Stone Respect is a house rehabilitation project designed by Dom Arquitectura, located close to the river in the village of Noutigos, in Carnota, Spain. The goal was to respect the current volumes of this old 2,174 square foot (202 square meters) house, maintaining the stone facade, and replacing the original windows in chestnut wood.
The architects proposed only two new small and strategic openings in the south wall for their views and the natural light needed for specific locations. The new openings with iron frame and fixed glass contrast with the existing ones and which are treated with a chestnut wood.
Part of the south facade formed with very small stones has had to repair due to continuous moisture, so we propose a mortar render. We have maintained the large stones around the windows, and have continued to finish smoothing existing lines almost the entire first and second floor. The entrance garden has been treated with a great old reclaimed flagstones, wood benches, albizias, ivy and lavender, give us a simple but hearty welcome.
The recovered stone forms the interior finished walls. In the ground floor they combined with ocher mortar, it generates a game as a baseboard with different heights, covering damaged stone areas and adapting to the interior space distribution. The result is a balanced interior finish where dominates the mortar ocher and stones colors.
The ground floor is a open space with a continuous pavement, where we place the dining room, the kitchen and the living area. On the first floor we located three bedrooms and two bathrooms. The slabs are made with clay vault painted with a gray glaze.
The second floor under the cover is a space originally used as clothesline, now has become a completely open space, flooded with natural light through skylights and a cut in the cover that originates a small terrace with beautiful views to Finisterre and the Carnota bay. Respect the stone, recover the existing elements and combine them with an open and new distribution, actual lighting and furniture, creates a new charming spaces.
Prior to Renovation
Photos: Victor Solis
In Plein Air project is a modern country home designed by Ken Linsteadt Architects, located in the the Sonoma wine country landscape, California. Turning an eye to the outdoors, this metamorphosis of a traditional Tuscan villa into a modern country home frames the oak-studded beauty of the surrounding landscape from every window.
The owner’s reclaimed timber business set the earthy natural palette: recycled oak, steel windows, hand-troweled plaster walls, and concrete floors and counters.
The reconfigured floor plan of the main house includes a rough-hewn timber catwalk around the double height living room, juxtaposed with steel supports and glass railings.
The kitchen, which was moved to the north side of the house, opens onto the pool terrace with a large steel and glass tilt-up window that does double duty as a canopy over the outdoor bar.
Photos: Courtesy of Ken Linsteadt Architects
The industrial eclectic home of actor Gustavo Salmerón has been designed with reclaimed materials and plenty of imagination, located in Madrid, Spain. The actor came in and reinvented the home, which had been left unfinished by the previous owner. He invented the kitchen from scratch, improvised a second level and finished the frame with walls and floors of polished concrete. Below is the living area, and up the staircase you will find two bedrooms and the office.
The actor invented a polished concrete space where everything moves. It’s a great open and transparent space with permeable natural light that extends throughout the home. What happens in its 1,937 square feet (180 square meters) is controllable from any angle. With peculiar objects that inhabit and move to and fro with small wheels, as a prop, and lead to an interchangeable, chameleon stage, like a mechanical toy. It has an anachronistic point, fantastic story of Jules Verne, in which the recovered metals, old and rusty, the gleaming copper and a massive glazed abound. Nod to some prefab ago, lots of wood and lots of second hand customized waste in fireplaces, stoves, panels, faucets and other craft items. It is designed as a living theater, of regular warehouses, junkyards and salvage yards. They fed the creativity that has resulted in this home: futuristic, industrial and retro.
I had very clear ideas explains Salmeron. A New York loft, industrial, a decadent Berlin and leave a squatter point, and the third-a tropical Brazilian air with vegetation everywhere. I took the work like running a movie where the premise is fundamental. In this case it was to observe beams, columns, piping, or other structural elements. If they are there its because they are needed. We were like a film crew. When we were lost, each builder, plumber, electrician, blacksmith … all we had to follow was the premise: nothing should be ornamental. No plasterboard, ceilings, baseboards, paint, trim or anything that serves to cover another. That does not mean that later, if you want, you put a vase of flowers. The aim was to achieve “gritty”. Therefore, the concrete walls are vain in their nakedness. I want my house to be a sculpture in itself, says the artist, always ready to go onstage.
