Shelter Island House is a waterfront property that has been designed by Michael Haverland Architect, located on almost four acres on the highest point on Shelter Island, New York. After careful analysis, the existing beach cottage was retained to be “green” and not wasteful.
The 3,400 square foot addition is modern yet contextual, composed of two simple volumes with traditional pitched roofs, mirroring the angles of the existing house roof. Large walls of glass and simple planes of stucco are juxtaposed in a modern composition. Steel casement windows and doors have mullions and panes that are the same proportion as the existing house, but significantly larger to capture the magnificent views.
The living room volume faces north, to the North Fork and Connecticut, and the master bedroom and guest suite volume shifts to the northwest to capture sunset views, providing separation and privacy from the rest of the house and outdoor spaces. A foyer connects the old and new with a flat roof and deck above. The existing house is reconfigured to include a larger kitchen, proper dining room, porch with breakfast seating and four bedrooms.
The eclectic interiors include significant pieces that are colorful and bright and comfortable but elegant at the same time. The outdoor dining table and chairs, pine banquette and lounge and other furniture was custom designed.
Photos: Laurie Lambrecht
Black is back in the latest house to be completed by Luigi Rosselli Architects. This new house, built for a young family on a battle axe block overlooking Bronte, acts as a big balcony built to browse the beach.
The cooperative effort of project architect Corrado Palleschi, interior designer Alexandra Donohoe and the client has seen a graphic palette of black and white tones carried to great effect throughout the house.
Nowhere is the result of this bold application seen more clearly than in the main stairwell where the dark timber treads and handrail seem to float in light.
Australian based, this practice has a humanist approach to architecture and design, not eager to win awards, but always to instil good design and humane architecture that develops affinities, creating sympathetic buildings that flow and appeal. Working from the top floor of a converted Sydney warehouse, they are a team of architects and interior designers under the guidance of Luigi Rosselli and his three decades of international experience in Milano, Switzerland, New York and Sydney. Renowned for their houses, residential architecture, adaptive re-use and heritage designs, the studio has worked on a very wide range of projects: from offices to factories, from libraries to wineries, from childcare to chapels.
Photos: Justin Alexander
The House of the Infinite has been erected as if it were a jetty facing out to sea, designed by Alberto Campo Baeza, located alongside the Atlantic Ocean in Cádiz, Spain. Cádiz is a marvelous place, like a piece of earthly paradise, where the architects have built an infinite plane facing the infinite sea, the most radical house the architects have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic.
The 9,687 square foot (900 square meters) house is a podium crowned by an upper horizontal plane. On this resoundingly horizontal plane, bare and denuded, we face out to the distant horizon traced by the sea where the sun goes down. A horizontal plane on high built in stone, Roman travertine, as if it were sand, an infinite plane facing the infinite sea. Nothing more and nothing less.
To materialize this elevated horizontal plane, which is the main living room of the house, we built a large box with 20 meters of frontage and 36 meters deep. And under those first 12 meters we excavated two floors in the solid rock to develop the whole living space.
The Romans were there a handful of centuries ago. Bolonia, the ruins of the Roman fishing factories where they produced garum and built temples to their gods, is just a stone’s throw away. In their honor we have built our house, like an acropolis in stone, in roman travertine.
To give even greater force to the platform we incorporated all the terrain as far back as the entrance wall separating us from the street, also done in Roman travertine. Once inside the wall, the entrance to the house will be via a “trench” in the form of stairs dug into the upper surface of the platform.
A Greek poet said that this is a true temenos, a meeting-place, where according to mythology, humans and gods come together.
On the denuded stone platform, three walls surround us and protect us from the prevailing strong winds. Sometimes it is as if someone had opened the bag containing the winds of Aeolus. The same winds that drove on the vessel in which Ulysses made his journey home.
There is a lovely etching by Rembrandt from 1655, “Christ Presented before the People”, that has always fascinated me. In it, Rembrandt sketches a straight horizontal line. Perfectly straight and perfectly horizontal. It is the border of the powerful dais, the podium upon which the scene takes place. There, as Mies did so often, he has made the plane into a line. I am certain that Rembrandt and Mies would like our podium house, all podium, only podium. As would Adalberto Libera, who did the same thing when he built his Malaparte House in Capri. And we like it too. And when we look at our house from the beach, we will be reminded of all of them.
