Palmer Pointe Road Residence is a rustic modern home designed by Eskuche Architecture that combines the open feel of a desert home with the coziness of a mountain lodge, yet having a modern edge on Lake Minnetonka, Minnesota. A stunning home is the result of clever design ideas that met a very constrained lot area that begins at 35 feet of width at the street and is restricted by severe bluff setbacks toward the lake frontage that was maximized.
Martha O’Hara Interiors created the stunning interior design and furnishing selections throughout the home. Their goal was to create a rustic contemporary, dog friendly home that brings the outside in through thoughtfully designed floor plans that lend themselves to entertaining. They had to ensure that the interior spaces relate to the outdoors, combine the homeowners’ two distinct design styles and create sophisticated interior spaces with durable furnishings.
To do this, we incorporated a rustic design appeal with a contemporary, sleek furnishings by utilizing warm brown and taupe tones with pops of color throughout. We used wood and stone materials to lend modern spaces warmth and to relate to the outdoors.
The floor plans throughout the home ensure that windows and views are focal points and that the rooms are natural conduits to the outdoors whenever doorways are available. For entertaining, we maximized seating throughout the first floor and kept walkways open for ease of flow. Finally, we selected fabrics with extended lifetimes, durability and stain resistance.
Special features of the home include, the Marvin Ultimate Lift and Slide doors, which we placed along the dining, kitchen, and family room. These floor-to-ceiling windows recede into the home’s walls and include full screen protection.
In addition, the custom designed stairway uses a metal framework to create a sleek, modern feel. The thick wooden steps offer substance and give the staircase a rustic aesthetic.
Photos: A.J. Mueller
Nestled along the majestic Beartooth Mountains of Montana, this family retreat designed by Porth Architects is an elegant structure blending reclaimed lumber with unique design ideas. The mountain residence handsomely displays vintage rafter stock, barnboard, antique hand hewn timbers, and corral board all supplied by lumber company Montana Reclaimed Lumber Co.
In the master bedroom retreat the material on the walls is Hand Hewn Slab Siding and the ceiling is Corral Board.
This beautiful kitchen features rich, rustic materials and gorgeous green cabinets. This is an example of a kitchen that would appeal to a wide range of tastes, even though it is colorful and has character. The floors are reclaimed American chestnut, the stain is a custom blend. The ceiling beams are non-structural.
Photos: Jessie Moore Photography
Farr Residence is a mountain contemporary home designed by Studio 80 Interior Design with a warm, inviting and elegant appeal in Colorado.
This double volume foyer has been transformed into a cylinder of rustic contemporary appeal that boasts a textural story of mountain life complete with random flagstone flooring that suggests the natural stone of the mountain side itself; walls clad in rough wood boards held together with metal strapping as though the room was the inside of a wine barrel; exposed ceiling beams that wrap the round room and come together in the center to form a turret with square clerestory windows repeated around the walls above the strapping. A stunning light fixture that is suspended at the same level as the metal strapping and tells the tale of a wagon wheel referencing the strapping as the wheel itself; and finally a round faux pony skin covered bench with shoe shelving that is reminiscent of a coin operated bull ride. This foyer is a fantasy come true for anyone with an imagination and a taste for whimsy.
After entering the home and passing through the foyer, the social zone continues to impress. Exposed hand hewn post, beams and window surrounds are balanced with the weight of the stone wall and fireplace facing of 12×24″ patina’d steel sheets. A second light fixture identical to the one in the foyer hangs above the seating arrangement, which just happens to include a fun bamboo accent chair suspended from the ceiling by rope.
A walkway is created behind the sectional for ease of movement around the room and the walkway is kept wide enough to allow for a nostalgic vignette of gears and wheels to be mounted on the wall. The gears continue the theme of naturally aged materials and rustic appeal while at the same time adding in an industrial flavour that is further enhanced by the choice of floor lamp.
The bamboo on the swinging chair has been sprayed to match the finish of the aged steel, creating a tone on tone effect that is further emphasized by their opposing textures, the seat is then emphasized with the selection of colour pops employed within its pillows.
