S House is a contemporary concrete and glass single family home that has been designed by Domenack Arquitectos, situated in Lima, Peru. The design brief necessitated three important factors to be incorporated into the design of the 5,382 square foot (500 square meters) home. First it needed to satisfy the functional needs of the family. Second, it had to adapt to a difficult sloping topography without resorting to complicated and expensive structures. Lastly, the home needed to capture the views towards a golf course, even though the plot is not adjacent to it.
The design of the house is planned over an existing natural platform located 3m above street level. This decision allowed locating only the parking and service areas at street level, while the rest of the program is located above the natural platform. The house is developed in 3 levels, following the rocky ascending topography of the plot. The functional and spatial distribution derives from the customs and needs of the clients. The main garden, pool and social areas are located in the first level, while the private areas are located in the second and third levels.
The project´s elevated position allows taking advantage of the views of the golf course, located to the south of the plot, from the social and master bedroom areas. The rest of the house enjoys different views and scenarios of the surrounding natural environment, through patios, gardens and platforms generated by following the ascending topography. The design of the house promotes adequate ventilation, lighting and thermal control in order to reduce energy consumption.
The house´s composition is framed in a double height exposed concrete structure that directs the views to the golf course and contains the inner volumes of the house. Space within this frame flows freely, visually integrating different areas of the project and its natural surroundings. The premise of adapting the house to the plot´s natural topography, based on ecological and economic criteria, determined the rest of the house´s posterior facades.
Photos: Juan Solano
H House features a modern glass facade designed by Wiel Arets Architects, situated in a leafy area of suburban Maastricht, The Netherlands, just south of the city’s center. The homeowner’s are a dancer and an actor, who are also landscape architects, locating the 3,229 square foot (300 square meters) home within an existing formal garden that the owners had cultivated over the years. Composed of two concrete floor slabs wrapped in an all glass skin that varies in shades of opacity–from transparent to opaque–the interior is organized so that it assumes the characteristics of a single, open, loft-like space. The two exceptions to this completely open living situation are the contiguous volume of the upper story bathroom, which cantilevers over the terrace entry off the kitchen below, and that of the front entry, which projects from the main volume to create a roof terrace.
The house’s staircase is suspended from the first level so that it does not touch the ground floor; its lower portion is composed of movable units that also function as storage for the ground floor kitchen and living space. Small rectangular columns support the house’s concrete slabs.
The owners are able to reconfigure their interior spaces, due to the numerous curtains–whose tracks are recessed within the floor slabs–and the lower components of the staircase; ephemerally defining rooms reflective of the seasonal changes within the surrounding formal garden.
Photos: João Morgado
San Vicente House was designed for a family with three small girls to respond to the busy street it is located on by McClean Design, situated in Ramona, San Diego County, California. The architects came up with a sequence of entry which uses several devices to separate the occupants from the noise beyond. The drive court is screened from the street by high gates and tall landscaped elements. This area connects to an inner courtyard through a curving glass screen designed to allow the light to pass through but shield from the cars and noise. The courtyard contains a waterfall and an infinity edge pool both of which help to instill a feeling of calm as you approach the house.
Our hope is by the time you enter into the two story entry hall you have left the rest of the world behind. The L shaped plan of the house maximizes the expansive back yard while further screening potential noise such that the rear yard is extremely quiet and peaceful. The garden also contains a pool and guest house.
The house consists of master plus four bedrooms on the upper level with a family room, art room and gym. The lower level has formal living and dining rooms, family room, media and office plus associated secondary spaces. The house is finished in cool grey and cream limestone with light plaster and paint tones and bronze metal accents.
Photos: Courtesy of McClean Design
Solis Residence is a breathtaking house set within its stunning natural surroundings on Hamilton Island, Queensland, Australia. Designed by Renato D’Ettorre Architects, the home has been carved into a steep edge of Hamilton Island, brilliantly sculpting three interlocking levels to frame extraordinary views of islands in the Whitsundays waters. The home is sculpted from concrete, stone, block work and glass resulting in a sequence of dramatic volumes incorporating airy living spaces and private sheltered outdoor zones. the building elements are intertwined with reflection ponds and a swimming pool, lending a sense of tranquility and sensuous tactility whilst providing casual, elegant outdoor living amid the beauty and serenity of the island.