We wanted this house to be capable not only of making time stand still, but to remain in the minds and hearts of humankind.The house of the infinite.
Photos: Javier Callejas Sevilla
Model Concept 1
Model Concept 2
Designed by Studio 27 Architecture, the House on Fire Island is a summer beach house in the resort community of the Pines on Fire Island, New York. The typology of the homes in the Pines is recognizable to anyone who has visited an East Coast Shoreline resort town. It is a builder-driven typology reflecting the pragmatism of the inhabitants of these coastal communities. Almost always the “good sense” pragmatism that allows these homes to be built affordably overtakes the inherent liveliness and natural spirit of the place and creates structures that are a bit dull.
This project inserts some of the “spirit of the shore” into this “Yankee thriftiness” residential typology. Common detail and material remain, but the volume of the 1,550 square foot house is expressed as a skin, rather than as a box-like container. The skin keeps the heat in. Over time, the skin of woven cedar boards will assume the same patina as neighboring houses. Large windows are introduced to reveal a luxurious light interior.
The organization of the plan creates a direct link between the occupation of the different spaces during the day and the sun’s path. Program adjacencies were carefully studied before identifying the swimming pool as the center of social interaction. Interior rooms and exterior spaces were arranged to track the path of the summer sun, connecting it to the rhythm of daily life: breakfast by the pool; cocktails and socializing on the front terrace; and evening dinners in the west light. Sleeping rooms form the backstage of the house.
Products in this project:
Bathroom Equipment: Kohler, Hansgrohe , Duravit, Vero
- Bathroom plumbing fittings by Kohler
- Bathroom plumbing fittings: Axor by Hansgrohe
- Bathroom plumbing fittings: Watertile by Kohler
- Starck 2 by Duravit
- Lavatory by Vero
Construction materials, Semi-finished materials: Caesarstone
- Countertops: Concrete by Caesarstone
Floor: Globe, Ann Sacks
- Stones 1 by Globe
- Luxor Gray by Ann Sacks
Heating and Ventilation: Gavin Scott
- Fireplace: Vision by Gavin Scott
- Entry doors by Andersen
- Windows by Andersen
Kitchen Equipment: General Electrics, Fisher & Paykel, Cascade Faucets
- Refrigerator: Monogram by General Electrics
- Oven: Monogram by General Electrics
- Dishwasher by Fisher & Paykel
- Range: Monogram by General Electrics
- Tower Tech by Cascade Faucets
Lighting, Heating, Home/building automation: Contrast, Meltemi, Wever Ducre, Delta, Artemide, Wandleuchte, Cirius
- Lighting fixtures by Contrast
- Lighting fixtures by Meltemi
- Lighting fixtures by Wever Ducre
- Lighting fixtures by Delta
- Lighting fixtures by Artemide
- Lighting fixtures by Wandleuchte
- Lighting fixtures by Cirius
Walls: Sherwin Williams
- Paints/Stains: Escape Gray by Sherwin Williams
- Paints/Stains: Pure White by Sherwin Williams
Photos: Judy Davis
Hewlett Street House is a contemporary family residence that has been designed by MPR Design Group, located in Bronte, a beachside suburb of Sydney, in the state of New South Wales, Australia. The underlying design intent was to explore the notion of “prospect and refuge” within a family house and then to apply the idea to a specific site near Bronte Beach.
The “prospect” were the constantly changing beach and coast views to the south of the site. The “refuge” was the other contrasting character where we created introspective spaces that provide a sense of sanctuary and enclosure.
These two driving desires for the house were accommodated through devising two sculpted concrete forms responding to their particular use and orientation. The forms are rounded at the edges similar to tubes which are independent of each other enabling the upper tube to twist towards the view while the lower tube orientates to the street.
The upper tube containing the living spaces is open ended and carved out which allows the northern winter sun to penetrate deeply into the space while allowing an unimpeded outlook to the southern view. The form also provides efficient passive ventilation drawing the prevailing nor’ east breeze through the house.