The kitchen boasts all the modern essentials, complete with a commercial grade stove and center island. The island picks up on the dining room angles by being narrower at its base then the counter and this is further emphasized by the bar over hang. The bar stools bring in a vintage flare while the faux skin rug on the floor has a country appeal.
Beside the kitchen is a small niche that supports a private dining space just for the family. The glass-topped table features a contemporary metal base that is repeated in the benches on either side for a picnic table reference while vintage chairs are tucked in at the ends for extra seating. In the distance a hall travels to the private zones of the residence.
The hall is a cozy transition that features a magazine rack mounted on the wall, a window niche complete with bench and industrial lighting suspended from the fantastic detailing within the ceiling beams.
Much like the living room, the dining room features exposed posts, beams and window surrounds, but here they are featured in a room of angular dimensions. Narrower at the floor line then the ceiling, it is as though the pitched ceiling is pushing the walls outward with the only thing holding it together being a metal rod crossing the center section of the room. This metal rod is part of another wheel reference; only this time the visual is within the support detail rather then in the two simple pendants that are suspended from it. Creating additional flare within the room is a vintage china bureau and a contemporary table that is paired with modern chairs, all three creating a purposely-neutral color story that allows the fuchsia area rug to be the soprano within the room.
The country rustic elements are strengthened within this bedroom via the large folksy print of tree branches on the bedspread, the cobalt blue bed frame and the “found” boards that create the headboard.
The kids bedroom continues the country rustic decor via the patchwork quilt and found board bed frame. The small desk, floor lamp and safety rail on the suspended bed bring in an industrial flavor while the Lucite chair reminds us that this is a contemporary home.
The bathroom is accessed via a pivoting wood door and when opened offers a view of a freestanding tub with a metallic finish for an industrial makeover on a country element.
The counter on the vanity continues the color story of the tub and the contemporary faucet and mirror supports reinforce the industrial aesthetic.
The details within the vanity vignette are subtle but exquisite. First there is the mirror that slides on metal rods hiding a medicine cabinet recessed into the wall. Then there is the faucet of hot and cold pipes meeting together to create a waterfall spout that spews forth into the rectangular sink, which is part of the solid surface counter. Just these three items create a feeling of luxury within a tiny footprint. Adding to this luxury is the heated towel rack reflected in the mirror.
In the bathroom, each coin nickle has been glued individually, then grouted and sealed. It’s a lot of work but well worth the effort!
The bench tucks quietly below a large window, creating the perfect place to enjoy reading one of the magazines featured on the rack next to it. Uncharacteristically finished in a powder coating of rose red, the bench and the area rug add in a layer of liveliness to an otherwise utilitarian space.
The shelving unit is a contained vignette of wooden cubes supported by square metal tubing with exposed welding on corner seams. The boxes are of varying sizes and while some feature a red stain on the interior sides others do not. The piece is a work of art and would be just as beautiful empty as it is filled with personal items.
Photos: Courtesy of Studio 80 Interior Design
This rustic modern home is owned by builder Erin Wright of Wright-Built, situated in a lakeside community in Hawkins, Texas. The 2,157 square foot, three bedroom, two-and-a-half bathroom home sits under a 60-foot by 80-foot metal roof canopy that more than doubles the amount of living space. Windows, doors and a garage door open the interior to an outdoor bar, a kitchen, a billiards table, a fire pit and poolside lounging. The home integrates many unique details, from egg basket light fixtures to a master bathroom perched atop a teak deck. Reclaimed materials in this home came from a barn, historic buildings, a hacienda in Mexico, a railroad car, pallets and vintage soda crates.
To the left is the other side of the bottle wall, and to the right is an outdoor kitchen, complete with a vintage Coca-Cola machine that Wright keeps fully stocked. Gooseneck barn lights add to the modern rustic style. She can pull her car right up into this covered area. The metal to the right leads to an outdoor bathroom, and the door on the far right leads to an office that is separate from the rest of the interior spaces.
In the kitchen Wright combined concrete floors and countertops, a copper bar top and sink, egg basket light fixtures and a rusted-tin-roof ceiling. The result is a wide-open contemporary space that’s full of farm materials.
