Hudson Loft is a historic preservation project of a former American Express warehouse building, which has been designed by Schappacher White Architecture in TriBeCa, New York. The architects combined two spaces into a 3,000 square foot residential loft. The design evolved from the local warehouse history, materials, and forms of the existing spaces. Materials were selected that have age or been aged. Materials such as: chemically aged steel wall panels, zinc, new steel baseboards to reflect existing metal capitals, custom metal lighting at vaulted ceilings, wired glass at bath door/partition, and stained fumed oak. The kitchen incorporates custom center pivot windows that open to a pantry located behind the length of the kitchen.
The wall treatment seen here in the family room is what the architects call “liquid metal wall” since it looks fluid and changes in appearance as the light in the room shifts. SchappacherWhite custom designed the treatment and had it fabricated for this application. It is made of hot rolled steel sheets, cut to size and to follow the vaults at the ceiling. The steel was chemically “aged” and then a sealer applied. Our metal fabrictor made this wall, zinc shelves and counters, custom designed lighting, and bases for the columns to match the cast iron capitols.
The sofa is from B&B Italia, the light fixture at the left is by Arteriors, the wall mounted is Olampia.
This project has an exhaust hood behind the cabinet doors. It is a gas cooktop, so the owners open the doors for access to the hood when using the cooktop depending on the setting of the flame. The light fixture over the kitchen island was custom designed for this loft by SchappacherWhite.
The dining table is from Restoration Hardware. The light fixture over the island is custom designed by SchappacherWhite for this project. The fixture over the dining table is through Urban Electric.
The wire shelving in this kitchen pantry area is from Metro Shelving. The pantry is 4′ wide x 17′ long. The width will depend on what shelving depth is required. The windows at the left are at the kichen’s backsplash, so pantry items can be passed through directly to the kitchen counter. The lundry basket is by Restoration Hardware.
The striking portrait on the wall of a girl and her dog is a 6′-0″ wide painting by artist Bill Sullivan.
The desk, shelves and rods were custom designed by SchappacherWhite for this specific project. The shelves and desk surface are zinc, the rod is steel. The built-in shelves are + – 30″‘ wide. Desk is the same width, but extends over the radiator another 6″.
The floors are fumed oak. The pocket door into the master bedroom is black metal framed fibergalsss panels.
Radiator covers have a Corian top and laquer painted doors/covers.
The custom shower enclosure by SchappacherWhite, fabricated by Gunnar Design.
Photos: Jason Lindberg
Hudson Street Loft is a 2,000 square foot eclectic artist’s loft designed for an investment professional from London by wUNDERground in Tribeca, New York. With windows in almost every direction, the building’s primary facade slices through the Manhattan grid, affording stunning 180 degree views.
To redefine spatial proportions and capitalize on the diagonal window expanse as part of the overall composition, all existing walls were removed and the partitioned rooms were rebuilt in a neat rectangle along the far side of the plan. In this block of private space, the floor was raised and the ceiling was lowered to accommodate new infrastructure, while adding a sense of intimacy.
We tailored every detail to accent the proportion and grandeur of the remaining triangular living/dining area. We restored the original window trims, developed custom over-sized moldings, painted the raw terracotta ceiling a textural white and added ambient lighting to graze the 13-foot ceiling at night.
The result is a truly special Manhattan space that celebrates the unique views that span from the Chrysler to the Woolworth buildings, linked by the ornate cornices of Tribeca.
Photos: Courtesy of wUNDERground
This unique basement transformation into a home pub with a wine cellar was designed by Crisp Architects in New York City, New York. Here is a description of the renovation project from the architects, “Seldom have we been asked to collaborate with a client who has had such a fully realized vision of the final outcome as this basement pub. I believe he could see himself drinking a pint of stout with friends, throwing darts and playing pool in this space before we measured the existing conditions. We had a great time helping make our client’s vision a reality, working on the details, and throwing in our two cents worth.”
Bench and Fireplace
Bar With Stained Glass Window
Detail of Wood and Sconce
Entry to the Pub With Pool Table. The dark color you are seeing here is from Benjamin Moore called Bittersweet Chocolate in high gloss. The floor was the same color, but in matte. The color for the upper half of the wall is Benjamin Moore White Dove. The light over top of the pool table has been custom designed by the pool table company called Blatt Billiards out of Manhattan.
Entry to Wine Cellar With Table. The stone on the wall is an artificial stone veneer called Owens Corning Cultured Stone. The floor boards are comprised oak, the process a thick vapor barrier, rigid insulation, oak furring strips glue and screws.
Benches and Tables With View to Bar. The ceiling light fixtures are from Restoration Hardware.
