Crane Building Penthouse has been designed by Giulietti Schouten Architects, located within the urban core of Portland, Oregon, nestled atop the historic 1909 Crane Building, an old brick plumbing warehouse. This seventh floor 2,500 square foot penthouse has established views of the city, bridges and west hills but its historic status restricted any changes to the exterior or window and door locations. Further limitations included maintaining all existing plumbing locations and staying within the existing ceiling framing.
With their three kids leaving for college, this husband and wife wanted to shed their life of their large suburban house and start anew in the heart of the active Pearl District. Even though their current house was close to their high-pressure work in the High-Tech field they desired to distance themselves and create a sort of “urban refuge above the city”, a personal retreat where they both could entertain and work on occasion as well as provide a home for their grown-up children.
Key Plan Concepts:
Reclaimed Australian Chestnut flooring was chosen for its warmth, while Dark Sapele at the built-ins, entry and sliding gallery door provides a sharp contrast to the white stone counters. The clients requested the mudroom/pantry to be hidden yet accessible to reduce clutter and noise within the open living areas.
The design needed to create a functional open living/dining/kitchen and media area for both entertaining and working. The dining and kitchen area especially needed to be expandable for family gatherings and contracting for daily use. Recessed automated roller-shades screen the afternoon west light, and help maintain clean lines.
The various vaulted ceilings were retained to maximize daylight and wrapped in clear cedar to give warmth and further define the many unusual ceiling angles. A custom welded steel fireplace with an oil-rubbed finish was designed to be the visual anchor of the living room. The intent was to contrast it with the concrete walls while connecting it to the notion of exposed steel in the original building.
A custom sliding sapele screen at the entry provides immediate privacy for the bedrooms when entertaining yet also invites guests to “discover” the gallery on the other side where the original steel and concrete structure were left exposed.
Photos: David Papazian
Relais Masseria Capasa is a sumptuous hotel with stone walls surrounded by beautiful olive trees in Martano, Italy and designed by Paolo Fracasso. The hotel is immersed in the colors and smells of the countryside, with the name ” Capasa ” used because of the location in which it was born, once mainly used to store wine and oil. The historical building dates back to 1746 and the architect restored the property back to its original grandeur. The design embodies a double movement: to accept the daily life and harmonize the perception of environmental space. It communicates with the tradition and the places where the use of an extremely natural stone, with its color and appearance, manages to create figures that evoke softness. It creates comfortable environments to evoke a feeling of “home” and welcomes you with a new light that blends mingling with the stone and creating color and shape so that they live for themselves, thrilling what surrounds them.
Photos: Pecchio Adriano
This farm house preservation is comprised of a traditional style historic home designed by Crisp Architects situated on a dirt road in the countryside of Massachusetts. The property had been uninhabited for several years. The clients came along at just the right time to resurrect this beautiful bit of history. By carefully preserving the antique portions of the home while renovating and adding to the newer sections, the architects were able to create a home that has a foot in several centuries. Best of all it still feels comfortable on that tiny dirt road. Have a look inside this cozy home with warm interiors and let us know what you think!
The gorgeous countertops in the kitchen are comprised of Costa Esmeralda Granite.
This stunning coffee table in the living room can be found at Restoration Hardware.
The wood flooring used throughout is a mushroom cypress wood with a natural finish.
Like the look of this bathroom? Here are some of the specs: Kensington Pivot Mirror, Extra Large Oval, Polished Nickel finish from Pottery Barn, Restoration Hardware Bistro Sconce, and Porcelain Hexagon White Penny Tile from the Home Depot.
Prior to Renovation
Photos: Rob Karosis
Franken House has been designed by Bekhor Architecte and is situated in an urban environment of Brussels, Belgium where row or town houses in well aligned facades are the standard. The home was originally a carpentry workshop that had become neglected during the last 20 years. At the very beginning, a fence wall was used as protection between the private property and the public space. It was just 2 meters high with no other utility than to separate. The existing volume was constructed around 1930 by raising the main elevation over the existing fence wall and completing the volume enclosure behind it.
The suspended cube that can be seen on the exterior facade is a result of the structure’s extension. The structural grid in steel is filled by a wooden frame. The facade is expressed backwards against the existing blank wall. In order to emphasize the attitude towards this brick wall, a stair is backed on it and animated by an overhead light, offering different atmospheres during the day.
The second guideline was to relink this unordered urban space. The new “skyline” of the project is made of different in a row of “step volumetry”. Levels are open spaces, but each have connection with closed rooms in order to make privacy possible. Material treatments are chosen to break the frontier between the inside and the outside. These materials like steel, zinc, wood or coating are used in both situation in a fluid continuity.