Metal surfaces continue into the kitchen. This bar top and the sinks are copper; the rusty ceiling is reclaimed barn tin. A window between the upper cabinets and the counter lets in more natural light. The window on the right is the pass-through to the outdoor bar.
Wright fashioned the pendant lights from old egg baskets. The alder wood cabinets and shelves are custom, and the countertops are concrete. Stained concrete floors continue from indoors to out. The top of the wood island used to be the floor of a railroad car. Some drawers by the microwave drawer were fashioned from vintage wood soda crates. Wright hand-selected crates with the names of local towns on them.
Wright built the barrel-vault ceiling in the great room from wood reclaimed from a historic building. Look to the left; the garage door that opens to the pool table patio disappears above the ceiling’s wooden planks. The wood-burning Oklahoma stone fireplace can heat up to 3,000 square feet. “Out here in the country, we lose our electricity a lot,” Wright says. The mesquite mantel is an old header from a hacienda. The cowhide-covered window seats hold the electronics for the outdoor speakers. Wright’s boyfriend is an audiophile; serious subwoofers are involved.
The pool table survives outdoors just fine: The top is an outdoor felt, there’s a cover, and the legs rest on rubber spacers. Wright used creosote lumber outdoors because it holds its color and stands up to the elements. Why did she choose red for the window and door trim? “Because it looks so good!” she says.
“As a builder, I see how much we waste with high-pitched roofs with attics underneath,” says Wright. “This way there is a cross flow of air between the roofs over the rooms and the large roof canopy.”
Hydraulic activators make the bar’s pass-through window easy to flip open and closed. “The house opens up to the outdoors in many ways, but when it’s buggy or too hot, it’s easy for me to close off parts of the house to keep them cool,” says Wright. This wall is made of Cor-Ten steel; Wright sprayed it with salt water to speed the rusting process.
This is Barley, Wright’s dog. “Canton Trades Days is about an hour from me, and I get a lot of items there for my houses,” she says.”The doors are from Mexico; I get them from a man at Canton Trades Days. He also made the pantry doors and shipped them to me from Mexico.” She bought the mantel and the guest bathroom vanity from him, too.
In the master bath, the counter is black walnut and the sinks are stainless steel. “I used corner sinks to leave room in the middle for my hair dryer,” Wright says. “In my last house I was always leaving it in one of the sinks, which is not a good idea.”
Compartments in the top drawer keep her jewelry organized. She fashioned the light fixture from an old wooden yoke and Edison bulbs. The window above the mirror makes the most of the natural light.
Wright fashioned almost all the interior doors from wood pallets. Some of the doors slide on barn door tracks, while others are on hinges.
The round cedar bathtub is from Snorkel Hot Tubs. Wright made the faucet from an old-fashioned water pump. The tub is 3 feet deep; the teak deck hides the bottom half. In the shower, water goes through the deck and drains below.
The bottle wall was quite a labor of love: Bottles were cut in half and then secured to another half bottle with duct tape, or the long neck of a beer bottle was stuffed into a mason jar and then the two were joined with duct tape. This way, both sides of the wall have a bottle bottom sticking out, and light can travel through. Unseen beer can spacers cut down on the amount of mortar required.
This bathroom, which serves two bedrooms, is full of reclaimed items. “The tile in the shower is a ceramic, digitally imprinted to look like barn wood. The sink is a wooden bowl that I bought for $30, and the brick is from a house demo we did in Hawkins at a hunting and fishing club that was built in the 1900s,” says Wright. It is a rare brick called Whiteselle Cherry Reds Corsicana Brick. “The brick in the guest bath, on the mantel, and the reclaimed wood in the ceiling of the great room are all over 100 years old,” she adds.
This exceptional Okanagan log home designed by Sticks and Stones Design Group is remotely located and perfectly situated to complement the natural surroundings of Okanagan Valley in British Columbia, Canada. The 5,150 square foot, 4 bedrooms, 5 bathroom home fully utilizes its spectacular views. The architects design for the this vacationing family that loves the outdoors blends elements of rustic elegance juxtaposed with modern clean lines. It’s a sensational space where the rugged, tactile elements highlight the contrasting modern finishes.