Photos: Rob Karosis Photographer
Axis Mundi was in charge of a complete gut renovation of a small one-bedroom light filled duplex in the Meat-Packing district, New York. One of the outstanding features of the 675 square foot space is the dramatic arched window which fills the space with light. The space was reconfigured, a new kitchen and powder room was designed, new zebrano plank flooring was installed on both levels. The architects designed a custom folded and cantilevered steel staircase which leads to the upper level. A sandblasted glass railing preserves privacy yet allows light to filter into the upper bedroom level. On the upper level the entire facade of the master bathroom is sandblasted glass.
Photos: Mikiko Kikuyama
Greenwich Village Townhouse is a landmark Greek Revival townhouse from the 1840’s that has been designed by Axis Mundi, situated on a charming street in New York’s Greenwich Village. The four floor building (plus sub-basement) was gutted to the original brick building envelope. All new mechanical, plumbing and electrical systems were installed, and the garden was redesigned. Axis Mundi was responsible for the complete architectural, interior design and decorating of this home.
The goal of the project was to respect the charms and scale of the original historical style without mimicking period details, and create a suitably modern context for the owner’s collection of artwork by Warhol, Haring and Basquiat. While restrained, the interior resolves certain contextual issues related to the site, yet is decidedly modernist in its attention to details.
A sculptural bronze and mirrored screen was designed by Axis Mundi to create an entrance foyer, using cast glass that was salvaged from Gio Ponti’s Alitalia showroom on Fifth Avenue. A chandelier was created with glass from the same project, all superbly fabricated by Urban Archeology.
Various surrealist touches, such as a painting by Matta, and furniture by Salvador Dali and Antonio Gaudi, add a touch of humor to a formally rigorous design scheme.
Most of the details were custom designed, from the marble mosaics in the bathrooms, to the millwork and Prouve-inspired shutters on the kitchen floor.
A custom bronze staircase, anodized aluminum metalwork, and overall spatial concerns relate to a contemporary sense of materiality.
Photos: Adriana Bufi, Andrew Garn, and Annie Schlecter
Dune Road Residence is a low-key, two-story oceanfront house that has been designed by Stelle Architects, situated in Bridgehampton, New York. From the architects, “The original house, slated for demolition, was built into the dune before current coastal construction standards requiring a much higher elevation. The goal was to keep the existing scale and dynamics of the site and design a residence that reflected the footprint and spirit of the original home. Materials for the new house include Alaskan cedar shingle panels interspersed with glass sections. The home has three levels: one for the owners, one for their guests, and one for living and dining. A simple glass and shingle pavilion overlooks a negative edge pool while a path from the garage leads through a natural seaside landscape along the pool and up to the house. Solar control is achieved though the use of overhangs in the southern exposures. Extra thick walls allow for superior insulation, and a geothermal system is employed for cooling.”
Photos: Francesca Giovanelli, Kay Wettstein von Westersheimb
A House in the Woods is a certified LEED Silver house designed by William Reue Architecture, located on a densely forested lot at the base of the Shawangunk Mountains, New York. Nestled on 8.5 acres, the 4,800 square foot residence is the result of the studied relationship between two opposing geometries – a long sculptural wall clad in weathering steel and a mass of stratified bluestone that appears to have emerged from the boulder-strewn earth. Locally-sourced materials and strategic siting stitch the house into the natural world while contributing to its sustainability for the modern one.
The design for A House in the Woods was grounded in the owner’s desire to build an artful home that responded to her values of order, beauty, and environmental stewardship. The structure’s uncomplicated geometry is enriched by the boldness of its materials, resulting in a balanced composition that is both sensuous and refined. The house is a personal refuge that takes its design cues from the colors and textures of the natural landscape.
The site boundary is defined by a series of Norway spruces, the singular element guiding visitors to the secluded entrance. The curved Cor-Ten wall is heroic, yet pragmatically justified as it carves a modest entry court that amplifies the sound of the stream running parallel to the house. The wall also operates as a spine that organizes the interior spaces into a series of cinematic portals to the landscape. The character of the minimalist interior is profoundly impacted by the changes of the wooded site from season to season.
The high performance thermal envelope consists of 14 inch thick Structural Insulated Panels and quadruple-pane windows constructed with FSC-certified wood. The house employs a direct-exchange geothermal heating system, energy recovery ventilator (ERV), rainwater harvesting system, and many other sustainable building technologies. With a HERS Index of 44, A House in the Woods is over 55% more energy efficient than a typical new home. The project was certified LEED-Silver in February 2013.
