Warmth and texture unite in this gorgeous Bridgehampton Estate designed by David Scott Interiors in Bridgehampton, a hamlet in the South Fork of Suffolk County, New York. The traditional style home encompasses the layering of various textures – rich leathers, woven textiles, rustic metals, and earthy woods – creating a warm and masculine residence. This large home in the heart of horse country is the ideal setting for relaxed summers. The rich brown coloration and earth tones used throughout the rooms were derived from the dark chestnut floors, the beams in the double-height living room, and the stone hearth. Unique rugs in variations of geometric patterns, give the rooms a subtle added dimension.
The walls are a Wattle and Daub natural plaster treatment and the beams are exposed timbers.
The walls are done in a custom hand-painted stencil by Applied Aesthetics Painting Studio.
The candle holders on the dining room table are from West Elm.
Photos: Antoine Bootz & George Ross
This sensational property was a former industrial building transformed into a beautiful loft in TriBeca, New York by Threshold Interiors. The designers used many re-claimed and salvaged items to complement the architecture and original purpose of the building.
The designers used reclaimed industrial windows used to provide light to an interior room. The dining table is custom from Olde Good Things in NYC.
The countertop is a reclaimed marble.
The living room is reclaimed barn wood nailed to drywall. The column is original to the home.
The bathroom tile can be found at Casale Tile in Ocean Township, New Jersey.
The master bathroom features custom-made shower doors and a reclaimed sink. The flooring is silver travertine from Casale Tile in Ocean, New Jersey.
The wall paneling are poplar boards the designers bought from their local lumber yard, they are inexpensive and they fit together by using a tongue and groove process. The poplar was stained using Minwax MWB 37. The sink is reclaimed from the Tastycake factory in Philadelphia.
Photos: Courtesy of Threshold Interiors
This incredible two storey industrial style loft apartment is situated in New York’s NoHo district, designed by Wettling Architects. The owner is Bradley Darryl Wong, who is best known for his role as Dr. George Huang in the TV series Law & Order: Special Victims Unit. His 12-year-old son lives with him on weekends. The bedroom with en-suite and dressing room and a laundry room are at basement level. On the ground floor, there is a large living space, kitchen, guest bedroom/office, and another bedroom and bathroom. It was important for the homeowner to show the history of the former commercial building, so plaster was removed to reveal brick walls and the air-conditioning pipes were exposed.
The architect added a wall of windows and a massive steel skylight to replace the original wooden one and brighten the back of the buildings. Layers of plaster were chipped away to reveal vaulted brick ceilings. Then reclaimed wooden flooring and salvaged pieces were brought in, including a pair of century-old bronze doors for the entrance. Complementing the polished wood and warm brick are walls painted in rich green and purple, with furnishings in acid yellow and fuchsia. The downstairs space is oxblood red to match a lacquered box that belonged to the homeowner’s grandfather.
The stainless-steel kitchen is a mix of existing units and new cabinetry. Bright-shaped tiles echo the original exposed brick in the rest of the apartment and contrast with the cool steel units.
The view down the wide hallway showcases the theatrical elements of the homeowner’s apartment, with stage lights spotlighting the kitchen and living room ‘sets.’ The layout is adaptable, so the space can be divided into intimate areas or opened up when friends come to visit.
The glazed doors were sourced from the basement of the historic Puck Building. They conceal shallow cupboards where the homeowner hangs his favorite hats.
Photos: Courtesy of Wettling Architects
Daniel’s Lane Residence is a contemporary oceanfront property located on a narrow one acre lot in the Village of Sagaponack, on the Eastern Shore of Long Island, New York, designed by Blaze Makoid Architecture. The two-storey residence was designed for a father and his three children, inspired by the iconic architect Norman Jaffe’s Perlbinder House(1970) and Tod Williams’ Tarlo House (1979) and infused with the architect’s signature of designing property’s with quiet elegance, uniquely suited to each client. The home has a great flow that fuses the architecture with its interiors and the site. The lines between indoor and out are blurred, creating a welcoming and cozy environment for the homeowners. The design needed to have clean and contemporary lines and devoid of anything not pertinent to the design.
From the architects: Sited on a narrow, one-acre, oceanfront lot, the design of this house was one of the first projects in the Village of Sagaponack to be affected by the 2010 revision to FEMA flood elevations, requiring a first floor elevation of approximately 17 feet above sea level with a maximum height allowance of 40’. All construction was required to be located landward of the Coastal Erosion Hazard Line. The location within a high velocity (VE) wind zone added to the planning and structural challenges.