Outside the great room, outdoor seating soaks up the sun and the mountain view. Careful location and orientation of the house in relation to the sun helps fully maximize the home’s access to natural daylight. High windows and sliding glass doors flood the home with sunshine.
The interior feels warm and rustic but has distinctly contemporary touches. A hand-forged chandelier in the entryway combines old-style techniques with a more modern design, echoing the home’s entire feel. The walnut staircase leads to a second-floor landing and lounge.
A galley-style kitchen uses the same flagstone flooring and dark wood that runs through the rest of the house.
The titanium granite counter continues in a waterfall effect on the backsplash behind the stove.
A living room with a stunning fireplace sits at the far end of the great room, surrounded by windows for light and views. Custom chairs in a brown and blue color palette and a slab-style coffee table tie this space in with the adjacent dining area.
A salvaged fallen tree was transformed into a one-of-a-kind dining table by Vancouver Island’s Live Edge Designs; it will last for generations. The tree was milled into massive slabs, then the wood was dried and finished.
The natural edges of reclaimed wood continue into the powder room, where a sculpted sink stand from Live Edge Designs steals the show.
The master bathroom, off the master bedroom, has a large soaking tub for ultimate relaxation. Stone tile, granite countertops and modern vessel sinks give the space a warm, contemporary look.
The master bedroom is Fisher’s favorite space in the house. “This bedroom is a true romantic escape,” she says. The bed has a clear view to the surrounding hills. A wood-burning fireplace, quiet sitting area and elegant dressing room complete the space.
One of two lofted bedrooms takes advantage of the home’s peaked roofline. A window seat above provides one of the home’s best views. The clients live overseas most of the time, so Fisher and her team often had limited ability to get in touch with them and had to make decisions on the fly. “They really trusted us to create this beautiful haven for them,” she says.
Just up the staircase in the entryway, several small seating areas have clear views of the great room below.
A side-by-side washer and dryer set makes room for folding counters and plenty of storage space in the downstairs laundry room.
Getting the right orientation on the site became one of the most important decisions. The settling of the log house had to be taken into account as well — in a log cabin, the logs settle into place over time, slowly reducing the height of the walls. The slip joint method of construction was used, so the logs will settle slowly, at their own natural pace.
This incredible rustic modern retreat in the snowy mountains of Montana has been designed by New York based D’Apostrophe Design. The interior of the private residence is infused with warmth throughout with wooden trusses, hardwood flooring, cozy and textured area rugs and plush, welcoming furnishings. This is the perfect home to entertain guests during the holidays, with a snowy mountain landscape and a large fireplace in the living room. The two-story log home showcases unique artwork and high ceilings, a perfect family retreat!
Francis D’Haene, a Belgian-born, New York City-based architect and designer, founded D’Apostrophe Design, Inc. in 1996. With a residential and commercial focus, his design studio specializes in architectural, interior and furniture design. D’Haene’s discerning clientele includes design-savvy homeowners, art dealers and gallerists such as Christophe van de Weghe, Per Skarstedt, Dominique Levy and Stellan Holm. His work for this venerable list includes New York City apartments and lofts, private homes in the Hamptons and gallery spaces in Chelsea and uptown. He recently completed an upper west side apartment for art collectors, a Paris apartment in Saint Germain, the New York offices of the Calder Foundation, a downtown loft and several houses in the Hamptons. From an original Takashi Murakami to the Campaña brothers “Boa” sofa, D’Haene’s projects seamlessly blend art and design. His work has received numerous awards including a 2010 Interior Design Best of Year Award and has been recognized by top design publications from around the world.
This stunning master bedroom retreat features a beautiful leather shag rug made in India from camel saddles.
This home, a rustic barn inspired vacation retreat for a family of four on Spring Island, South Carolina, was designed by Historical Concepts to appear as if it was once an old horse stable. The long and linear form is typical of the equestrian building typology and reminiscent of a simple barn that would have housed horses on a large functioning estate. To make the imaginary transition from stable to home, the design team came up with a playful layout that is unusual and quirky, as if new uses were carved into every niche and cranny of the “old barn”.
