Casa Zapallar Papudo is a stunning beachfront property that has been designed by architecture studio Raimundo Anguita, and is located on the coast, in the coastal way between Zapallar and Papudo, Chile. The area is one of the more exclusive and elegant places of summer vacation on the central Chilean littoral. This beach home, with an area of 3,000 square meters, is the only one of its kind with this permission, rests along the broad seashore, a domain of the whole north coast. The 5,382 square foot (500 square meters) house consists of two clearly distinct areas that flow outward to an external central courtyard surrounded by public property. This courtyard has the distinction of visually linking enclosures and light with morning sun throughout the interior of the house.
The entrance to the property is through a covered garden area outside of the bedrooms which leads to a hall through which you reach a higher viewpoint to visualize and understand the house and its relationship with the environment. With the exception of this space, the rest of the house is on the ground level with the arranged with the intention of facilitating gatherings and family life, essential elements of the second housing.
The sea is visible from every part of the house, prioritizing all the bedrooms and living and dining rooms, enclosures that are designed as spaces of contemplation.
A curved roof of exposed concrete covers the hall, living and dining rooms, and terrace- giving it a unique specialty and creating, in balance with the maritime environment, an atmosphere of tranquility and belonging.
Gardens Cape Town house is a contemporary renovation and addition by Grobler Architects of a semi-detached Victorian cottage in the Gardens area in Cape Town, South Africa. Renovations to the cottage included conversion into a home office with guest suite. Period features and finishes were reinstated with new external timber doors, sash windows and shutters as well as new services, joinery and external landscaping.
An existing 1970’s extension to the rear of the property was then demolished with a new 3-storey 2,045 square foot (190 square meters) contemporary addition to the existing cottage. Accommodation included a basement double garage and an open-plan ground floor with kitchen, dining and living areas leading onto a terrace with koi pond and indigenous planting. The master bedroom was located on the first floor with planted terrace, dressing room and master bathroom with private courtyard.
Finishes included white marble and black granite surfaces to the kitchen and bathroom, white duco sprayed joinery, porcelain floor tiles and white epoxy floor finish to the first floor.
Photos: Clinton Grobler
Dolls House a workers cottage renovation project in Fitzroy, a suburb of Melbourne, Australia, designed by local architecture firm Edwards Moore. The smallest house on the street, the property retains the existing street frontage and primary living areas whilst fragmenting the building addition beyond. Creating courtyards which serve to separate yet connect the functions for living. A collection of raw and untreated finishes creating a grit that compliments the owners desire for an uncomplicated living arrangement.
Echoes of the homes history are reflected in discreetly choreographed gold panels located throughout the space. An abundance of natural light refracting off the all white interiors create a sense of the ethereal, an otherworldly environment hidden amongst the urban grain.
Photos: Fraser Marsden
Spanish Oaks Tour Home showcases a Texas Hill Country Contemporary style that makes the best of each space, designed by Cornerstone Architects in Austin, Texas. The property focuses on using a heavily treed lot and providing multiple indoor and outdoor living experiences. The experience of the home begins across a breezy Lanai, which opens to the courtyard and highlights a sitting area as well as a detached casita. The Foyer opens across to another outdoor living area featuring a one-of-a-kind “fire trough” that blends into the spa and serves as a contemporary fire pit for the backyard. Flanked on both sides by large doors and transoms, the home has the ability to open the courtyard through to the back of the house via the prime living areas. An especially stunning feature is the design of the sanctuary Master Bath. A glass pivot wall opens the slate and stone room, which features a hand-cut stone soaking tub, to a luxurious outdoor shower experience. Care was taken in every aspect of the home’s design, creating each space to be distinctive, providing a unique feature or experience.
The Great Room features a stunning stone fireplace wall with slivers of inset wood to create a beautiful sculpture across the wall.