This Gatineau Hills home has been designed by Christopher Simmonds Architect, finding a beautiful balance between modern and natural in Cantley, Québec, Canada. The floor to ceiling windows invite the ever changing landscape of trees and mountains indoors, where a warm wood ceiling overhead and rustic hand-scraped wood floor underfoot wrap you in nature’s best. The facade of natural reclaimed wood on the upper level, white cement board lining the lower, and large expanses of glass throughout are the perfect package for this chic forest home.
The open ground floor, with its interconnected spaces, allows sunlight to flow through uninterrupted, showcasing the beauty of the natural light as it varies throughout the day and by season. The bright white walls (not that there’s much wall with all these windows!), ceilings, kitchen island and furniture lends the home its contemporary edge. A modern fireplace feature warms up the space – both in looks, and in temperature.
While the top of the kitchen island is finished in a white surface, its face echoes the weathered country wood aesthetic visible in the ceiling, floor and views outside. With dinner cooked, there’s no nicer place to serve it than the dining area, complete with a fireplace feature front and center. The floor comes level with the grassy ground just on the other side of the glass walls, giving the interiors that indoor-outdoor feel.
Outdoors, a sunken concrete pool nestles into the slope, finishing this perfect picture of modern living in the Canadian woods.
Photos: Peter Fritz Photography
Smee Schoff House is a contemporary single family home with industrial features designed by Sam Crawford Architects in Petersham, New South Wales, Australia. The project is a great example of how dedicated and engaged clients together with a challenging set of site constraints make for a rich and unique design outcome. Having considered several alternate and distinct design solutions it is now clear that this particular response to the site and design brief is the right one for our clients. Key constraints were: inconsistent council requirements for street-scape and heritage, the need to maintain the privacy and solar access of neighboring properties, multiple poorly devised and implemented alterations to the existing cottage, access to winter sun to the necessarily south facing living areas and views to the park and access to the winter sun available only to the existing bedrooms. The brief also included an atypical requirement for an eat-in kitchen and an melded dining/ lounge/ music room.
Our clients have a wonderful art collection, and their own unique style, which contributed to the industrial/ craft aesthetic of the new work.
Recycled bricks are used extensively for environmental and aesthetic reasons, on both internal (painted) and external (bare-faced) walls. Black painted, lightweight steel framed windows and doors accentuate the very tall brick walls of the central court and dining room. Exposed, over-sized recycled timber beams scale the 4.5m high ceiling of the dining space. Timbers recycled from demolished portions of the building and our client’s cherished Scandinavian hand-painted ceramic tiles are incorporated into new joinery work.
The design sits on a clear continuum in our work; of pushing for maximum thermal comfort with minimal ongoing energy use. This involves a relatively large upfront cost; in the provision of substantial thermal mass via exposed concrete slab floors and brick and reverse brick veneer wall construction, coupled with solar powered/ gas boosted hydronic underfloor heating, contributing to ongoing and long term energy savings. A central courtyard, between the old and new, provides winter sun to otherwise south facing living areas.
The construction team from Buildability, led by foreman Matt Raap, were a major factor in the success of the project.
Photos: Brett Boardman Photography
Ski Slope Residence is a sensational rustic mountain retreat that just underwent an extensive and exquisite remodel designed by High Camp Home in Truckee, California. The home is comprised of 3,606 square feet of living space, with three bedrooms and three baths plus a bunk loft above the pool table room. This custom home is full of reclaimed barnwood, custom iron work, iron fixtures and stacked stone fireplaces, all with breathtaking and panoramic views of Donner Lake. The residence was featured in the February 2009 cover of Tahoe Quarterly as the Award Winning remodel of the year.