On the exterior, sliding barn doors open to reveal an open-air entry, flooded with light from the barn-inspired cupola above. Inside, a mixed palette of materials and barn-inspired details add further embellishment to the fictional storyline. Old Savannah Gray brick, reclaimed floors, exposed timbers and other rustic details appear to be vestiges of the home’s supposed past.
Large barn doors open to the open dogtrot entry area. (A dogtrot is an open breezeway, and dogtrot houses are common in Lowcountry.) Large screens are stashed in pockets so the entire opening can be screened, letting the breeze through without letting in the bugs. The dogtrot provides an open-air entry that receives light from the cupola overhead.
The home is comprised of 2,900 square feet of living space, with 3 bedrooms, 3½ bathrooms plus a 1-bedroom, 1-bath guesthouse.
“A catwalk connects a bunk room to a sitting room/office upstairs. “We kept the catwalk as open as possible so that it did not block too much light from the cupola. The industrial feel is an interesting counterpoint to the barn style.” A large fireplace draws everyone into the dogtrot during cold months. “The owners tell me that the dogtrot is a magnet for people whenever they have parties,”.
The upstairs windows share the light from the sitting room/office with the downstairs living space. The architect used 12-inch ponderosa pine planks, which stand up well to kids and dogs.
The owners wanted the kitchen sink to look out to the dogtrot fireplace; windows share the light and create the idea of a horse stall. Placing the sink on the dogtrot side dictated that the range be placed in the island, and the clients’ range required a commercial vent hood.
In the main living room, wide planks on the walls add more barn feeling. Indigenous Old Savannah Gray bricks give the chimney an aged look. Also carrying the barn theme through are rough-hewn beams meant to evoke a hayloft.
Other parts of the house have concrete floors, including the dining room, screened-in porch and dogtrot area. All the spaces flow in a logical way; a few paces allow the family to choose between the indoor dining room and the screened-in porch at mealtimes.
Tall pine trees and the screened-in porch along the back of the home mitigate the direct sunlight.
At the back of the house is the master suite is at the left; its structure is meant to resemble a stable manager’s office added onto the barn. A glass corridor leads to the main bedroom and a small office. Barn doors create the idea of rooms as former horse stalls. Thanks to telecommuting, the family is able to spend long stints in South Carolina, but it was important for the workspace to also incorporate the beautiful surroundings.
The parental zone also has its own private patio.
More pine planks on the walls, pine countertops and a claw-foot tub give this bathroom relaxed country style.
A cupola and dormers on the roof let in light and create ventilation, important elements in the home’s design; the windows are operational and open via a motor.
The neighborhood required muted colors; the archtect picked a woodsy palette that blends well with the coastal trees and shrubs around the home. He added a touch of barn red on the window trim.
Details like electrified gas lanterns, board and batten siding, a metal roof and exposed vent pipes add to the barn feeling.
Large sliding barn doors and Bahama shutters punctuate the front of the home and also let the owners batten it down when they head home to Princeton, New Jersey. The shutters function like Bermuda shutters but are planked to fit in with barn style.
The thoughtful layout was very important to the way the family lives here, especially when the kids bring friends home. The kids have a two-story zone on one side of the house, the communal areas are in the middle, and the parents have a first-floor master suite off the back of the house. The upper floor is the son’s domain; it includes a bedroom, a bunk room and a small sitting area (at the end of the catwalk) and a bathroom.
This is the upstairs sitting room, which overlooks the living room. All of the great light coming in through the dormers is shared with the first floor. The son’s and daughter’s zones will also work when they grow up, as guest suites where they can stay with families of their own.
Photos: Richard Leo Johnson | Atlantic Archives
Beautiful remnants of stone houses, courtyards full of flowers and the smell of fire between winding cobblestone streets, describes the location of this stone cottage near Sepúlveda, a village in the province of Segovia, Spain. Upon entrance to this welcoming home you are greeted with perfect simplicity centered around decorative details, memories and warm fabrics, designed by Lola Rodríguez and Eugenia Mateos.
