This beautiful four bedroom converted church showcases unique preserved features, situated in the heart of Kenmont Gardens, North Kensington, London, England. The 6,167 square foot residence is distinguished by jaw-dropping open plan interiors with soaring ceilings that encompasses a kitchen, dining area and living spaces. Arched windows flood the home with light, imposing white walls helps to reflect light, and original structural columns helps to add character into the home. There is also a private patio with a waterfall, original stained glass windows and parquet flooring throughout all the public spaces. The fabulous chefs kitchen offers a beautiful island with bar style seating and New York and Corian Concrete work surfaces. All of the four sumptuous bedrooms include en-suite bathrooms, three of them have wonderful walk-in closets.
Spotted for sale on Foxtons for $15,000,000.
Once inside this architectural wonder, you are amazed by its volume and meticulous transformation into a modern home. The ceiling height over the living room is lowered, which makes this space feel cozy and comfortable, with the addition of an area rug for not only division of space but to add texture and color. Furniture arrangements help to keep spaces separate, yet the open interiors helps to keep a nice flow throughout the lower level. This is an incredible transformation with some spiritual enlightenment preserved in the structural details. What are your thoughts on this conversion project, could you find yourself living here?
Love church conversions, have a look at some others we have written about here.
Clink Wharf is a fabulous vacation home with open plan living to your hearts content, located in London Bridge, South-East London, London, England, United Kingdom. Your host is a theater designer, helping to lend some intriguing visual effects throughout the interiors of the home. The building was once a pineapple warehouse, whose historic effects have been beautifully preserved. The home offers a spacious living area with a welcoming white linen sofa, perfect for hanging out. The living area is visually separated from the rest of the spaces by a checkerboard rug. Off the living room are double doors leading out to a cozy balcony with views over the Thames River. The kitchen is perfect for entertaining, open and airy with a spacious island, perfect for cooking. There is also an office space with book-lined shelves and a sofa bed, which can be closed off from the rest of the home with rotating glass panels. There are two bedrooms, one with an en-suite bathroom. This is the perfect place to stay if you are visiting London, it offers plenty of amenities and is found in an ideal location on the South Bank.
To stay here, rates range from $300 – $600 per night with a minimum two night stay, from here.
Wood floors and exposed brick walls, with the exception of the private areas, which offers raw concrete and stone flooring, define this historic home.
Originally built in 1954 on a gently upsloping lot bordered by a creek, its most distinctive site feature is an old wooden bridge over the creek and the rock walls which carve paths through the site.
The client was interested in maintaining the residence’s historic character while updating it for today’s living standards and code requirements. This required adding more natural light with larger windows and skylights as well as adding a partial second story for a master suite.
Maintaining the wood exterior and mullion patterns of the existing windows settles the addition into the landscape as an example of a very light effect to a sensitive site.
Photos: Jeff Zaruba
Maison V is a major renovation project including an annex pavilion with a swimming pool by Olivier Chabaud Architecte, located in the city of Villennes-sur-Seine, France. Additional additions to the residence includes new furnishings and interior design, a gym, and major overhaul to the gardens. The architect respected the origin of the building with a global mission.
The heavy restructuring allowed a reconquest of the existing, to adapt this old building to contemporary lifestyles. Flow management, light, link to the garden, but also intimate relationship between spaces, as all kitchen / lounge / TV room, organized around the glazed staircase and matching sliding doors.
The annex pavilion houses the gym whose canopy can cover a portion of the heated pool for winter use.
The garden ends with a slight side Seine accommodation, a port terrace shack on false metalling and the pontoon.
Kitchen, storage, furniture, office, billiards, occasional furniture, consistency of the house is given by the volume management, parts distribution, distilled by the measured punctuation design.
In this typical part of the Anglo-Norman houses, the intervention was punctuated by the careful selection of materials and finishes.
Burgundy stone confronts Indian stone, oak kitchen with tiles ‘underground’ and Zimbaoué black marble, the interior woodwork painted steel meets the bancheur of frames.
The bathrooms, with varied identity, Tadelakt varnish wooden lath set on black concrete tiles. The gym, overlooking the pool gray concrete, is also in smoothed gray concrete.
Mixtures subtly give the residence a contemporary feel, yet distilled in this context classic belonging.