Photos: Courtesy of High Camp Home
Casa no Banzão ll is a contemporary property that has been designed by Frederico Valsassina Arquitectos completed in 2007 in Pinhal do Banzão, Colares, Portugal. The house is siutated in the pine forest Banzão in Sintra, overlooking the mountains and represents the desire of the house designed for rest after many years living in the bustle of the city. There was a pre-existing structure with which the clients had a great connection, so the architects preserved a few of the materials in order to reuse them. In this case the place was already established, it is projected on the basis of some key elements in conjunction with the program.
The living room also had to be a ‘music box’ has been studied as such, becomes the core of the house where everything happens: the entryway, the view of mountains, the pergola, garden, patio with olive trees, the change to the area of rooms or technical areas. The experience of the house focuses on contemplation.
The suite is privileged with a view of the mountains while the remaining quarters live around the pool and its seating area and have direct access to the outside.
Photos: © Courtesy of Frederico Valsassina Arquitectos
This rustic modern home is owned by builder Erin Wright of Wright-Built, situated in a lakeside community in Hawkins, Texas. The 2,157 square foot, three bedroom, two-and-a-half bathroom home sits under a 60-foot by 80-foot metal roof canopy that more than doubles the amount of living space. Windows, doors and a garage door open the interior to an outdoor bar, a kitchen, a billiards table, a fire pit and poolside lounging. The home integrates many unique details, from egg basket light fixtures to a master bathroom perched atop a teak deck. Reclaimed materials in this home came from a barn, historic buildings, a hacienda in Mexico, a railroad car, pallets and vintage soda crates.
To the left is the other side of the bottle wall, and to the right is an outdoor kitchen, complete with a vintage Coca-Cola machine that Wright keeps fully stocked. Gooseneck barn lights add to the modern rustic style. She can pull her car right up into this covered area. The metal to the right leads to an outdoor bathroom, and the door on the far right leads to an office that is separate from the rest of the interior spaces.
In the kitchen Wright combined concrete floors and countertops, a copper bar top and sink, egg basket light fixtures and a rusted-tin-roof ceiling. The result is a wide-open contemporary space that’s full of farm materials.
Metal surfaces continue into the kitchen. This bar top and the sinks are copper; the rusty ceiling is reclaimed barn tin. A window between the upper cabinets and the counter lets in more natural light. The window on the right is the pass-through to the outdoor bar.
Wright fashioned the pendant lights from old egg baskets. The alder wood cabinets and shelves are custom, and the countertops are concrete. Stained concrete floors continue from indoors to out. The top of the wood island used to be the floor of a railroad car. Some drawers by the microwave drawer were fashioned from vintage wood soda crates. Wright hand-selected crates with the names of local towns on them.
Wright built the barrel-vault ceiling in the great room from wood reclaimed from a historic building. Look to the left; the garage door that opens to the pool table patio disappears above the ceiling’s wooden planks. The wood-burning Oklahoma stone fireplace can heat up to 3,000 square feet. “Out here in the country, we lose our electricity a lot,” Wright says. The mesquite mantel is an old header from a hacienda. The cowhide-covered window seats hold the electronics for the outdoor speakers. Wright’s boyfriend is an audiophile; serious subwoofers are involved.
The pool table survives outdoors just fine: The top is an outdoor felt, there’s a cover, and the legs rest on rubber spacers. Wright used creosote lumber outdoors because it holds its color and stands up to the elements. Why did she choose red for the window and door trim? “Because it looks so good!” she says.
“As a builder, I see how much we waste with high-pitched roofs with attics underneath,” says Wright. “This way there is a cross flow of air between the roofs over the rooms and the large roof canopy.”
Hydraulic activators make the bar’s pass-through window easy to flip open and closed. “The house opens up to the outdoors in many ways, but when it’s buggy or too hot, it’s easy for me to close off parts of the house to keep them cool,” says Wright. This wall is made of Cor-Ten steel; Wright sprayed it with salt water to speed the rusting process.
