Casa do Patio is a stunning modern residence that blurs the lines of indoor / outdoor living, designed by Brazilian architect Leo Romano, located in Goiania, Brazil. The design of this residence dates back to modern Brazilian architecture, in which straight lines and simple demarcate the construction party.
From the outside, the play of volumes is necessary. Few plans define the facade that delicately conceals the daily lives of residents. Inside, the house reveals no mysteries, making clear the distribution of sectors and their environments. It all comes back to the courtyard. Thus, visual permeability and usability is complete, providing day to day family living with a heavy, reinforced by the architecture.
Knowledge, creativity, respect, commitment and dedication describe the firm of architect Leo Romano. With a broad palette of customers, stand out designs includes colleges, banks, decoration shops, bars, restaurants, nightclubs among others. Highlights also include residential projects in Goiânia and various squares. The firm continuously has their work published in newspapers, magazines and national and international books and has been featured on covers frequently. His last major publication is the book Roman Leo, in which the architect shows nineteen projects in 130 pages of the exclusive and deluxe edition.
Photos: Edgard César
Tunquen House is an oceanfront property nestled high on a cliff over 50 meters above sea level, the vision of Nicolás Lipthay Allen / L2C, located in Tunquen, Algarrobo, Valparaíso Region, Chile. The house can be found 160 kilometers outside of the city of Santiago, sitting in a contemplative and respectful manner, as a frame for nature and the environment.
It is defined as a single volume of white concrete which is divided into three areas. The main area houses the living room, dining and kitchen, leaving at one end the master bedroom and its services, and at the other the bedrooms for children and guests. This way, the house can set two scales of use, the first is when the owners are at the house by themselves, and the second is when they are there with the kids or guests.
The climatic conditions of the area, dominated by a powerful south wind, conditioned the design. Attached to the living area is a courtyard that has multiple functions, the most important is to be outside sheltered from the wind, in connection with the view and the interior of the house. This same courtyard provides the access, an outdoor dining area and garden.
The structure of the house is made up of a “bracket” of reinforced concrete which along with the fireplace and the walls of the exterior courtyards shape the projected volume, the roof is based on beams and wood, giving texture and greater height to the spaces.
Photos: Nico Saieh
The Sea Ranch Cabin designed by Frank / Architects inhabits a draw in the redwood forest at The Sea Ranch a planned community located in Sonoma County, California. Approached from the road below, a path winds through trees up the side of an incline to where the house steps in two directions up the slope. From a porch, which glimpses a view up the center of the draw alongside the house. Stairs ascend inside along the wall towards great panes of glass , which frame a view of massive trunks rhythmically pacing in clusters up towards the far ridge.
The form of the house derives from its place on the hillside. Its roof slopes fold on a diagonal to shape the view along the long slope reaching up into the forest in one direction and to climb perpendicularly up the sharper rise on the southeast towards a small clearing The volume created by the sloping roof provides for sleeping and bathing places, a view up into the surrounding trees and access to a nooked terrace off the bedroom.
From the top of the stairs the space widens to create a living/hosting area opening through glass doors into the forest ahead and set among hefty round wood columns inside that echo the trunks on the hillside. A benched area to the right creates a gathering place next to a wood stove that can rotate and steps rise into a sleeping area, which is veiled by carved wooden screens that once had their place in a family home in India.
The house takes its character from the site, with the siding boards, inside and out, reaching vertically like the trees, solid round columns continuing the upright presence of the trunks inside and the filigreed wooden screens from India carrying an intricacy of detail that relates to the lacey undergrowth of the forest Strategically placed high windows and skylights open views to tree tops and drop feathered light and sun from openings in the sky above into kitchen and stair areas, enlivening surfaces throughout the house.
Photos: Frank Domin
Acapulco House is a modern double story residence that has been designed in 2010 by architect Flavio Castro, located in Guarujá, a municipality in the São Paulo state of Brazil. The 3,659 square foot (340 square meters) house is made up of six squares grouped in pairs. Within this compositional rule, two subtractions were made at opposite sides to form two venues: the garage in the front and the social area behind. The different relationships that they establish with their neighbors (other squares) were determinate by the unevenness of the floor, transparency and accessibility. In the sketch found at the end of this post, it is possible comprehend this.
Clearly we can perceive one middle axis that articulates empty halves and a pavilion in the backyard that creates a dialog with the main house.
In the left side, there is a succession of rooms is a space width 5.50 meters tall and huge transparency in parallel facades to the street. This transparency reaffirms the continuity of the space. Only one discontinuity happens by the stairs that leads to the upper floor. Metallic self-supporting, acetic and colorless, it cuts the sequence of rooms at one point creating a visual filter between the public street and the private backyard.
At the bottom left side the pavilion ends the succession of social environments. Separated of the house by the pool and deck, creates a tension between the house and itself. This interval space (range, pool) wins quality in the duality between “seeing and being seen”, completely dissolving the notion of attachment that could be created by the pavilion.