Photos: Courtesy of Olivier Chabaud
This traditional historic home with an eclectic interior was substantially repaired in 2011 by architect and owner Chris Dyson Architects, located in the heart of London, England. The house was bought from a leather coat manufacturer in 1997. The aim at the outset was to concentrate on the building’s history and place in Spitalfields a unique quarter of Georgian London, with respect for the immediate context. A number of found and reclaimed items have been incorporated into the interior and exterior to provide the authentic detailing of the period.
From the architect: The roof of the house was in serious need of repair and was replaced with a new mansard roof construction; this room forms the master bedroom suite. The façade of the house has been returned to a design of 1725 with timber sashes windows and decorative brickwork to reveals. The interior of the house had lost its’ original features in the 1930’s when the house had been extensively remodeled to create workshops. Substantial changes were carried out to make this into a family home in keeping with the domestic character of Princelet Street.
Panelled rooms have been restored to the ground and first floor reception rooms returning character, scale and proportion to this family home. A fern garden at the rear provides a pleasant filigree pattern of light and shade and privacy from the surrounding properties.
The primary aim has been to flood the lower rooms of the house with daylight, particularly at the rear of the property, creating a connection with the outside garden and the reception rooms within. A deep sense of calm and stillness pervades this house; an oasis in such close proximity to the financial heart of the city of London.
The rear section of the ground-floor reception room functions as a more formal dining area. The table is a gate-legged design from Dyson’s father-in-law; it can be folded to make a multifunctional space. Dyson occasionally hosts art shows in the house, inviting artists to display their work.
The corridor outside the reception room leads to a staircase down to the kitchen area.
The holes in the staircase are vents for the storage below and are interesting visual details that draw the eye upward.
The basement, formerly a storage area and boiler room, was converted into a kitchen over about four months. Dyson designed it with the aim of creating a space that felt welcoming and warm. To keep the room as light as possible, given it’s on the basement level, Dyson used gloss paint to enhance the light and bounce it around the room. The flooring is hard-wearing rubber.
For the dining area next to the kitchen, Dyson designed custom shelving to house the family’s collection of plates from Holland and China. Its function and aesthetic are similar to those of a Welsh dresser, but it has a less fussy feel. Dyson also designed the American black walnut table. It was made by Matthew Hilton, who designed the dining chairs.
The living room on this floor is more spacious than the reception room on the ground floor. Dyson found the two columns on either side of the fireplace at an architectural antiques and salvage store in Oxfordshire. The fireplace is made of wood painted to have a marble effect. Paneling, wooden shutters and cast iron heritage radiators complete the historic feel of the room. The space above the fireplace holds a secret bookcase.
The rear half of the room is a quiet nook that can be used for studying or relaxing. It leads out to a balcony, which allows light to flood the space. The Crittall door provides an interesting industrial twist on the classical feel of the rest of the room.
The home has access to outdoor space on three levels; a fern garden occupies two levels, and the first floor has a balcony.
On the second floor are two bedrooms and a family bathroom, and a staircase leads to the master suite on the third floor. Dyson replaced all of the banisters in the house; the new ones are softwood with a mahogany finish. The clock is a 17th-century French piece with a hand-painted wood effect.
Photos: Alex James
We have shown some fabulous loft inspiration here on 1 Kindesign and we would like to showcase a collection of some of our most favorites and most popular on social media. The lofts we have for you are converted warehouses, old factories and apartment conversions that have all been restored, some historically preserved. They feature exposed brick, steel, concrete, modern and rustic styles and plenty of industrial eclectic for those who like the raw-exposed look. If you want to view more photos of these lofts shown below, please click on the link below the images to get full descriptions and a house tour.
Please let us know in the comments section which one is your favorite and what you love most about lofts.
An old and abandoned textile factory gained a new life after several months of extensive renovations by Grzegorz Layer Architekt, located in Katowice, Poland. One part of the building was adopted to became a tailor’s workshop and a showroom of Poszetka – men’s fashion producer. The brand’s philosophy assumes providing hand-crafted issues of unique men apparel accessories, i.e. ties, pocket handkerchiefs and foulards.