From the architect: As a design practice, our aim is to create evocative architecture which satisfies the human need for textural and tactile experience. Solis on Hamilton Island draws inspiration from its magnificent location and Mediterranean coastal architecture: simple, permeable volumes opening and unfolding, capturing distant views of water and land.
This site, within its luscious natural setting, brings the weather seasons into focus with the vegetation’s glorious display of color, texture and flower – nature’s constant reminders of life’s cycles. Remaining connected to these surroundings was one of the key elements driving the design of the house.
Terraces are fluid extensions of internal spaces capturing cooling breezes and allowing cross ventilation. Bedroom terraces frame magnificent views of water and garden, distant lands and the horizon, so that falling asleep or waking is never a mundane ritual. Special attention was taken designing the bathrooms:eliminating superfluous detail and relating to the natural surroundings imbues the spaces with a sense of well-being and purity that is invigorating for the body and stimulating for the mind.
Always connected to water, the interiors are sheltered and cool: swimming pools, reflection ponds and strategically positioned trickling waterfalls soothe both indoors and outdoors, as each rain droplet resonates through the spaces.
In contrast to this sense of tranquility, equally critical to the design was to provide a high degree of safety to the occupants by integrating building regulations so that the house is able to withstand the destructive forces of tropical cyclones that are common in this region of Queensland.
Construction method and material selection was influenced not only by the climate but also the client who had expressed preference for low maintenance materials on a sub-tropical site with extreme weather: long periods of hot, humid conditions and prolonged heavy rain during the wet season limit material lifespan.
Another factor was regional Council’s limit on colors: white and primary colors were not permissible. For these reasons concrete became the primary material; utilizing its eternal qualities of extreme resiliency, excellent thermal properties, the textural quality and hue of rough sawn timber boards echoing the trunks of gum trees and large grey weathered boulders on the site. Further, concrete allows for a ready-made finish eliminating the use of render and paint as well as lending instant patina.
Wall and floor finishes, such as polished concrete, unfilled honed travertine tiles and textured internal renders were selected for their durability and tactile qualities; the irresistible urge to experience the house bare-feet whilst enjoying the touch of the smooth, cool stone.
The design seeks to balance the human spirit by the enriching experience gained in re-connecting with nature through the simple act of observing the wonders of its ever-changing scenery and by harnessing its benefits: off-shore cool breezes, warm evenings, spectacular sunsets, lush vegetation and the beauty of tropical rainfalls.
The Armada House is a modern post and beam home designed by Canadian firm KB Design, set among Garry Oaks on a rocky slope in Victoria, British Columbia, Canada. Set in the Ten Mile Point/Wedgewood Estates neighborhood, Armada is a perfect convergence of concrete, glass, steel and wood, built by Abstract Developments. In 2008 it garnered 10 Gold awards including Project of the Year and Best Custom Home in Canada. Its entry atrium’s grand but welcoming stairs and five-foot wide Douglas fir door establish a sense of volume and scale that defines the residence. Exposed glu-lam fir beams and plenty of windows compliment the open plan kitchen, living, dining space of this 5,299 square foot property. This facilitates a delicate balance between spaciousness for entertaining and intimacy for daily living.
Photos: Courtesy of Keith Baker | KB Design
This sensational cedar and glass house is one of nine secluded homes constructed around the edge of Little Lovett Bay, an inlet accessible only by boat less than an hour from Sydney. The open living room has timber floors and a wood-burning stove. The kitchen is connected to the outdoor deck with folding timber windows, and skylights bring in sunlight filtered through the spotted gum trees that surround the house. The countertops are granite, and the stainless steel sink and drain board match the stainless steel gas appliances. A built-in bookcase holds cookbooks. The ground floor has two guest bedrooms and a full bath. There is an additional downstairs room that could be used as a bedroom or a formal living room. The master suite is upstairs, and includes a bedroom with a peaked ceiling, an en suite bathroom with a soaking tub and a sitting area. A walkway suspended above the living room connects the master suite with another bedroom and an office nook.
This spectacular five-bedroom house is on the market for $2 million (2.25 million Australian dollars.)
Kangaroos, koalas and kookaburras frequent the national park behind the house.
Timber-framed folding doors in the living room and kitchen lead to a deck that overlooks the bay.