The home has been renovated in a rustic style, retaining the traditional flavor of natural materials as protagonists, but not forgetting the accessories with color, bold prints and certain isolated pieces of retro air. A mixture — which alone works beautifully — harmonized under the cloak of white as the predominant color. The warm notes are necessary in combating the cold winters of the area, were achieved thanks to solid wood furniture , numerous area rugs covering the floor, cushions, and chunky knit blankets and faux fur throws.
Rustic living room in red and white. The white works as a lighting resource in public areas; dominates fabrics, accessories and even the paint on the roof beams to achieve a fair balance with original stone walls.
The restoration of the house are two very different trends; downstairs there are almost no partitions in the quest to open common spaces, the first floor was bricked up in order to achieve complete privacy resulting in spacious bedrooms, each one with the integrated bathroom. In any case, the common thread on both floors is a calm, bright decor and, above all, very comfortable with indigenous materials as the center of attention.
Every corner is careful and well thought out; public areas have integrated workspace and places to store things.
The feeling of surrounding fire is warm, comfortable and inviting in winter.
The home features stone walls, terracotta floors, windows and solid wood shutters. Next to the windows, the dining room has plenty of natural light.
Everything fits into the decor of the dining room, the table set country respects the same predominant line, with accessories made from natural materials such as linen, iron or wood.
The kitchen combines the traditional feel of the area with the technological advances of the twenty-first century. Thus, we find furniture and wooden cabinets work great co-existing with state of the art appliances.
The original sloping ceilings, hardwood and exposed beams, adds a strong personality to bedrooms. Seating areas are placed under the new skylights to create small private observatories in each bedroom. Overlapping rugs and striking mix of prints and colors in textiles complete that casual air.
Photos: Mi Casa
Lovingly coined ‘the Shack,” this rustic modern cottage designed by Feldman Architecture is an escape from City life for a busy San Francisco couple in Ross, California. The existing home was composed of low ceilings and partition walls creating dark spaces. However, the home held the potential for beautiful mountain views and if one looked carefully, hints of character and charm emerged. Rare old growth redwood siding of the original home and a Sonoma stone fireplace were both maintained as prominent features of the renovation.
During phase one, the original Douglas Fir ceilings were revealed as the sloped roof was opened up and inspired the use of reclaimed, local woods for the mantel, floors and interior doors. These woods warm the interiors and compliment the views to the gardens and Mount Baldy beyond. The kitchen and living room were opened up to an outdoor seating and dining area. Given the limited space and the open views from the living room, the kitchen cabinets were planned down to the details, much like a ship’s galley. The bathroom was brightened with a large translucent window and light porcelain tiles.
SIZE OF HOME: Phase 1 – 706sf / Phase 2 addition – 657sf + 260sf garage
Shortly after the first phase finished, design and construction began on phase two, including a two story addition, garage with green roof and stepped terraces with a swimming pool. The addition extends the area of living room and adds a second floor master suite with sweeping views of Mount Baldy. The addition and garage are primarily made of materials similar to the original house with board and batten siding in a natural stain.
Photos: Phil Bond
Warmth and texture unite in this gorgeous Bridgehampton Estate designed by David Scott Interiors in Bridgehampton, a hamlet in the South Fork of Suffolk County, New York. The traditional style home encompasses the layering of various textures – rich leathers, woven textiles, rustic metals, and earthy woods – creating a warm and masculine residence. This large home in the heart of horse country is the ideal setting for relaxed summers. The rich brown coloration and earth tones used throughout the rooms were derived from the dark chestnut floors, the beams in the double-height living room, and the stone hearth. Unique rugs in variations of geometric patterns, give the rooms a subtle added dimension.
The walls are a Wattle and Daub natural plaster treatment and the beams are exposed timbers.
The walls are done in a custom hand-painted stencil by Applied Aesthetics Painting Studio.
The candle holders on the dining room table are from West Elm.
Photos: Antoine Bootz & George Ross