Makoid wanted the structure to appear simple and clean upon arrival. The two story travertine entry façade is highlighted with a single opening accentuated by a cantilevered afromosia stair landing that hovers off the ground. A ‘cut and fold’ in the wall plane bends to allow for one large glass opening, from which an over scaled wood aperture containing the main stair landing cantilevers.
A layer of service spaces run parallel to the wall plane creating a threshold prior to reaching the horizontal expanse of the open plan living room, dining area and kitchen that stretches along the ocean side of the house. Fifteen-foot wide floor to ceiling glass sliding panels maximize the ocean view and create easy access to the patio and pool beyond.
The second floor is imagined as a travertine and glass ‘drawer’ floating above the glass floor below. Three identical children’s bedrooms run from west to east, setting a rhythm that is punctuated by a master bedroom with balcony that projects from the wall plane. It is clad in the same afromosia wood as the stair landing.
The quiet elegance and clean lines of the house are accentuated by the materials that also include poured-in-place concrete floors, Calcutta marble cladding and afromosia millwork.
Photos: Marc Bryan-Brown
This Central Park West penthouse apartment, designed by Foley Fiore Architecture and interior design firm Kathryn Scott Design Studio, is hidden beneath the curved copper mansard roof of a Manhattan, New York landmark building. It was artfully created by the former owner out of storage rooms, a one bedroom apartment, and unused space in the building’s decorative turret. The goals for this renovation were to provide ample communal living spaces with private retreats for a young family with two teenage children; to maximize the views to Central Park and the interior garden; to create a great working kitchen with a connection to the living spaces; and to shake the eighties feeling out of the design. The unique steel structure supporting the mansard roof was exposed to create a loft-like feeling.
Working with metal fabricator Jake Ducharme, Foley Fiore Architecture designed a sculptural curved zinc wall which houses a dining banquette; a zinc kitchen bar; and hanging steel benches at the park-facing windows. Large scale metal sliding doors provide a gateway to the garden beyond and steel and glass doors create privacy for the master bedroom and second level loft bedroom while maintaining the view. Kathryn Scott Design Studio provided elegant yet comfortable furnishings in a neutral palette to provide balance to the steel and glass. Gunn Landscape Architecture worked with the owners and Foley Fiore Architecture to create an internal oasis at the center of the apartment with a sense of light and beauty at all times of the year.
Photos: Ellen McDermott Photography
This striking modern designed residence in Ancram, Upstate New York has been designed by HHF Architects and interior design firm Kathryn Scott Design Studio Ltd. The home is comprised of 4,000 square feet of living space, designed as a country house for two young art collectors as a retreat from life in the city. The architectural design reflects their desire for a simple, sculptural residence standing in contrast to its natural surrounding landscape. The four equal sized boxes covered with corrugated metal panels on the outside create a striking and unexpected home. The interior was kept minimally furnished with the focus remaining on the owners’ contemporary Chinese art collection. Access to the view of the countryside is carefully orchestrated and subtly present without dominating the interior, creating an introspective intimacy and highlighting the art within. Natural light pours though the openings in between the outer boxes creating a changing sculptural display of its own inside each room. The simplicity and careful selection of the furnishings are a reflection of the owners clear vision of their personal style.
Photos: Ellen McDermott
The Mothersill Residence is a stunning single family vacation home located in Water Mill, New York designed by Bates Masi Architects in conjunction with interior design firm Damon Liss Inc. This sprawling 6,027 square foot home utilizes a boardwalk as an architectural device for weaving together multiple portions of a historic site with new building and landscape elements. Located on a creek-front property, the site contains two culturally significant structures designed by Andrew Geller and a diversity of landscape plantings. The two Geller structures, a small house and studio, were built in 1962. Common to Geller’s architecture, a boardwalk connects the two structures.
A varied collection of botanically significant plantings populates the property, including a rare specimen Yew garden, serpentine Yew, and more than 400,000 Siberian Iris. The western edge of the property slopes down to a wetland bordering the creek. A conservation easement on the property protects the two Geller structures, Yew garden and iris, while allowing for the addition of a new main house. The owners requested a design that would unify these disparate elements. To achieve this, a constructed path traverses the site to link visual and spatial relationships between the elements. The path takes the form of a raised, wooden surface that recalls the boardwalks of Geller’s architecture.
Building and wetland setbacks, existing landscape features, site access, and conservation easement restrictions overlap to create the parameters of the meandering path. The path originates from the relocated Geller House in the Yew garden and winds around the serpentine hedge to a new swimming pool.