The refurbished textile factory is located in an engaging street that attempts to prove its cultural aspirations and design potential. Historic building’s interior was arranged to combine both the production functions and the sales area. The entire property has approximately 1,076 square feet (100 square meters) and is partitioned into two zones. The part employed as the sales area and the office preserves the historic character of the textile industry’s interiors with remarkable mezzanine and examples of production residues, i.e. hooks, hangers and lamps. The other partition is a tailor’s workshop filled with machinery and storage racks.
The design’s idea was to tidy-up the insides after previous reconstructions. Originally there were five separate rooms, whereas currently it is only one open space. The interior is lit with sunlight through large shop windows placed either in the building’s facade and in its back. These are ideal conditions for a proper product display and work atmosphere in general. Most of the business’ activities happen indoors. Interestingly the non-sales’ workplace is not isolated whatsoever. Thus, clients do have contact with the production process and may literally see the products’ development stages to learn about the company from the inside.
The interior is kept in light colors that emphasize the location’s spaciousness and capacity. Moreover, the building’s restored original elements, i.e. old bricks, natural woodwork and steel constructions, as well as the concrete flooring with irregular texture prove its industrial character. Additionally a juxtaposition of showroom owner’s antique furniture and modern, minimalistic forms complement the comprehensive design.
Photos: Dorota Zyguła-Siemieńska
Dalcross Castle is a classic sandstone Scottish tower house owned by a family of four that was tastefully restored by Maxwell & Company Architects, located near Inverness, Scotland. The castle was originally built in 1620, and the family purchased the dilapidated home in 1996, captivated by the building and its history. The castle was originally built for one of the daughters of the eighth Lord Lovat, chief of Clan Fraser. It was home to the Duke of Cumberland during the mustering of troops for the 1746 Battle of Culloden. The troops would either stay in the castle or would cross right by it on their way to the battlefield. The castle fell into disrepair in the 19th century, but then was renovated in late Victorian times, yet gradually became run-down.
Two years after purchasing the castle, the family enlisted the architects help to convert the property from cold and damp into something cozy, warm and welcoming, that could be used by both family and friends. While carefully preserving the character of the past, the 8,072 square foot (750 square meters) 11 bedroom, 11 bathroom home showcases 21st-century comforts, creating an inviting Scottish escape for the family’s busy lives in London.
On the far left is a one story cottage that used to be a diary, which is adjoined with a two story cottage that once was a caretakers home. The structures are adjoined to the main castle via an open courtyard, which was renovated with a roof so that an enclosed mudroom could be created. The owners now use this casual space as their main entryway into the home.
Taking three years to complete the entire renovation of the castle, salvaged items were incorporated into the design scheme, mixing with items that were picked up along the way. The castle has now been painstakingly restored into its former glory, showcasing period pieces with an intriguing past.
This space is considered the great hall which has three windows and balconies overlooking the lush landscape. This space is used for having dinner parties with guests. The fireplace was restored to its original stonework. The dining room table and chairs in addition to the chandelier were all custom designed to fit the space.
Located next to the 17th century great hall is a private sitting area for the family to gather around and spend quality time together. This is a very old wing of the house, dating back to 1890. This can be seen in the not only in the original woodworking details but also in the Arts and Crafts style furniture.
This is the main staircase of the home, which takes you up five flights of stairs to the upper level of the castle. The architects re-finished the stairwell, giving it a lime wash.
The master bedroom retreat features elegant finishes in a more neutral scheme that is warmed up with the rich red hues of the area rug. The French marble fireplace is not original to the space, yet is in keeping with the elegant atmosphere.
The red hallway invigorates the space which leads to the master bedroom suite. The great hall is accented with bookshelves decorated with colorful books and framed family portraits.
There are three turrets in the castle, and the one picture above was re-designed into a cozy window seat. Plush pillows and cushions and red drapery curtains for privacy makes the space very inviting.
The upper level of the castle is the children’s domain, with just two, each has their own half. Interior designer Rona Douglas worked on the interiors of the project. For the bedroom space pictured above, the designer selected a nautical theme.
Pictured above is the hallway entrance to where the family comes in from the back door. Located along this corridor is a wine cellar, garden room and home office, which is used to operate the estate. At the end of the passageway is the main staircase that has access to all levels of the home. Solid oak floors adds warmth to the space and conceals the heating pipes.
This striking historical renovation project won a Civic Trust award. It demonstrates an excellent representation of the past, with the creation of a consistent and cohesive design.
Photos: Peter Landers Photography
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