Broad Ripple Bungalow was completely remodeled for open concept living by HAUS | Architecture For Modern Lifestyles, located in Indianapolis, Indiana. The 1920s bungalow remodel includes new skylights, new exposed trusses, and more natural light.
1920’s Bungalow revitalized open concept living, dining, kitchen.
Grandma’s vibrant retro sofas are at home paired with new pallet coffee table on coasters in this cozy, eclectic, light-filled family space – the cat clearly concurs.
Kitchen opens to Living/Dining in this revitalized 1920’s Bungalow.
Remodeled Master Suite includes new spa and bedroom space combined for open concept living and perceived larger space.
Open-concept Master Bathroom opens to Bedroom (foreground) and Master Closet (beyond) via sliding barn door.
Open-concept Master Bathroom opens to Bedroom and Master Closet beyond via sliding barn door.
Open-concept Master Bathroom opens to Bedroom (beyond) and Master Closet (foreground) via sliding barn doors.
Carriage House Loft provides a cozy guest retreat in this revitalized 1920’s Bungalow.
Carriage House Loft provides a cozy guest retreat in this revitalized 1920’s Bungalow.
Guest Loft Bedroom accessed via barn door.
Guest Loft Bedroom/Bathroom accessed via sliding barn door.
Bonus Room Bathroom shares open space with Loft Bedroom.
Photos: Courtesy of HAUS | Architecture For Modern Lifestyles
Jade Ocean Penthouse 2 is a spacious two story penthouse design by Pfuner Design, located in a modern high-rise, oceanfront building in Sunny Isles Beach, Florida. The residence is comprised of 5,800 square feet of sophisticated living space, with high ceilings, designer furnishings and fixtures and plenty of other luxurious amenities for relaxing and entertaining.
We wanted the space to look light and translucent but at the same time luxurious and rich… clean and modern yet inviting. We based our design decisions on the client’s taste, the architecture of the building, and the location in order to create a second residence that our Chicago client could call “his Miami home.” Our award-winning design was featured in many design magazines and on TV shows worldwide.
Pfuner Design is an award winning licensed Interior Design firm. We offer full service Interior Design solutions for residential & boutique-style commercial spaces.
We approach each project with a highly individual creative strategy and artistic sense of aesthetics that go beyond conventional design solutions. We create luxurious environments that interact and enhance the life and performance of your clients.
Photos: Courtesy of Pfuner Design
The RainShine House is a contemporary LEED Platinum home for a couple of empty nesters designed by architect Robert M. Cain, located in Decatur, Georgia. The home was designed as a retirement residence with provision for visiting children and extended family members. One of the most nontoxic new, single-family houses in the United States, the house has achieved and exceeded the highest level of “green architecture” possible through the United States Green Building Council’s LEED [Leadership in Energy and Environmental Design] for Homes Pilot Program. It is the first modernist residence to achieve the much-coveted LEED Platinum level in the Southeastern United States.
The two-story home is comprised of 2800-square feet of living space with three-bedrooms, three-and-a-half bathrooms, nestled on a 1/3-acre infill lot. RainShine is contemporary in design and is named for key design features. The living room, dining, kitchen and guest bedrooms are sheltered by a unique butterfly roof structured with steel beams spanned by exposed 1- 1/2” tongue-and-groove wood decking. The roof floats above continuous clerestories allowing light to flood into the interior. Light shelves around the clerestory sills bounce and diffuse natural light throughout the interior.
The butterfly roof is designed to capture rainfall for a rain harvest system located in the basement (Rain) and is oriented to maximize southern exposure for a roof mounted photovoltaic system (Shine). The butterfly design, with it’s inverted gable, simplifies rainwater collection, eliminates extensive gutter and downspout systems and the associated maintenance headaches common in conventional gabled or hip roofed homes.
The home features large expanses of thermally broken glazing with solar shades and operable windows. Spaces are defined by “thick walls” containing storage, book shelves, niches, pass-throughs, closets, audio visual equipment, systems, etc. Except at certain utility areas, interior walls stop short of the ceilings and are topped by glazing, thus enhancing the floating roof effect.
Photos: Paul Hultberg Photography
The Aurea is an open and airy contemporary lake house was designed around light and space by Alan Mascord Design Associates, located in Portland, Oregon. Linear and angled, this modern-style home hugs the landscape. A low-slung roofline, a sprawling layout, and natural stone and wood materials unite the house to the surroundings. Juxtaposing the natural elements, a metal roof, banks of windows, and angular lines add a twist of artistic style. Angular lines begin at the front porch pergola, which appears to announce the entry.
