The Flight House is a modern interpretation of a mountain home designed by Sage Architecture, set in the Martis Camp development in the high Sierras of Truckee, California. The clients were long‐time lovers of modern architecture, with a particular affinity for mid-century modern design. This home was meant to be a place to get away from the city life, get back to nature, and “play together” as a family. The architects named the home, “Flight House” to reflect the concept of escape but also because of the curving roof lines.
This is not your typical log cabin. Nor is it your typical square edged box‐like modern house or “A” frame. Instead, the home is graced by two large arching wing‐shaped roofs to shelter the main living space and bedroom areas. The two wings of the home offer very different experiences with the surrounding environment. In the main living space, the great room is slab‐on‐grade with a polished concrete floor that extends to the outside and feels “grounded”.
The bedroom wing “takes flight” off the land – as the terrain gently slopes down, the building gradually steps up, culminating in a floating 3‐sided glass box in the master suite for a tree house experience. The entry to the home is defined by a third smaller curved roof structure, sheltering visitors and creating a softly defined separation between the outdoor courtyard space situated on the front, sunny exposure side of the home and the street beyond.
All the roof structures are created with huge curved glu‐lam beams. Because we place a large emphasis on passive solar design in our homes, the exterior gathering space wanted to be on the front side of the house to gain the best southern exposure. A deep overhang at the main gathering space creates a second protected outdoor gathering space, while shielding the home from the hotter summer sun.
In the winter, when the sun dips lower in the sky, the sun penetrates into the inner spaces and with the polished concrete floor acting as a heat sink, absorbs this natural heat to warm the space. Overall, the home is heated with energy efficient radiant flooring. And there is no air conditioning. Instead, windows are strategically placed to allow cross ventilation through spaces for natural breezes.
Inside the home, spaces are left clean and unadorned to emphasize the sweeping curve of the roof when possible. As visitors travel down the gallery hall to the main living space, a series of cedar‐clad boxes sit within the larger space where the glu‐lam beams rise above. In terms of materials, the exterior is clad in stained cedar siding and Corten steel.
An emphasis was placed on low maintenance materials. The roof is a combination of standing seamed metal roofing where visible, but the majority of the home’s roof is actually a single ply membrane “cool roof” for better energy efficiency in the warmer summer months.
We selected a muted natural palette for the interior spaces, using woods in their natural colorations with no tinting or stains. The floors in the elevated wing of the house are sustainably harvested teak. Walls and ceilings are clad in cedar. And all cabinetry throughout is walnut. Other wall surfaces were painted a crisp white to function as gallery space for our clients’ art collection.
Light fixtures and tile products were all selected and placed to emphasize the long horizontal lines of the building and to pick up the mid-century modern vibe our clients loved.
This home puts a modern twist on what a mountain home should be. We were fortunate to work with clients who could see the sculptural beauty in the design and wanted to create a piece of art in the forest. Flight House was the result of marrying modern design with a mountain environment, with a little drama thrown in for good measure.
Photos: Vance Fox Photography
This distinctly modern pavilion house was designed by Arent&Pyke located in Bellevue Hill is an eastern suburb of Sydney, New South Wales, Australia. The interior palette adds a subtle layer of sophistication: figured marble in the kitchen and bathrooms, custom timber joinery elements, hand made concrete tiles. The furniture, lighting and decoration complement this palette and define each space with punctuations of color, texture and warmth.
The brief was to create a light and expansive family home, with warmth and family living as its central values. Spaces were to be connected and suitable for relaxed entertaining with a strong relationship between the interior and exterior courtyard spaces.
As a multi-disciplinary and award-winning interior design practice, Arent&Pyke honour a simple yet clear vision – to enrich people’s lives by creating beautiful and cohesive spaces to which they feel emotionally connected. With a focus on residential interiors, Arent&Pyke’s body of work is testament to our ability to clearly articulate our vision. A palette of natural materials and a sensitive and sophisticated use of colour and lighting typify our practice’s work that draws upon the combined experience of not just the team, but the artisans and suppliers with whom we collaborate. We are influenced by realms such as travel and literature, and have an unwavering appreciation for design in all its guises, a respect of architecture and acute attention to detail.
Photos: Anson Smart
Redux House has been designed by Marcio Kogan’s Studio MK27, located in the countryside of São Paulo, Brazil, in a gated community called Quinta da Baroneza. The open land, on a downwards slope terrain and with a west facing view, is on the edge of a large environmental preservation area of a native forest, aspects which determined the implantation as well as the residence’s architectural parti.
The house was built on the highest level possible, respecting the existing topography in order to could gain the view of the sunset and the vegetation with the least impact on the surroundings. The project is composed of a slab floor, 4 programmatic boxes and a slab ceiling. Externally to the slab of the floor there appears a great concrete volume, pool and deck, which is projected along the decline of the site and terminates floating through a
small although striking span.
The slab of the floor, at 50cm above the ground is supported by beams set back, intensifying the delicate shape in which the projected was implanted onto the land. Visually, the house seems to float. The program was divided into four programmatic blocks. The first block contains the intimate area (4 bedrooms and sauna), the second only has the master suite. On the third we have the services area (kitchen, laundry room, sitting room, bathrooms and maids rooms). Finally, in the last block we have the garage and the technical area.