The house boldly sits as a modern insertion into the typically poor building stock of its surrounding environment. The context is of varying building styles, scales and materials so the house creates a deliberate contrast in form and color. The homogenous appearance of the house allows the forms to be emphasized by sun and shadow with the play of light continually shifting and moving with the path of the sun.
On the two lower levels the character of the spaces changes to places of privacy and refuge. The middle tube houses the bedrooms, each with a different aspect and outlook. The lower level has a cave like atmosphere with the room formed by a cut bedrock wall and a dark stone floor connecting the internal and external spaces. The pool provides a water element spanning between the rock wall and the garden.
Photos: Courtesy of MPR Design Group
Voelklip is a modern beach house designed by SAOTA Architects in collaboration with interior design firm Antoni Associates, located in Voëlklip Beach, Hermanus, a town on the southern coast of the Western Cape province of South Africa. A narrow 14 meters site was engaged to its maximum to achieve a spacious home arranged around a large garden and pool courtyard. Extensive concrete spans capture the panoramic sea views.
Completed in 2009, the brief called for a beach house suitable for a family of four, on a vacant site in Voelklip, Hermanus, Western Cape, RSA. The site is a long thin rectangular subdivision stretching from the sun facing street and mountain side to the undulating tree tops of the milkwoods and fynbos and the coastline on the South.
The gently sloping site presented the opportunity for a split-level living space allowing lounge, dining to be placed above the bedrooms on the ground level, all enjoying dramatic sea views. The double volume family room and kitchen form the heart of the home and form the connection between the sea facing accommodation and the internal sunny terraces, pool and garden. The main garden courtyard functions as a large wind free and sunny outdoor entertainment environment.
Materials were selected to enhance the beach-house character of the building while at the same time adding touches of sophisticated detail: white cement screed floors to the public circulation areas; lime washed oak floors to the lounge, dining area and lower-ground floor bedrooms; off shutter concrete ceilings; and external timber decks and pergolas, cladding, screens and shutters providing security, privacy and protection.
Photos: Courtesy of SAOTA
Plywood House ii is an incredible modern two-story beach house designed by Andrew Burges Architects, located in Bondi Beach, Sydney, Australia. The home was designed into a narrow plot of land orientated away from the neighbors to provide a private sanctuary for the owners. Differing from the surrounding buildings, which are characterized by their typical ‘shotgun’ corridor and internal organization, the playful beach house opens up connections to the sky and garden from both levels. The beach house offers a sense of privacy while still having access to the outside landscape and views beyond.
The concept was to create an exterior envelope that directly expressed the long, thin site geometry, but to use the elements of the interior to shift and break down the typical linear corridor space, using the interior geometry to orientate the house away from neighbors and to orchestrate connections with the sky and the garden from both levels of the interior.
The materials used were affordable and created a coastal feel for the house – ecoply cladding for the body of the house and a concrete capping block to create a textured base for the house. Within the simple block-like building form, the windows were used to animate the exterior. On the lower level the window openings are varied and opportunistic – finding points of sky or natural light to suit the specific uses they contain. On the upper level, a continuous strip of windows and screens capitalize on the opportunities for light, sun, and outlook that the second story allows, framed by privacy screens to account for their added exposure.
Photos: Courtesy of Andrew Burges Architects
This casual beach house design was the vision of renowned architect Paul Jones together with builder Zorzi South, situated in Eagle Bay, on the tip of the Cape Naturaliste in Geographe Bay, Western Australia. Winner of the 2014 Master Builders Association South West Home of the Year and six other awards for construction excellence, this beautiful home stands tall on top of the dune, right on the beach at Eagle Bay. Interior design by Nina Dempster from Ozbyrd Design brings an understated elegance to this home.
From the customized lift to the Coolroom, the home comes complete with every convenience one could ask for whilst still maintaining a relaxed and casual, beach house feel.
The use of natural timbers are predominant, with the recycled tallow-wood floorboards, painted white cedar-lined ceilings and walls and solid cedar cabinets dominating the interiors whilst the complete exterior is clad vertically in pacific teak. These raw timber textures juxtapose to the more industrial element of polished concrete in the feature wall of the staircase and the matching polished plaster of the fireplace.
Double-glazed sliding stacker doors open out onto a huge outdoor alfresco balcony that continues the teak motif.
Photos: Courtesy of Zorzi South