools or bedside tables.
The whole hotel develop horizontally all around an area, the courtyard, characterized by slight differences of level and surrounded by five rooms, the reception hall and the breakfast room, in an ancient typical system which features the whole structure.
Under the hotel, below ground, are located eight bell-shaped cisterns, evidence of the former system for the collection of the rainwaters and excellent example of sustainability. Rainwaters were forwarded through gutters, drainpipes and channelings down to the cisterns connected to the habitations. Cisterns are visitable through narrow inner passages. Going through the changeable silence of a cave and adapting ourselves to these dark environments means to be immersed into another dimension, where it is possible to seize the deepest and ancestral meaning of these places, of this land. It is a place where to feed our souls and feel a strong well-being.
From the entrance in Via B. Buozzi, visitors are greeted as in a private house in the graceful and cozy reception, elegantly furnished, through which it is possible to access the private courtyard.
Photos: PierMario Ruggeri
02 House was designed as a modern and luxurious single story property by Daffonchio & Associates Architects, located in Hyde Park, Johannesburg, South Africa. The house is set on a secluded, tranquil stand surrounded by established trees. The main house consists of 2 wings: the living wing and the bedroom wing. Both wings have long, low roofs which appear to float over and past them. These roofs are supported on external steel posts, as all of the walls stop short of the ceiling, with clerestory windows on top of all internal and external walls.
The clerestory windows allow views of the trees from inside the house, and admit a soft, diffused light into the house during the day. At night, the ceilings are lit up by means of fluorescent lights concealed below the clerestory windows. This creates a soft, ambient light, and enhances the floating effect of the roofs. The deep overhangs of the roofs and the generous concrete aprons around the house extend the house into the garden both spatially and visually. The deep roof overhangs also shade the glazing in summer, protecting the house from solar heat gain.
Along the full length of the northern side of the living area is a 16 meter long floor to ceiling motorized frameless glass sliding door. When opened, the door disappears into cavity walls, and the living area effectively becomes an open covered patio, with 2 large cavity sliders on the south side opening onto a secluded courtyard.
The entrance door was designed by South African artist Marcus Neustetter. It comprises a sheet of laser cut steel on the outside and laser cut walnut on the inside, with clear glass in between to let light shine in during the day and out at night. The laser cut image originates from a Google Earth image showing the topography of Johannesburg and the surrounding areas. The minimalist architecture, expansive spaces, soft natural daylight and white walls in the house serve as a backdrop for other artwork throughout the house.
The ecopool has been designed to read as part of the garden, with gravel banks acting as the transition between the garden and the pool, and planted wetlands blending visually with the surrounding landscaping.
Photos: Adam Letch
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