The distribution of the blocks in the slab floor created interstitial spaces, configuring circulation, terraces and the large space for the living room. This latter, enveloped by a skin of glass with sliding panels open and create a dialogue between the internal and external (native forest and the west). The slab of the roof, the same size as the slab on the floor, overlaps the programmatic volumes which, because of the different heights, here it leans on the roof there it has a reduced ceiling height. The emptiness between the volumes and the slab create an inner rhythm and, simultaneously, makes it possible to have improved natural lighting in the house.
The two main volumes that include the bedrooms are completely clad in vertically slatted wooden panels which open almost entirely. In the day, the panels filter the sunlight creating a texture of light and shade and, at night, it transforms the boxes into large lanterns which light up the land.
Photos: Fernando Guerra
House A is a modern single family property designed by Amitzi Architects for a family with three children, located in a high-density neighborhood of Bnei Dror, Israel. The street facade is modest and lower than the adjacent houses, and the lofty, one-and-a-half storey high interior is unexpectedly revealed only when entering the 3,229 square foot (300 square meters) house.
The exposed concrete ceiling floats 60 centimeters above the peripheral walls using steel columns. The resulting clerestory windows provide outside views and ample natural light. The extension of the ceiling outside as an overhang blocks the sun’s heat and glare. To maintain privacy, the side walls are windowless, and the living room opens only towards the back garden.
Materials are simple and typical to the area: exposed concrete ceiling, white-washed walls and oak floors. The approach path is combed concrete and the back garden holds a pine-wood deck.
A split-level section enabled us to create a house which is much bigger on the inside than it looks from the outside. The master bedroom is partially submerged in the ground, yet well lit and cozy. The children’s’ bedrooms sit directly on top of it and are thus elevated and separated from street level. The middle-, ground level holds the entrance and public zone. The living area is directly connected to the higher children’s’ area and the lower master bedroom.
Photos: Courtesy of Amitzi Architects
House L is a renovation project of a semi-detached house built in the 1970’s by Amitzi Architects, for a family with 3 children, located in Tel Aviv, Israel. Despite a cramped and dark interior caused by low ceilings and a split-level section, it turned out that demolition was out of the question, due to budget and schedule. It was decided, therefore, to renovate within the existing envelope, tear open large apertures and dismantle interior partitions, thus creating a spacious and well-lit space.
The kitchen was reorganized to place the dining-area in front of a glass sliding door leading to an outside deck. An axis crosses the entire length of the house – starting from the front deck, through the dining area, entrance hall, living room and up to the back garden – allowing longitudinal views and a natural cross-ventilation.
The entrance hall is lit by glass portholes set within the door. The living room was equipped with a fireplace, a library and a home-cinema system.
The bedrooms’ hall on the first floor is a windowless interior space. Natural light penetrates via a skylight, enabling the use of this space as a study.
Photos: Amitzi Architects
The Conrad Residence is a modern property redesigned to maximize views and living space by Swatt | Miers Architects, located in Sausalito, a San Francisco Bay Area city in Marin County, California. The residence was built over the footprint of a 1950’s residence by noted Bay Area modernist Rodger Lee that over the years had suffered irreparable structural damage.
The new design doubles the area of the house to 2,700 square feet while maintaining the original emphasis on the expressive use of wood and the distribution of public and private spaces.
The new design retains the spirit of the original on the exterior and the interior through its expressive use of wood structure and finishes. Strip windows and cedar siding emphasize the horizontality of the design, extending the lines of the house into the site, and helping nestle the house into the hillside.
Post-and-beam construction is used to reveal the structure of the house and articulates the grid upon which is it is base. Tongue and groove cedar soffits visually connect interior spaces to decks and terraces beyond.
Exposed woodwork, concrete, and stainless steel details complete the plan.
Photos: Cesar Rubio
LA House is a modern single family residence just recently designed by Elías Rizo Arquitectos in collaboration with interior designer Kárima Dipp, located in Mexico. Breaking with the norm established by all the houses in the vicinity, the residence recedes a considerable distance from the setback line, to yield a large open space below the tree canopies, a stark welcome gesture.
The main entry into the complex proceeds to an open passageway that runs along a rough-hewn stone wall and postpones the access into the house an additional number of meters. A glazed box containing a studio protrudes from the building. It hovers above a large pond that can be crossed via a series of stone pavers that rise above the water and lead directly into the public areas of the house. The garage, concealed on the other side of the stone wall, compels cars to park sideways so as to render them invisible from any space in the house.
The entry sequence into the building presents a series of layers, starting with the garden space beyond the setback lines, following through the open corridor past the pond, and crossing through the central courtyard all the way to the living spaces at the back of the main building.
A central courtyard scheme was implemented to introduce natural ventilation into every space of the house without compromising privacy. The corridors around the courtyard on the ground floor are defined by a series of operable windows that allow the kitchen and living spaces to bleed out into the exterior, when the weather allows it.
Expanding on the theme of permeability that dominates the ground floor, similar solutions were implemented throughout the living quarters on the second level, to allow for the private, open spaces. Such is the case with the small, glazed atrium that ventilates the master bathroom and the deeply recessed balconies that yield generous exterior areas to all bedrooms.
Dark gray steel, glass, wood, concrete and stone compose the greater part of the material palette throughout the house, wich is complemented by accents in leather and stainless steel. The master bathroom receives a special treatment as it is covered almost in its entirety with white marble.
Crossing the lawn, beyond the living spaces on the ground floor, a pool and a concrete volume containing an entertainment room overlook a small ravine outside of the property. Below this volume a staggered pathway descends gently to negotiate the changes in topography on a pronounced cliff, leading down to a lower landscape area.
Photos: Marcos García
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