The foyer leads into the two wings of the home and the upper level, which provide every comfort one desires. To one side are the shared formal areas of the dining room and living room. A beam ceiling, fireplace, and built-ins enhance the space for entertaining. The luxurious master suite and a private library also are in this wing. Walls of windows provide rear views in each space and fireplaces on a shared wall will help relieve the chill of winter air.
The upper level is devoted to three bedrooms, a home theater, and a catch-all activities area, with built-ins for storage and media equipment.
The opposite wing houses casual livings spaces, including an open kitchen, breakfast nook, and family room. Angled banks of glass in the nook repeat the angled lines of the island while ensuring sun-filled relaxation spaces. Patio doors in the nook lead to the back porch and to a covered outdoor living space. Hobbies and crafts have a special room of their own nearby.
The well-appointed bathroom connects to an equally large dressing room. A private gym and sauna are a boon to any workout.
The shelves are framed as part of the tub deck, and finished in the same gorgeous tile as the the tub deck and floor. Besides providing the ideal space for towels, they create a wonderful break between the tub and walk-in shower.
Photos: Bob Greenspan
Trees on the Roof is modern single family residence designed to bring the outside indoors by Meditch Murphey Architects, located in Chevy Chase, Maryland. Situated on a tight urban site, the house is surrounded by a lush fully developed tree canopy at the roof level which we wanted to be able to inhabit. So nestling into this canopy and developing the roof scape underneath it drove the design.
The roof is home to planters large enough to support twenty foot trees and a garden with soil deep enough to grow broccoli, cauliflower and tomatoes. Several balconies and sitting areas snuggle under the canopies. And, of course, there’s a solar array.
Natural passive systems were employed including natural shading, day lighting, and natural ventilation. So in addition to geo-thermal, solar panels, a TRV, radiant heating, super-insulation and green materials throughout, we can expect a substantial fall harvest from the rooftop.
The architects wanted to save water by utilizing a 1,500-gallon cistern, drought-tolerant plants, a rain garden, and pervious paving. They also wanted flexibility. The house transitions from one to four bedrooms by converting multipurpose spaces. The first floor is 100% ADA adaptable and visitor accessible, promoting “aging in place.”
Carbon impact was reduced by using super-insulated walls and roofs, geothermal wells, 6KW solar array, LED lighting, and an electric car (solar-powered). The architects educated the public by offering pre- and post-construction tours. Vocational school students learned deconstruction methods when removing the dilapidated, existing house previously residing on the site.
The L-shaped plan simultaneously creates spaces that receive light from multiple sides while promoting cross-ventilation. High ceilings and expansive operable glazing seamlessly integrate indoor spaces with the outdoors, while an indoor garden enlivens the stair tower year-round. The stair core also functions as a passive air chimney. Computer-controlled exterior louvers defeat solar gain in summer and optimize passive solar heating in winter.
The living room was designed as a kind of greenhouse – one that could open up completely to the outside.
The kitchen opens out to a raised herb garden.
Clerestories allow light in but not the view.
This vine reaches all three floors.
Two of the baths are complete showers with decking floor boards through which the water drains away.
The form of the building and its landscape are sculpted to store, filter, and reuse rainwater. Rooftop planters and vegetable gardens provide thermal protection, storm-water management, an abundance of seasonal food, and a bird’s-eye retreat.
The house’s walkability credentials are supported by nearby shops and public transportation. Integrated bike racks encourage homeowners to skip the car and start pedaling.
Can you see the glass floor in the living room – it’s designed to bring light to the lower level.
A studio space on the ground level.
Located in an established neighborhood of mostly conventional houses, this project provokes a new way of thinking about how we design, build, and live. The house is an integrated part of the landscape, a testimony to building sustainably without sacrificing comfort and beauty.
Photos: Michael Moran
Casa Cielo Azul designed with transparency and light by Signum Architecture together with Leslie Wilks Design, nestled in the hills above St. Helena, California. Upon approach to this property, the visitor does not witness the extraordinary view until arriving at the edge of the hill. Sited to capture that surprise and designed to invoke the response the owner had to a small, blue glass tile, the home exudes an exquisite tranquility. Once inside, the energetic juxtaposition of open and intimate spaces accommodates both private life and entertaining.