The master bath is far from ordinary in this exquisite home; it is a spa sanctuary. An especially stunning feature is the design of the bathtub/shower area. Here, the owners can use the glass pivot wall to open the slate and stone room for a luxurious outdoor shower experience with the beauty of nature. The glass pivot wall also allows for the “fire trough”, designed in the outdoor living space near the pool, to tie into the sanctuary master bath for the utmost relaxing ambiance. The bath features a hand-cut, stone soaking tub, which is filled like a waterfall from its faucet in the ceiling above. From the master suite, walking into the master bath feels like a secret, hidden retreat; and once inside, it opens up to a truly beautiful and relaxing spa sanctuary.
Photos: Casey Dunn
Carmel Residence is an incredible modern home design completed in 2008 by Dirk Denison Architects, situated in Carmel-By-The-Sea, California. The house is nestled on a dense site facing Carmel Bay and the Pacific Ocean. The clients were keen to be fully cognizant of this amazing setting in all areas of the home. As such the house was conceived as a central room comprised of the courtyard, living room, and bedroom, bordered by niche spaces for the kitchen, breakfast nook, office and master bath. Fully folding doors/walls adjacent to the courtyard from the living room and bedroom literally open the full space up, and the rhythmic edge of vertical screen elements (solid mahogany and steel) create a loose border that stretches and compresses along its lengths.
Viewed at an angle, the screen reads opaque, but viewed closely or straight through, the screen is visibly porous allowing both light and air to travel through and across the central space. All other rooms on the main floor abut this border screen, creating a reference of place throughout the house, and providing a dynamic reading of visual connections as one moves through the space. This central heart of the house is protected from strong seawater winds of the ocean by a glass roof, designed to allow for clear views upward and to maintain a warm center space.
The steel columns that anchor the steel cable and strut trusses are integrated into the vertical wood screen – matching the changing rhythm and yet independently identified by a deep charcoal color. When a sweeping breeze is needed, the large sliding windows between the office and the courtyard are easily opened to allow full cross-ventilation. The house lives and breathes through the courtyard, and our clients live fully in this “large” room, even soaking in the Japanese Ofuro installed beneath the glass roof to watch the evening sky.
The second floor is accessed by an exterior cantilever stair, which is structurally and materially integrated into the vertical screen system. Atop the house is a small second floor enclosure between two porches with dramatic views. This space is primarily used as a meditation room – and the large scooped skylight draws attention towards the changing blue of the sky and movement of the stars. Hidden below the inset Tatami floor is a guest mattress, ready to be revealed for guests to sleep among the cypress treetops.
Photos: David Matheson
The Curved House is a modern residence with distinctive lines by design build firm Hufft Projects, situated in Springfield, Missouri. Conceived in plan as a U-shaped form, this residence features a courtyard that allows for a private retreat to an outdoor pool and a custom fire pit. The master wing flanks one side of this central space while the living spaces, a pool cabana, and a view to an adjacent creek form the remainder of the perimeter.
A signature masonry wall gently curves in two places signifying both the primary entrance and the western wall of the pool cabana. The curving form of the terra cotta Spanish tile reflects, on a more detailed scale, the gesture of the curve. Both the fire pit and the pool’s design play upon the sinuous motif as well. An eclectic and vibrant material palette of brick, Spanish roof tile, Ipe, Western Red Cedar, and various interior finish tiles add to the dramatic expanse of the residence. The client’s interest in suitability is manifested in numerous locations, which include a photovoltaic array on the cabana roof, a geothermal system, radiant floor heating, and a design which provides natural daylighting and views in every room.
Interior details and finishes are highly refined. Intricate tile work, well crafted casework, and the complete integration of the constituent parts assure a rich experience for the residents. Hufft Projects and its sister company, Edwin Blue, are currently in the process of designing furnishings for the residence as well.
Photos: Mike Sinclair
The Wall House was designed by FARM architects as two separate volumes that have been connected through a central courtyard in Singapore. The project is a tale of two houses – similar looking, yet independent and coming together to form a coherent whole. The two blocks sit on a sprawling piece of land, belonging respectively to the retired parents and one of their children.
