Silver Bay Villa is a luxury holiday home for a young family designed by SAOTA together with designers Antoni Associates, located in Shelly Point, South Africa. The residence is a contemporary interpretation of vernacular architecture. A wind protected courtyard houses a pool while a glass facade allows views of the beaches.
“The brief was to create a holiday home for a young family that could be enjoyed by an extended circle of friends and family. The house needed to create an internal environment that maximized the connection with the view, minimized views on neighboring buildings and created sunny wind free outdoor living spaces,” says Greg Truen, Project Partner.
The site is positioned at Shelley Point on the West Coast Peninsula which runs from Saldanha Bay in the South, to St Helena Bay in the North. Shelley Point sits on the Northern tip of the Peninsula and is a small spur of land that juts into the Atlantic with West, North and East facing beaches. St Helena Bay itself is made up of a number of bays and the site faces into one of the first of these, Stompneus Baai. Uniquely for the West Coast, the site faces East over the bay looking towards the mountains behind the small Swartland town of Aurora.
The bay is home to populations of common and endemic Heaviside Dolphins, Southern Right Whales and is an important stopping point for migratory birds. The climate is dryer and warmer than that of the Cape Peninsula and is characterized by strong South-Easterly winds in summer which switch to a North-West direction in winter. The site slopes from the street on the West down to the beach on the East by about 3000.
The design is largely formed by three contextual conditions. The first is the elevated entrance which placed the living spaces on the upper level and the bedrooms and playroom on the lower level. This decision allowed the living spaces to maximize the views of the bay and to see the water’s edge. The second issue is the prevailing South-Easterly wind. The challenge here is that the views are in this direction and a large set of glazed sliding doors allows the maximum view.
The third major issue is the sun on the North side. The response to this and to the South-Easterly wind was to position the pool in a courtyard on the Northern face that captures sun for the house and also creates a wind free outdoor space that can be enjoyed year round regardless of the wind.
The upper floor has been conceptualized as a single space holding the pool courtyard, an elevated entrance hall, a kitchen with a large table and a dining and living space on the East edge. The L-shaped space is broken up by level changes which create distinctly different spaces. A conical flue made from Corten steel forms a visual element around which the spaces pivot, the rusted surface reflecting the coastal environment.
The thatched roof is supported on a perimeter I-beam. The timber tie beams of the thatched roof are replaced by steel tie rods that allow the open volume of the roof to form the top of the space, the woven thatching grass and the latter forming a counterpoint to the granite floors.
A curved Corten ‘hat’ sits over the braai flue and watches over the pool courtyard, a playful companion for the Corten cone that sits on the other side of the courtyard. The North face of the courtyard is formed by a timber wall. On the lower level, the off-shutter concrete slabs form the ceiling. The slabs retain rust marks from the steel that was laid in the slab and the chalk markings of the contractor.
The simple cellular bedrooms have a serrated facade that allows for corner glazing to maximize views. The curtain track was cast into the slab with a radiused corner that creates a cave-like space at night when the curtains are closed. Simple glass walls separate the en-suites from the bedrooms, allowing the two spaces to share a larger volume. The stair connecting the two levels is also made from I-beams with 75mm thick Eucalyptus planks forming the treads.
“The interior is a sophisticated eclectic mix of easy living, laid-back, comfortable and robust furniture. Natural timber, charcoal and grey fabrics are accented with washed-out red patchwork kelims, and blue log stools. Natural materials and textures such as pewter-colored grass cloth wall coverings and woven baskets add tactile finishes that layer the spaces. Proportions are over-scaled and inviting. Large sofas are nested with clusters of cushions and throws and instantly reflect relaxation. Spaces are cocooned and layered and have a sense of home,” says Mark Rielly of ANTONI ASSOCIATES.
Photos: SAOTA, Adam Letch & Enda Cavanagh
02 House was designed as a modern and luxurious single story property by Daffonchio & Associates Architects, located in Hyde Park, Johannesburg, South Africa. The house is set on a secluded, tranquil stand surrounded by established trees. The main house consists of 2 wings: the living wing and the bedroom wing. Both wings have long, low roofs which appear to float over and past them. These roofs are supported on external steel posts, as all of the walls stop short of the ceiling, with clerestory windows on top of all internal and external walls.