The living room has timber floors and a wood-burning stove. Above, a sky walk connects the bedrooms on either side of the house.
Large windows and skylights in the kitchen frame a view of the spotted gum trees that surround the house.
Another view of the deck. The house was built ten years ago.
A ground floor bedroom behind the kitchen has direct access to the deck.
The sky walk on the second floor leads to the study, with a guest bedroom beyond.
A skylight bathes the master bedroom with natural light.
One of two guest bedrooms on the ground floor.
The dining room windows face the back of the house and the Ku-ring-gai Chase National Park, a wild expanse of pristine bush.
This extra room on the ground floor is currently configured as a den.
The property has a guesthouse with a sleeping loft, a full bathroom and a kitchenette.
The house is one of nine on a secluded inlet north of Sydney. There is no road access to the house. It’s ten minutes by boat to Church Point, and from there it’s a 45 minute drive to Sydney’s Central Business District.
The Naked House has been designed by architect Marc Gerritsen as a single family contemporary home for himself in Koh Samui, Thailand. The site location was chosen for the large expanse of the surroundings and quietness. Life in Taipei is very hectic, so the architect needed a place to escape, a quiet area with fabulous views. He wanted an open plan living room with doors that can totally slide away, overlooking a pool and the ocean, something he had been dreaming about for a long time. With this plot he was able to put the pieces of the puzzle together. “The house was a return to the basic values in life: good clean air, wide open space, quiet solitude. With these basic values you can be in a space that is uncluttered, and your mind can become still.” This was also the reason behind the basic materials that were applied to this project: concrete, wood, steel and glass. With no embellishments, the focus was applied more heavily on the space rather than the materials.
I originally planned three stories: two bedrooms on the bottom; the pool, living area and kitchen on the middle level; and an office on top. But I’ve added a bathroom on the living room level, a laundry room and pantry. I wanted a simple kitchen, with no overhead cupboards or tall fridge, so the pantry is good for storage. I added a freestanding open-air bathroom, as the top room became a magnificent master bedroom which needed an en-suite. The tank and plant room became a large open room with a swing bed, underneath the deck I added a steam room, and the space below the bedrooms now houses an office and maid’s room. So it ended up being five stories – the result of a work in progress.
My work over the last few years as an architectural and interior photographer has taught me what not to do. Looking at all the incredibly fine detailed properties I photographed in Asia. I thought: “Is this really necessary to be comfortable? If I walk on a concrete floor or if I walk on a marble floor, is it going to make my living experience so much better?” No. You just need a floor to walk on. I am interested in a return to basics, in a luxury monastic way of living.
Photos: Marc Gerritsen
Those passionate about great design features around the home will appreciate the texture and look of using glass in your home. It is a wonderful material that is able to balance as well as contrast other pieces, and also has a way of playing with both natural and artificial lighting. If you want to discover a bit more about the various ways of using glass, read on and find out how you could incorporate it within your own home. You are sure to end up with a beautifully modern interior.
The best place to start is from the outside looking in – this is something done through the means of windows. There are many shapes and sizes available within the marketplace, but those that are the most memorable are the ones that are slightly different from the rest. For example, these shaped windows really add an extra edge to what would otherwise be a regular doorframe. Other great ideas include windows that straddle two floors of the house, or take up almost an entire wall.
Assuming you do not have small children in the house, a glass staircase could add the fairy tale touch to your abode. These look really futuristic, and immediately give the effect of wealth and success due to their appearance in celebrity pads. Not only that, but they help to create a feeling of a more open space, something that cannot often be achieved with a regular staircase.
Another way to use glass within the home is as a partition between rooms. This can be an effective way at maintaining the level of natural light, without using a full wall or opaque material. There are many options available here as you can choose clear glass, or opt for something that has a frosted appearance or other type of texture.
Of course, glass doesn’t just need to be used for the basic elements of the home, as it can also be used to good effect in the form of decoration. One of the most striking ways to achieve this is through sculptures, which are generally mounted on top of a glossy piece of granite or similar stone. There are also freestanding sculptures that you can look for if you prefer something less bulky.