Photos: Laurent Brandajs
632 Hudson Street, as spotted on Douglas Elliman, is an exquisite building with fascinating history, situated in the West Village, Meat Packing District, New York. In a class of its own stands this brilliant example of adaptive reuse, from sausage factory to palazzo, stunning in its intriguing complexity and fascinating in its alluring detail. This 8,000 square foot building comprises a sensational triplex with a central 40 foot atrium and a grand staircase and elevator leading up to a solarium and a magical roof garden, shaded by mature trees and flowering plants. Below the triplex, a charming bright floor through apartment replete with old world details high ceilings and a luxurious bathroom. It can be joined to the contiguous studio apartment next door. The pristinely renovated commercial ground floor overlooking lavish plantings offers a wide range of possibilities. Adjoining this floor below is a prohibition style licensed “speak easy”, well known in Event circles, and constantly rented.
Originally built in 1847 as a townhouse for the family of a sash maker, 632 Hudson Street was converted to a general store and produce market late in the 19th century by Hugh King. He operated an import business and general store, purveying fine whiskies, wines and brandies among other goods, and owned the buildings until the start of World War II. This particular owner left a clear imprint on the buildings; from across the street one can make out the faded letters of the words “fine whiskies and wine”, and “Hugh King 1881″ is visible on the pediment to this day. In the 1930′s, the building became home to an import export business and chorizo sausage factory, which it remained until 1992. Among the imports were Spanish nougat, guava products from Cuba, Canadian salt codfish, as well as rice and beans. Manufacturing mainly Spanish-style sausages such as sobrasada, butifarra and longoniza, the factory also produced Esteve brand olives, olive oil and capers.
In 1992, the current owner fell in love with the now derelict building and, with her mother, ended up purchasing it, determined to transform the vacant factory into a beautiful home. Whenever possible the original historical elements of the building have been preserved; old floorboards cleaned and treated and reused, beams and brick left exposed. In some cases it was necessary to get creative; the concrete of the “new” fireplace was rubbed by hand with coffee and mustard to give it an aged-by-time feel. The building is a never-ending labor of love for the owner, and for this reason it is full of fantasy, romance and imagination. Following the filming of The Real World’s 10th season within its walls, the owner took the opportunity to share her work with others, making the building available for photo and film shoots, celebratory events as well as for living. The personality and history of the building remain strong and ever-changing, growing with each new visitor.
This property is being sold for $22,000,000, from here.
Architect Henri Cleinge was approached to renovate and design a significant addition to Bord-du-Lac House, a 200 year old stone dwelling in Quebec, Canada. The architects were challenged to define a clear conceptual approach which would reconcile a contemporary architectural language to the ancestral home. The original structure once belonged to the Hudson Bay Company and had the main entrance facing the river, where the old road was situated. Over time, a new road was built on the back side of the house, which now became the front. The program required sheltering four generations: the great grandfather, the grandparents and the children in the old house, and the parents in the addition.
This led to the idea of drawing a parallel between the multi-generational component of the program and the fact that a contemporary project would be built alongside a historical house. In this manner, the design expresses the passage of time. The strategy defined itself as a contemporary project contrasting the existing stone house, yet having an obvious relationship to the ancestral home. This idea extended to the way the spaces are defined, as two double height living rooms are at opposite ends, one in each volume, linked by a path highlighted by a bridge linking the old house to the new volume.
Photos: Marc Cramer
This new residential project has been designed by bfs Design Flachsbarth Schultz, a 1957 atrium house (bungalow) in the middle of the Tiergarten Park in the center of Berlin, Germany. The former one family house was built for the International Building Exhibtion 1957 (Hansaviertel) and has not been changed until the new owner took over that building from an old lady. When he asked the architecture studio to create a contemporary and very special and fully furnished home and garden for him and his model casting agency, they were more than happy. Because the entire building including the garden was protected as an historic monument the architects had to work carefully.
Architect Carles Enrich has converted an old dry-cleaning shop between two adjoining buildings in the Gracia district of Barcelona, Spain into a home-studio for a young family. The refurbishment was a fantastic opportunity to rethink the use of an unused place and optimize the conditions. The architect proposed a system to enable the inhabitants to live in an single 1,560 square foot (145 square meters) space arranged around an outdoor patio, where the bathroom is the only enclosed space. All activities take place in a single room with visual connection to the patio. To achieve this, all the partitions that enclosed small rooms with no natural light or ventilation were removed and the openings were extended to the exterior.