The clerestory windows allow views of the trees from inside the house, and admit a soft, diffused light into the house during the day. At night, the ceilings are lit up by means of fluorescent lights concealed below the clerestory windows. This creates a soft, ambient light, and enhances the floating effect of the roofs. The deep overhangs of the roofs and the generous concrete aprons around the house extend the house into the garden both spatially and visually. The deep roof overhangs also shade the glazing in summer, protecting the house from solar heat gain.
Along the full length of the northern side of the living area is a 16 meter long floor to ceiling motorized frameless glass sliding door. When opened, the door disappears into cavity walls, and the living area effectively becomes an open covered patio, with 2 large cavity sliders on the south side opening onto a secluded courtyard.
The entrance door was designed by South African artist Marcus Neustetter. It comprises a sheet of laser cut steel on the outside and laser cut walnut on the inside, with clear glass in between to let light shine in during the day and out at night. The laser cut image originates from a Google Earth image showing the topography of Johannesburg and the surrounding areas. The minimalist architecture, expansive spaces, soft natural daylight and white walls in the house serve as a backdrop for other artwork throughout the house.
The ecopool has been designed to read as part of the garden, with gravel banks acting as the transition between the garden and the pool, and planted wetlands blending visually with the surrounding landscaping.
Photos: Adam Letch
Kloof 151 is a family home with a guest and a ‘work-from-home’ wing spread over two levels, designed by architecture firm SAOTA, located in Clifton, Cape Town, South Africa. The home was designed to not only to enjoy the dramatic views of the Clifton beaches, but also to engage with the natural fynbos on the slopes of Lion’s Head to the North.
The house is a 3 storey building with building parking. The large entrance to the basement allows for direct sunlight and a pleasantly warm entrance to the house. At the ground floor, the main living room enjoys a fantastic position overlooking Clifton. The majority of the living levels – including the open plan kitchen – open onto the large well covered terraces to the West or North facing the mountain slope and Lion’s Head. The extreme heat and glare of the setting sun is addressed by the cantilevering balconies, extended irregular and striking hardwood screens and motorised vertical fabric blinds. These devices along with the performance glazing result in an all year round cool interior.
The terraces are surrounded to the most part with either planting beds that have been planted with indigenous flora to echo the adjacent nature reserve and to minimize the use for additional irrigation. On the North Western corner of the site, a rim flow pool is situated that creates a seamless connection to the ocean.
The ground floor is bisected by a double volume to enrich the spatial experience and create a dialogue with the double volume stairwell towards the rear. A more intimate second lounge and external terrace has been created which looks out onto the dense natural fynbos of the Table Mountain Nature Reserve. The finishes are characteristically clean and simple and include natural and robust finishes, such as wide plank Walnut floors, off-shutter concrete soffits as well as unpolished large porcelain floor tiles. This also allows features such as the imported kitchen and the stone clad fireplace to contrast with the less refined elements.
The first floor of the house accommodates 4 en-suite bedrooms, a gym and a studio space. To reduce the effect of glare experienced at the house, the finishes palette is rich and in deep colours. The bedrooms are generally lighter and contemporary with accents of classic pieces of furniture and a fresh fabric selection that create tranquil spaces. Frameless glass balustrades are used to the stairwell to increase the sense of openness and transparency in the stairwell.
Photos: Courtesy of SAOTA
Nestled in the cliff-top estate “The Cove” in Pezula, Knysna, South Africa, Cove 3 House was designed by SAOTA and Antoni Associates to be integrated into the topography and natural color of the fynbos, maintaining a seamless connection with landscape and ocean. “The brief was to create a home for a Johannesburg based family that could eventually be used as a family home but would initially be used for holidays. The site enjoys spectacular views and it was important that the connection to these views was maximized,” says Greg Truen, Project Partner.
The site is in The Cove development at Pezula Estate outside Knysna. It enjoys fantastic sea views to the East and to the South. The approach is from the North West and there are houses that overlook the property from the East and the North. The site slopes from the North West to the South East.
The primary idea driving the design was to create a single living space with a single roof element floating over it that responded to the slope of the site. The roof is set at a sufficiently high level so that it is out of one’s line of sight from the living space, creating the illusion that one is sitting in the landscape rather than in a room looking out into a landscape. A large triangular cut-out in the roof reinforces a connection with the sky.
A very detailed solar analysis was done of the building to try and get direct sun (other than the rising East sun) out of the building. As a result, a mid-level horizontal sunscreen was added to the double height glass facade and the skylight is protected by a timber screen that hangs into the space to mitigate the scale of the double volume space. Care was also taken in selecting performance-glass that would minimize the impact of direct sun.