You can also seek out certain pieces of furniture that are created with the medium of glass. Popular examples include coffee tables, dining tables and even certain chairs. Many of these items are often made in conjunction with metal to really bring the effect of minimalism to the forefront of design. There are of course many pieces in the market meaning there should be something to suit your budget.
Finally, it is likely that you will have seen many conservatories in the past, but some simply stand out from the rest. Those that are able to use glass to the best effect often look more impressive than their basic counterparts, and also make them more ideal for the perfect suntrap.
Photo Sources: 1. T Magazine, 2. Nicholas Design Collaborative, 3. Kenneth Wyner Photography, 4. Robert M. Gurney Architect, 5. Vevo Windows, 6. Moon Bros Inc, 7. Elite Metalcraft Co, 8. KuDa Photography, 9. Horst Architects, 10. Phil Kean Design Group, 11. Engberg Design, 12. Elle Decoration, 13. Axis Mundi, 14. Bo Bedre, 15. El Mueble, 16. Josephine Fisher Interior Design, 17. Leslie Goodwin Photography, 18. Stadshem, 19. Garret Cord Werner Architects & Interior Designers, 20. The Anderson Studio of Architecture & Design, 21. Amy Lau Design, 22. JAUREGUI Architecture, 23. Lerman Construction Management Services, 24. jamesthomas LLC, 25. LDa Architecture & Interiors, 26. Domicile Interior Design, 27. The Construction Zone, 28. Artistic Designs for Living, 29. Dominick Tringali Architects, 30. Last Detail Interior Design, 31. Crisp Architects, 32. Avanto Architects
Lake Washington Residence is a newly built two story single family home over an existing foundation by BAAN Design in the Mount Baker neighborhood of Seattle, Washington. The existing site is located on an upland waterfront lot near Genesee Park on Lake Washington Blvd S with expansive views to the east, over the lake. The foundation of the existing one story house is re-used in order to maintain and extend the non-conforming footprint and lot coverage. The geometry of the front facade is dictated primarily by the view potential offered by the site and the massing is stepped back at second level to maintain conformance to current zoning setback requirements.
The primary interior spaces are designed to relate specifically to the water views to the east and to the more intimate and enclosed privacy of the backyard.
The interior living space is comprised of 3,500 square feet.
While sitting in the rear yard, one can experience the lake views through the glazed doors and glass along the east and west sides of living areas. The roof structure is constructed of exposed double 2×6 rafters with T&G decking above, and the exterior is cladded in pre-stained, tight-knot cedar siding.
The windows and doors are thermally broken aluminum, with custom double hinged pivot wood doors located at the front entrance. The floors are polished gypcrete over an in-floor radiant heat system and the built-in cabinetry is dark stained, rift oak.
View of back patio into living room and lake beyond.
Photos: Ben Benschneider
Built on the property of a larger home in Phoenix, Arizona, The Construction Zone turned a former horse barn into a modern steel and glass guest suite. Other than some basic structure, though, the home has been done over so thoroughly that it’s hard to tell that it’s not an entirely new construction. Most of the surface of the house is done in glass window walls, leading out onto a large patio with space for entertaining. This allows the house to be used while not occupied as an impromptu living space for hosting guests, with direct access to the property’s amenities. The remaining architecture of the house is mostly concrete in form, dividing each room and providing support for the roof. The photo above shows a path from the main house leading to the guest house.
View of the patio, bocce ball court and guest house. Adaptive reuse of a former horse barn into a modern glass and steel guest suite.
Inside, the floorplan is completely open, with only a single formal interior doorway (leading into the bathroom). The entire house is sectioned into four areas, allowing maximum usage of its 1,425 square feet of floorspace. A combination of built-in features and decor cues define each open-form room within the glass and concrete walls, allowing free flow between areas without a loss of identity for each. The glass wall from the front is limited to half-height at the rear, giving plenty of natural light without compromising on privacy. The home is very open and airy in feel, but still provides practical lodgings for a visiting couple.
View of the interior kitchenette and dining.
View of the bedroom details featuring custom steel windows and doors fabricated by the architects.
View of the open hall between the interior spaces. Cast in place concrete walls from the former stalls separate the living spaces.
View of the bath with marble tile and mirror from Customatic.
View of the exterior fire feature custom fabricated by the architects.
View of the east entry featuring steel entry door custom fabricated by the architects.
Photos: Bill Timmerman
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