The soaring blue wall directs toward the main view, with texture giving it depth and two rectangular perforations connecting it to sky. When the light is just right, the wall and the sky appear to merge. The use of saturated color and large, flat planes recalls the sensual, modernist work of Luis Barragan, yet the transparency and the flow of the house is a clear expression of contemporary wine country life.
The purity of design has a very cool, calm effect on each room. Natural light plays on the plaster walls. Cross breezes keep the rooms comfortable all year. The house was designed to be almost transparent, with natural light and fresh air. An elongated blue stucco wall punctuates the low-slung residence. A concrete path leads to a pivoting glass front door. To the left of the wall is the garage.
The blue wall’s surface is stucco with gravel in the mix to create a rough- textured surface. The wall was painted with coats of blue paint. The dramatic hue was custom-designed.
The home includes two bedrooms, two-and-a-half bathrooms, office, wine cellar and covered terrace. Floor to ceiling glass in the kitchen, where the owners spend most of their time, fills the room with natural light. Indoor materials and floor treatments flow out onto an open terrace, further blurring the boundary between outdoors and in.
Views of the valley are framed by Howell Mountain. San Francisco is visible, far to the south, on a clear day, designed as a see-through house.
Photos: Adrian Gregoretti
Westboro Home was designed to revolve around a two storey light filled raised garden courtyard by Kariouk Associates, located in Ottawa, Ontario, Canada. The contemporary residence was completed in 2013, sited on a narrow lot in a downtown neighborhood.
The site for this home was a narrow lot in a downtown neighborhood, which carried with it extensive code limitations on side windows. A further challenge was negotiating the difference in grade between the two neighboring lots: an already steeply sloping site, the neighbors to the West raised their rear yard an additional 1.5 meters, ultimately creating a difference in neighboring lot heights of approximately 2.5 meters.
The design of the home revolves around a two storey, light-filled raised garden courtyard. The garden takes a “bite” out of the tight, permissible building area, however it allowed for an extensive amount of glass that otherwise, due to restrictive building code requirements, would not be possible. The courtyard’s lot-line side remains open, while its three interior sides are filled with windows and bring natural light into the heart of the home on both living floors. The courtyard is filled with ornamental plantings, and while it serves as a “daylight-magnet,” it also serves as a lush, visual focus for each of the primary living spaces of the home.
Upon stepping into the foyer, one is immediately presented with a series of linked views that unite the very front of the home to the very back of the property. The opposing wall of the interior foyer is entirely glass and shows the exterior, raised garden courtyard; this view continues through the courtyard and joins the interior of the formal dining room; this view then extends to an exterior garden bridge over the lower rear yard that ultimately joins visually to the interior of a three-season reading pavilion set in the rear yard.
A sense of privacy is created, despite the numerous and large windows that were achieved, as the main living areas begin a full-flight above street level; a slate and glass entry stair and walkway create a generous arrival point for visitors. Likewise, the entry stair/foyer volume is clad in white masonry in order to visually advance and welcome visitors towards the walkway (while the volume housing primary living spaces as well as the garage below is clad in black clapboard in order to recede from the sidewalk). A continuous visual and spatial gap cuts entirely through the home between the light and dark volumes; an open-riser stair is inserted into that void, set against the backdrop of the garden courtyard.
Photos: Courtesy of Kariouk Associates
Highway House is the modern pad of architect Nathan Crump of Room 11 who designed this project, located in Dynnyrne, Tasmania, island state of Australia. This compact single level residence of 1,453 square feet (135 square meters), floats along the sheer slopes of the southern outlet, arranged as an east/west elongated box with all rooms facing North for solar gain, natural light and the expansive view of the Derwent River and the City of Hobart.
Living areas are shaded in summer by both the roof overhang and custom external battened screens that slide the full length of the Northern facade.
Accessed via a southern circulation spine, the internal spaces are divided into private and public areas by a central enclosed deck with a roof void to allow sun and breezes into the depth of the plan. A covered deck to the west provides summer afternoon shade to living areas. The two external decks that break the plan allow for a series of sliding doors and galleries of louvered windows to aid in natural cross ventilation.
The home showcases stunning views, plenty of natural light and lots of warmth with the use of lots of wood.
Landscape retaining walls are bluestone-spall filled rigid gabion cages that don’t require concrete footings and provide for natural drainage.
This lightweight timber building responds quickly to heating and cooling and is well suited to Tasmania’s temperate climate.
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