As the path continues it passes the Geller Studio, now reprogrammed as a pool house, and connects to shaded outdoor living spaces. A new central lawn is defined as the boardwalk turns to extend through the main house. A cantilevered deck wraps the end of the main house at the termination of the path, providing views of the wetland and creek.
The surface of the path folds up and over to become the enclosure of the main house, simultaneously functioning as floor, wall, and roof. All surfaces of this enclosure are constructed with the same wood decking as the boardwalk. Their uniformity gives the effect of a single envelope containing a variety of parts and reflects the influence of design in Geller’s work.
In these ways the physical, material, and spatial qualities of the path facilitate an architectural dialogue between the Geller structures and new house that is interwoven with the existing landscape, collecting the once individual elements into a unified whole.
Photos: Courtesy of Bates Masi Architects
This sensational fifth floor Prince Street loft, spotted on Sotheby’s, is located in the SoHo district of New York City, New York. Featuring plenty of incredible details in the newly renovated 2,500 square foot loft, including six gorgeous wood-framed windows offering an abundance of natural light in the open plan living room, cast iron columns, exposed brick and wood beams. The living room boasts 11’+/- ceilings, an Eco Smart Fireplace and fully integrated audio/visual system including a 103” drop down projector screen. The kitchen is fit for a chef and replete with custom stainless counters, cherry wood cabinets, and top tier professional appliances ranging from SubZero to Wolf, Fisher Paykel to Miele.
The luxurious master bedroom has a walk-in closet and en suite bath featuring floor to ceiling Limestone, Neptune soaking tub, Koehler fittings and a large glass enclosed shower. The residence includes three-four bedrooms, two baths and media room with custom Murphy bed. The home also offers abundant storage, private laundry room, and 2-zone central air. There is a common roof deck and private storage within this intimate 5-unit Cast Iron landmarked building.
This sensational loft could be all yours, listed for sale at $4,650,000, from here.
This year’s Kips Bay Show House in New York City, New York, spotted on Sotheby’s, was the most magnificent ever – and the townhouse can be yours! It is located on one of Manhattan’s loveliest townhouse blocks, one filled with single family homes. 19 of the most prominent designers transformed this 20 foot wide, 5 story house with elevator, originally built in 1899, into a truly spectacular residence. Outstanding features include a state-of-the-art professional kitchen and lavish powder room on the ground floor which has not only a gorgeous planted garden, but a one-of-a-kind 2-story glass enclosed atrium. The expansive living room has soaring ceilings and the adjacent formal dining room overlooks the garden and atrium. There is a wine tasting room adjacent to the dining room. The master bedroom suite on the 3rd floor is exquisite, plus there are additional bedrooms on the 4th floor. The 5th floor has front and rear terraces, one with a gold fish pond, and a modern lounge/media room second to none. In the picture above, Andrew Suvalsky draped the front hall with a sheer black floral curtain.
This incredible designer showcase home is listed at $16,000,000, from here.
Mr. Suvalsky designed these cabinets himself. Above, a pair of photographs by Adrien Broom.
Mr. Suvalsky, who also colonized the foyer, said he is “equal opportunity” when it comes to color. The ’50s Italian sofa is from Gaspare Asaro. The painting is by Rainer Gross.
James Huniford designed this sofa in the atrium. The Josef Hoffmann chair came from Kimcherova; the fabric is from Maharam.
Bone and brass coffee tables by Enrique Garcel from Mondo Cane.
In Mr. Huniford’s room, a waterfall painting by Pat Steir from Cheim & Read. On the floor, a coyote skin rug and flooring made of recycled leather in a crocodile print.
In Mr. Suvalsky’s powder room, three shades of blue lacquer. It took three weeks, he said, to get the finish this liquid-looking. He designed the rug with Kyle Bunting. The “Chainon Mirror” is from Lorin Marsh.
Mariette Himes Gomez and Brooke Gomez made a monochromatic, mostly English sitting room. With the four-by-four-foot ottoman, it seats 14.
On a leathered drum table from Yale R. Burge Antiques, a wire sculpture from Maison Gerard.
Garcia/Maldonado Inc turned a bedroom into a stylish lounge. The Kate Moss photograph is by Russell Young. The Italian mid-century chandelier is from Bernd Goeckler. The walls are paneled in sueded buffalo.
Sara Story designed her living room to recall the shifting planes of a Cubist painting. The stylized bamboo wallpaper is from her own line; the sofas were custom-made, and the coffee table is 1940s French.