Photos: Steve Freihon
The Glass Farmhouse Loft is an open loft space in former factory building situated in Manhattan’s Midtown West neighborhood, New York, designed and owned by Charoonkit Thahong of Studio Recreation Inc. Thahong spent months searching for just the right raw, industrial space to remodel for his own home. The loft is in a former 13-story school building called The Glass Farmhouse, that was converted into residential apartments in 1982. With 52 sun-filled loft-style apartments, occupied mostly by photographers and artists, this loft was exactly what he was looking for: open space, hardwood floors and plenty of sunlight.
“It was almost as raw as I expected,” Thahong says. “It was actually livable, but it just wasn’t my taste.” In seven months Thahong transformed this 1,340 square foot one bedroom and one bath eclectic showcase for his individual style. Collections of ceramics, tropical plants, mid-century alarm clocks and other quirky knickknacks occupy almost every surface, but the space still manages to feel clean and modern. Most of Thahong’s decor consists of vintage pieces and classics in a neutral palette.
The ceiling lamp in the living room started as an iconic Lyndon outdoor floor lamp by designer Vico Magistretti, but Thahong had it adjusted and rewired for a statement-making ceiling fixture.
Thahong’s background in product design and ceramics has fostered a deep love for simple white vases. Most of his collection hails from Germany, particularly from Rosenthal and the Royal Porcelain Factory in Berlin.
He also loves the Danish Holmegaard Gulvase in white, red and amber glass. “I like the concept of ‘simple is best,’” says Thahong of the vase’s classic shape.
The stainless steel and walnut-stained plywood island was preexisting, but Thahong had a custom stainless steel top made for the back counter out of a single piece of steel with integrated sinks. Open industrial shelving extends all the way to the top of the wall, helping Thahong get maximum storage out of limited square footage. He keeps a ladder and step stool on hand for when he has to reach the party platters and other little-used items up top.
Although the original kitchen was dark and dated, Thahong lucked out with Viking appliances left over from the previous owner. The restaurant-quality range hood was already in place when Thahong bought the space. Unlike many city kitchen hoods, this one vents out the window. “It’s almost impossible to get a permit now to do that in a New York apartment,” says Thahong.
Thahong sleeps in a lofted bedroom located atop a small closet. A classic Vitra wall organizer keeps must-have items on hand near the door.
The lofted sleeping space has room for little more than a cozy bed, but Thahong still managed to sneak his collection of 1960s and ’70s alarm clocks onto the half wall behind his bed.
The mirror on this side of the room reflects the slate tile on the shower’s back wall. The walnut-stained plywood console displays more of Thahong’s Holmegaard Gulvase collection. “The bathroom is a really important part of all my designs,” he says. “I like it to surprise and have an exotic feeling.”
The bathroom sits toward the front of the apartment, away from the windows on the other side of the unit. To keep the space from feeling like a cave, Thahong opened it up with a large, clear sliding glass door supplemented with a curtain for privacy.
On the side of the bathroom shown here, floor-to-ceiling subway tiles cover the wall behind a 60-inch round bathtub. The vessel sink’s location was determined by plumbing lines; Thahong usually sits cross-legged on the plywood tub deck when using it.
Photos: Andrea Ferrari
This astonishing Chelsea duplex penthouse has floor-to-ceiling glass walls with unparalleled views of Manhattan, New York, designed by Marie Burgos Design. It has been designed with a modern approach to create a welcoming home space as well as being a showcase of fabulous views. This open living space showcases unparalleled views of Manhattan with a 25 foot high ceiling. The designer created a very modern clean line design using the philosophy of Feng Shui. From the open furniture layout to the simple color scheme, a very harmonious and balanced space has been created. We featured another one of Burgos’s fabulous home designs here.
French native Marie Burgos founded her interior design firm in 2007 which includes both residential and commercial design. Burgos’s ultimate talent is understanding her clients needs and creating interiors that are balanced, harmonious, sophisticated, and functional. Burgos has been known for her stunning loft and penthouse transformations in Tribeca, Chelsea, Soho, and The Hamptons.
Photos: Courtesy of Marie Burgos Design
Warmth and texture unite in this gorgeous Bridgehampton Estate designed by David Scott Interiors in Bridgehampton, a hamlet in the South Fork of Suffolk County, New York. The traditional style home encompasses the layering of various textures – rich leathers, woven textiles, rustic metals, and earthy woods – creating a warm and masculine residence. This large home in the heart of horse country is the ideal setting for relaxed summers. The rich brown coloration and earth tones used throughout the rooms were derived from the dark chestnut floors, the beams in the double-height living room, and the stone hearth. Unique rugs in variations of geometric patterns, give the rooms a subtle added dimension.
The walls are a Wattle and Daub natural plaster treatment and the beams are exposed timbers.
The walls are done in a custom hand-painted stencil by Applied Aesthetics Painting Studio.
The candle holders on the dining room table are from West Elm.
Photos: Antoine Bootz & George Ross