The original materials used in the party walls were recovered, as the brick ceiling joists and wooden beams. The pavement is solved with a continuous tinted concrete paving and the Flanders pinewood was introduced in a second phase of reform due to the growing of the family. The lower excavation enables the incorporation of a loft made of metallic beams and a 3 centimeters wood board, which works as an independent living area inside another bigger area, without being never enclosed room. This small loft is meant to be more like a suspended furniture than a room. A furniture-closet, used by both sides, is the only separation between different spaces and converts the hallway into a dressing corridor.
An old storage room at the back of the plot is converted into a satellite studio that operates independently from the main space. This fragmentation of the program makes the patio an intermediate space that can be used as an outdoor room most part of the year.
A pergola made of metal beams and a cane network provides privacy and climate control. The progressive growth of plants and trees generate a natural environment within the dense urban area.
Photos: Enric Fabre, Courtesy of Carles Enrich
This stunning 1892 Anglican church conversion was designed by owner and architect duo Dominic and Marie Bagnato of Bagnato Architects in the suburb of Moonee Ponds, in Melbourne, Australia. The Gothic-style timber church was originally built by Tadgell Brothers, it is now a residence that thrills the senses throughout spectacular spaces of unlimited luxury and unforgettable refinement. The innovative re-design marries old with new throughout unique dimensions including vast living, dining and entertaining areas arranged around a stunning Nero Tempesta marble fire-place. Flexibly formal and informal, these spaces feature limestone floors beneath dramatic, Baltic Pine ceilings and are served by a kitchen in which Calacatta marble surfaces, butler’s pantry and Ilve double ovens match form to function with conspicuous success.
Above, a mezzanine level lounge of light filled proportions precedes a roof space loft that sees the city and represents the ultimate escape, ideal as a teenagers’ retreat or work from home space. There are five bedrooms and five bathrooms, which includes a seductive main suite in an individual wing which evokes your favorite 5 star hotel and features a sublime marble and limestone bathroom while a guest room with its own en-suite enjoys its own access to elegantly landscaped outdoor dimensions.
A basement level boasts a wine room with recycled messmate ceilings and beautiful onyx marble paneling, equipped to accommodate 700 bottles. On the same level, a versatile gym or games room with its own bathroom includes a day bed retreat.
An al fresco pavilion with BBQ kitchen, LED lighting and surround sound overlooks a sunny lawn, which conceals a 6,000 liters water tank, and solar heated pool which ensures outdoor appeal matches indoor allure.
Photos: Courtesy of Bagnato Architects
The old cowshed in Glebe, New South Wales, Australia has been designed by Carter Williamson Architects. The home was a surprising find; a rare opportunity to preserve some of the character and charm of this eclectic neighborhood and one the architects encouraged for their clients to seize when they sought their advice on purchasing the property. The cowshed sat on a small parcel of land bounded on three sides by roads. The building was simple, essentially a long brick wall that held the urban edge of corner and street and returned to house a few bedrooms in the place of the former stalls.
It was the most basic of accommodation but the shed had a worn patina of stories and was well situated, hugging the southern boundary with provision for a private, north facing courtyard. The clients share a vision for gregarious family life which is reflected in their home. The spaces are truly ‘open plan’, each room connected to the others and to the sunny, green courtyard that acts as a natural extension of the living spaces.
The plan of the house was kept largely as it was with the kitchen to the street corner, hidden behind the strong brick envelope and spilling over into the dining and living rooms. The kids’ bedrooms, replete with requisite hammocks, were tucked into the return of the L-shaped plan with a vivid red bathroom at the pivot, a nod to our client’s proud Venezuelan heritage.
By expanding the width of the building from three to four metres and locating the bedroom mezzanine above the kitchen, the urban edge of the street was held by a tall forward element much like the bald face shop fronts at the end of a row of terraces; a good urban response which marks corner buildings as distinctive landmarks in an urban streetscape.
The cowshed sits under a big jacaranda tree whose leaves and blooms blocked the valley gutters and flooded the existing house when it rained. In response, a long steep roof plane was pulled up and over the second storey bedroom and tucked down at the rear of the site, designed to prevent accumulating organic matter and giving the building it’s distinctive profile.
A ribbon of high clerestory windows that capture light and breeze, wrap the building and climb upwards with the roofline allowing the home to feel bright but private, despite it’s dense urban context.
Wherever possible the existing building fabric of the original cowshed was preserved, but sadly much was structurally unsound. What was rebuilt carries the spirit of the cowshed, composed from a palette of simple, robust materials that simultaneously address the restraints of the tight budget; concrete slabs were polished as flooring, recycled bricks left as face for the internal walls and the timber structure exposed. Oiled timber doors and windows and corrugated cladding hint at the Australian pastural vernacular now all but forgotten in this rapidly gentrifying neighborhood.
Photos: Brett Boardman