In the upper floor we have four suites with a marked symmetry. They are accessed by a hallway illuminated by a window above the head of the visitor and demystifies the corridor such as the word suggests. This entire upper floor is part of a common function (private area) outlined in the project by volume and color (green).
The openings (windows, etc) are projected in function of the touches between the geometries of the house. To the neighbors, the openings are very punctual, while in others facades are quite present.
The water surface under de interior stair returns to the air humidity in days of intense heat in the city of Brazil, a tropical country, and the roof garden of the pavilion keeps a low temperature of its flat roof.
The logic of the regular squares greatly facilitated the mathematical calculations and the structural performance of the house, because the same constructive procedure could be adopted for the entire building. The distances between pillars are almost the same and there are no structural transitions between the main and upper floor.
Photos: Marcelo Scandaroli
Maison C is a stunning modern family home that has been designed by Lode Architecture, located about twenty kilometers from Paris, in Île-de-France, a region of France. Completed in 2010, the clients wanted for this new home a voluntary architectural approach, free from conventions, and totally bespoke. The main themes were quickly identified: continuities and discontinuities, sharing spaces and intimate spaces, distances and visual relationships between children and parents, arrival sequence and position of the garage and integration of the pool.
Revisiting the uninhibited Californian architecture houses, windows and widely adapted to the context of the larger suburbs, the project scripted the comings and goings of vehicles and staged the pool at the center of family life. Across the width of the plot, the horizontal shape of the house is organizing a garden at the front and a patio on the back. The whole house fits into the natural slope of the land to be part of the landscape. The old orchard is fully architected.
We discover the house flowing along the garden before slipping under the volume that houses the parking. A private staircase leads directly to the heart of the house. The rear of the house is built around a patio. This protected view of the surrounding houses space creates a visual game between the space of parents and children. The sequence kitchen-dining-room-pool is organized on an axis that connects the pool deck to patio. The lounge overhanging glazed and hand-else, enjoys sweeping views overlooking the garden and open views over the rooms for children.
The choice of a single storey house offers here, in the absence of compactness, the ability to guide all living areas to the south. Solar gain in the summer is controlled by advanced roofing and controlled by external sliding shutters. The pool and terrace also benefit from the most favorable exposure. Pond water is heated by the roof panels. A heat pump also provides heating and hot water in the house. The patio planted north opposite the mineral soil of the south facade accentuates the temperature difference between the two facades. This architectural feature promotes natural cooling by convection of the house without using air conditioning. Isolated from the outside house, enjoying the large inertia of the concrete slabs. If the architecture of the house incorporates these devices sustainability in design, aesthetics tends to break free, in the idea of a mature ecology: an invisible ecology.
Photos: Courtesy of Lode Architecture
Casa 2V is a sensational modern property that has been completed in 2010 by Ecuadorian architecture studio Diez + Muller Arquitectos, located in Tumbaco, Ecuador. The house is located on a rectangular area with a slight slope in an east west direction. The land does not have much to offer but the house faces mountain views on the south side and the valley on the west side of Tumbaco. The house has been organized on three main ideas:
Program Independence: The house is broken into three main volumes containing three aspects of the program (social, private and views) respectively. These three are connected by two articulations or glazed bridges that are joined by more than three components, generating slides along the house.
Central Courtyard: The three volumes of the house are composed of a central courtyard surrounded by an internal gallery that serves the various program components.
Orientation and Views: The circulation inside the courtyard allow all environments to project their views to either the mountains or the valley of Tumbaco, these being the most permeable walls of the house.
The house is located on one floor, just having a studio and an elevated deck and gazebo on the social area. This generates a double height space and white glass volume, which rests on the ground floor of the house that is armed in stone.
Photos: Sebastián Crespo
This spectacular modern makeover has been transformed by Peter Vincent Architects into an open, modern space ideal for the flow of daily living, located in Honolulu, Hawaii. Once a compartmentalized home, the interiors of this renovation are luxurious and cozy, while showcasing a worldly collection of modern art. The renovation objectives provided for a continuity of harmonious living, featuring new mauka-makai views, natural ventilation and an enhanced ambiance that blurs the home’s boundaries.
The kitchen, previously sectioned off from the family and dining rooms, became a focal point. A structural load-bearing wall and corner dumbwaiter were removed, effectively decompartmentalizing both the upper and lower levels. The kitchen now features the largest island ever designed by PVA and a stunning custom-made, hand-blown, recycled glass aqua chandelier.
Also enlarged and opened were the master suite, entry courtyard and Great Room, resulting in a strengthened indoor-outdoor relationship. Respecting the original home’s meaningful components, the old front door and gilded stair railings were repurposed into new, interior artwork featured in wall niches.
Photos: Olivier Koning