This separation of the house into two blocks, in part a response to the sheer scale of the land, is also a requirement brief given by the clients. Programmatically, it consists of a two-storey block with the main living and master bedroom area, and a single-storey block housing the entertainment areas of the house.
What links these two volumes together is the huge central courtyard at the entrance expressed in an austere geometry of granite floor and wall, an organically shaped oculus and a minimalist planting of six willowy trees. Like a sparse yet artful Chinese landscape painting, this sets the tone for the rest of the spaces.
The landscape design, similar to the house, is also experienced in multiple correlated layers. It takes its inspiration from the philosophy of classical Chinese Garden where views are borrowed through cutouts and vistas, and where sight lines and spaces begin to overlap.
Photos: Bryan van der Beek and Edward Hendricks
The Sunshine Beach House is a family vacation retreat that was designed by Wilson Architects, and is situated on Sunshine Beach, Queensland, Australia. The home was previously known as the Prell House, designed by renowned architect Gabriel Poole in 1997. The design reflected an abstraction of Mediterranean and Mexican influences to present a series of living and sleeping spaces around a central courtyard on a steeply sloping site. The careful arrangement of the spaces protected from the prevailing sea breezes, opened up to the Northern aspect while maintaining privacy.
In many ways the house is an idiosyncratic design and the new owners sought changes that would enable more living space and all weather connections between the sleeping quarters, without sacrificing the unique character of the place.
The key to the design remains the central Outdoor Room, now roofed with a translucent battened roof, linking the living spaces during all but the most inclement weather. The timber seating, landscaping and green wall maintain the outdoor feel and the space is softened by soft furnishings and cushions.
The kitchen and dining space have been extended to open up to expansive ocean views with the capacity to filter harsh light and strong breezes that come with an Eastern aspect. A subtle lowering of the balcony keeps the balustrade below the view line of seated diners.
Upstairs a new corridor connects the house with the backyard and draws breezes through the outdoor room. A new main bedroom takes advantage of an expanded ocean view with an arrangement of frameless glass windows and retractable louvres that enable the conditions to be moderated.
Photos: Brent Hardcastle
Rockledge Residence is is a modern beach house perched atop the vertical face of a rocky, coastal promontory in Laguna Beach, California, designed by Horst Architects together with interior design firm Aria Design. This residence responds directly to the owner’s brief for a relaxed family beach house where they could engage family and friends, while also enjoying the views and natural surroundings of the site. The mild coastal climate also created the opportunity for the seamless integrate of interior and exterior space.
The design solution consists of a main residence and a detached guest house organized around a series of connected courtyards. Native, drought tolerant vegetation forms the connective tissue of the various exterior spaces. Sliding, concealed pocket doors and the continuity of materials both inside and out, help to dissolve the boundary between interior and exterior space.
Materiality and formal choices were informed by a desire to root the structure into the site. Indoor and outdoor living is orchestrated by balancing views with privacy, communal space with intimacy. Rockledge is a place of meditation where one can contemplate the ocean and sky.
Downley House is a large new country house designed by BPR Architects in the South Downs coastal range of Petersfield, England. The client called for a tranquil yet playful place, full of natural texture, contrasts, and indigenous materials. BPR created an entrance sequence which commences in a circular stone entrance court, extends along a pergola into an inner court bounded by a ruined wall and through the house to a roof terrace where a stair bridges into the landscape.
The house is divided into a family wing and a guest wing linked by a barrel vaulted dining hall centered on the ruin entrance. The barrel vaulted hall opens at each end onto courtyards which receive sun in the morning and evening. The form of the dining hall is like a foudre wine barrel and reflects the clients love of wine. The circular glazed stair ascends to the roof terrace.
Downley House is constructed of timber elements prefabricated in Swizerland and erected over a two month period. The family and guest wings are constructed of cross-laminated timber (CLT) panels and the barrel vault is made of a CLT timber shell and glue lam ribs. The low-embodied energy of the construction, the efficient envelope, ground source heat pump and heat recovery system create a highly sustainable and energy efficient building.
Photos: Nick Kane