Ms. Story’s bathroom is an homage both to Andree Putman and to her own anxieties, she said. The bathtub is filled with crumpled paper, scrawled with words like, “Bamboo: Love or Hate?”
Eve Robinson’s family room is designed in lavender and gray. The vintage lounge chair is from Lorin Marsh.
In Ms. Robinson’s room, a table for Scrabble and lots of marshmallows. The hand-blown pendant lamps are by David Wiseman; the pair of photographs, from a series called “Tethered,” are by Randy West.
Ms. Robinson filled her stainless steel fireplace with silvery blown-glass logs by Suzan Etkin.
In Kristen McGinnis’s dining room, a neon, wood and string sculpture by Elliott Hundley. The painting is by Al Held, from Cheim & Read. The table and chairs are by Joaquim Tenreiro, from R 20th Century.
The Japanese bowls are from Sara Japanese Pottery. The Mepra flatware is from Barneys.
Above a leather bar by Dineen Architecture + Design PC, a photograph by Margaux Walter. The shell mask by Thomas Boog is from Maison Gerard.
In their sitting room, slipper chairs from Duane Modern. The huge Regency wine cooler is from Kentshire.
The mohair throw is by Susan Chalom.
Jack Levy designed this sitting room around the Fornasetti wallpaper. At the last minute, he sliced up a length of the brocade fabric he used for his pillows and stitched it to the back of the gray wool club chair.
Mr. Levy wanted the curtains “to look like water,” he said.
The Anglo-Indian bed in Kathryn Ireland’s bedroom is draped in her fabric collection from Scalamandre.
Stephen Mooney’s peaceful lady’s “writing room” has no computer. The wallpaper is from Scalamandre.
In the back yard, a balloon bench and balls of boxwood by Nievera Williams Design.
There’s a fish pond, and a bathtub from AFNY.
West Chin turned this outdoor fireplace into a terrarium.
He designed this white Corian birdhouse to look like a house he designed for a family in Long Island.
Mr. Chin draped moss over the back terrace wall (he said it reminded him of the “Lord of the Rings” movies); the knitted poufs are from Karkula.
632 Hudson Street, as spotted on Douglas Elliman, is an exquisite building with fascinating history, situated in the West Village, Meat Packing District, New York. In a class of its own stands this brilliant example of adaptive reuse, from sausage factory to palazzo, stunning in its intriguing complexity and fascinating in its alluring detail. This 8,000 square foot building comprises a sensational triplex with a central 40 foot atrium and a grand staircase and elevator leading up to a solarium and a magical roof garden, shaded by mature trees and flowering plants. Below the triplex, a charming bright floor through apartment replete with old world details high ceilings and a luxurious bathroom. It can be joined to the contiguous studio apartment next door. The pristinely renovated commercial ground floor overlooking lavish plantings offers a wide range of possibilities. Adjoining this floor below is a prohibition style licensed “speak easy”, well known in Event circles, and constantly rented.
Originally built in 1847 as a townhouse for the family of a sash maker, 632 Hudson Street was converted to a general store and produce market late in the 19th century by Hugh King. He operated an import business and general store, purveying fine whiskies, wines and brandies among other goods, and owned the buildings until the start of World War II. This particular owner left a clear imprint on the buildings; from across the street one can make out the faded letters of the words “fine whiskies and wine”, and “Hugh King 1881″ is visible on the pediment to this day. In the 1930′s, the building became home to an import export business and chorizo sausage factory, which it remained until 1992. Among the imports were Spanish nougat, guava products from Cuba, Canadian salt codfish, as well as rice and beans. Manufacturing mainly Spanish-style sausages such as sobrasada, butifarra and longoniza, the factory also produced Esteve brand olives, olive oil and capers.
In 1992, the current owner fell in love with the now derelict building and, with her mother, ended up purchasing it, determined to transform the vacant factory into a beautiful home. Whenever possible the original historical elements of the building have been preserved; old floorboards cleaned and treated and reused, beams and brick left exposed. In some cases it was necessary to get creative; the concrete of the “new” fireplace was rubbed by hand with coffee and mustard to give it an aged-by-time feel. The building is a never-ending labor of love for the owner, and for this reason it is full of fantasy, romance and imagination. Following the filming of The Real World’s 10th season within its walls, the owner took the opportunity to share her work with others, making the building available for photo and film shoots, celebratory events as well as for living. The personality and history of the building remain strong and ever-changing, growing with each new visitor.
This property is being sold for $22,000,000, from here.