This is Barley, Wright’s dog. “Canton Trades Days is about an hour from me, and I get a lot of items there for my houses,” she says.”The doors are from Mexico; I get them from a man at Canton Trades Days. He also made the pantry doors and shipped them to me from Mexico.” She bought the mantel and the guest bathroom vanity from him, too.
In the master bath, the counter is black walnut and the sinks are stainless steel. “I used corner sinks to leave room in the middle for my hair dryer,” Wright says. “In my last house I was always leaving it in one of the sinks, which is not a good idea.”
Compartments in the top drawer keep her jewelry organized. She fashioned the light fixture from an old wooden yoke and Edison bulbs. The window above the mirror makes the most of the natural light.
Wright fashioned almost all the interior doors from wood pallets. Some of the doors slide on barn door tracks, while others are on hinges.
The round cedar bathtub is from Snorkel Hot Tubs. Wright made the faucet from an old-fashioned water pump. The tub is 3 feet deep; the teak deck hides the bottom half. In the shower, water goes through the deck and drains below.
The bottle wall was quite a labor of love: Bottles were cut in half and then secured to another half bottle with duct tape, or the long neck of a beer bottle was stuffed into a mason jar and then the two were joined with duct tape. This way, both sides of the wall have a bottle bottom sticking out, and light can travel through. Unseen beer can spacers cut down on the amount of mortar required.
This bathroom, which serves two bedrooms, is full of reclaimed items. “The tile in the shower is a ceramic, digitally imprinted to look like barn wood. The sink is a wooden bowl that I bought for $30, and the brick is from a house demo we did in Hawkins at a hunting and fishing club that was built in the 1900s,” says Wright. It is a rare brick called Whiteselle Cherry Reds Corsicana Brick. “The brick in the guest bath, on the mantel, and the reclaimed wood in the ceiling of the great room are all over 100 years old,” she adds.
This sensational property was a former industrial building transformed into a beautiful loft in TriBeca, New York by Threshold Interiors. The designers used many re-claimed and salvaged items to complement the architecture and original purpose of the building.
The designers used reclaimed industrial windows used to provide light to an interior room. The dining table is custom from Olde Good Things in NYC.
The countertop is a reclaimed marble.
The living room is reclaimed barn wood nailed to drywall. The column is original to the home.
The bathroom tile can be found at Casale Tile in Ocean Township, New Jersey.
The master bathroom features custom-made shower doors and a reclaimed sink. The flooring is silver travertine from Casale Tile in Ocean, New Jersey.
The wall paneling are poplar boards the designers bought from their local lumber yard, they are inexpensive and they fit together by using a tongue and groove process. The poplar was stained using Minwax MWB 37. The sink is reclaimed from the Tastycake factory in Philadelphia.
Photos: Courtesy of Threshold Interiors
This striking old timber frame rustic-modern barn is built from the reclaimed wood of older structures by RMT Architecture near the Swan Mountain Range in Montana. The barn was only built a year and a half ago and incorporates state-of-the-art mechanical features, but it was built almost entirely out of reclaimed wood from barns, sawmills and other buildings in rural Montana, all of it decades old. The family was building a primary residence nearby, but wished to build a separate structure for entertaining and recreational activities down by the spring-fed lake. It’s only 850 square feet inside and has no bedrooms, but the simple design has room for a small kitchen, a bar, a gathering area centered around a majestic fireplace, a pool and foosball table, and, in the loft, a long shuffleboard table. The finishing result of the project was a family friendly modern barn that’s true to Montana’s history and heritage.
The sliding doors on both sides of Roger Martin’s 850-square-foot “rec barn” allow a view through the entire structure, adding to the illusion it was once a working barn.
The architects designed the building with the classic proportions of an old barn, a screened-in porch cleverly substituting for one of the wings.
Photos: Courtesy of RMT Architects
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