The building is approached from the North West at the top of the site. This elevation is low and horizontal. The choice of materials, off-shutter concrete, Rheinzink roofing, timber cladding, stone and exposed aggregate will allow the building to fade into the landscape as it ages. The building is orientated towards the view; one enters at the upper level of the double volume looking towards the ocean. The contrast with the external approach is very powerful. A grand stair pulls on onto the living level which holds the kitchen, dining room and living room. To the right the landscaping is pulled into the building, blurring the distinction between the inside and the outside.
A spiral stair connects the living level to a private lounge and the master bedroom on a mezzanine level. This stair was conceived as a sculptural element in the large volume to again mitigate the scale of this space. This spiral drops through the floor to a lower level which houses a guest bedroom, a home theater and a living room.
An L-shaped extension to the South West houses the two children’s bedrooms. The bedrooms have curved curtain tracks that create very intimate sleeping spaces at night which contrast with the very open daytime character. Water is a critical issue in this part of the world and a huge underground cistern was created under the garden terrace to harvest rainwater to minimize the houses’ reliance on the municipal water system. A heat pump and water based under floor heating system uses less energy than would ordinarily be required for a house of this magnitude. The concept behind the landscaping was to reinstate the fynbos and let the building float over this restored surface.
“The interiors are uncluttered and reflect the easy living requirements of the clients. Spaces are sparse, and have been furnished minimalistically which emphasize the strong architectural lines and volume of the architecture. The furniture is modern, and a number of bespoke pieces were sourced from the designer’s retail outlet OKHA. A neutral palette of ivory, stone and shell complement the natural architectural timber and concrete finishes selected throughout,” says Mark Rielly of ANTONI ASSOCIATES.
Photos: Micky Hoyle COURTESY OF VISI
Hillside House is a contemporary single family property designed by GASS Architecture Studios, situated on the slopes of the Helderberg Mountains in Stellenbosch, South Africa. The residence is simultaneously arresting and juxtaposed as it fits flawlessly into its surroundings, nestled between rolling vineyards, a koppie (small granite hill) and a river below
You approach the house up a steep driveway meandering through the vineyards. The driveway and the forecourt are a modern interpretation of a traditional farmhouse. This is characterized overall by the planning of the house’s location but also more specifically by the gravel driveway, expansive forecourt, drive-in open garaging reminiscent of a barn and water feature evocative of an animal’s drinking trough. This modern drinking trough is then fed by a modernist architectural waterspout from the roof of the house.
These farmhouse characteristics are not just visual either. Other senses are also stimulated: your scent is stimulated by the smells of the farmlands and rural surrounding as is your auditory sense when you hear the gravel beneath the car’s tires.
There is a genuine sense of arrival every time you visit Hillside. Access to the front door is gained from a double-sided staircase from left or right of the gravel arrivals courtyard. This short stairway is a nod to the Colonial influence of traditional Cape vernacular typical to architecture seen in the Cape (many buildings in and around Cape Town like The Castle of Good Hope, the City Hall and Tokai Manor House, for example, boast this kind of double-sided arrival staircase).
As visitor – and homeowner – you are fully aware of the amazing setting but on arriving within the farm yard style forecourt the scale of the house changes from a 3-story to a double volume dwelling – so you don’t really get a sense of all the floors and levels. Beyond this point it is by no means farmhouse, well not in the traditional sense of the word anyway.
Before walking up the steps to the solid timber double front doors you also have the choice of going downstairs to the guest suites (that are currently being used by the home owner’s older children when they’re not at university).
A repetitive architectural feature of the house is the many stacked granite stone walls. Most of the stones for these have been harvested from the site. The front door is also situated within one of these granite feature walls. Before entering the house one has no idea what to expect on the other side – it’s a kind of tardis with unexpected treasures beyond! As you walk through the threshold you are immediately greeted by a giant picture window showcasing the inner courtyard around which the home is designed and the koppie (small granite hill) to the rear of the house. The koppie (small granite hill), as with the rest of the garden, boasts local fynbos and indigenous flora and a kitchen garden to the side.
From the home owners:
We wanted a home that merged the inside and the outside and that gave us beautiful changing visual cameos wherever you looked. Our architect managed to masterfully capture our need for simplicity, nature and a very serene ambiance that is then offset by our somewhat mad and effusive large family.
Photos: Kate Del Fante Scott
Montrose Residence is the demolition of an existing home into a beautiful double volume structure by SAOTA architects, situated high on the ridge of Bishopscourt in Cape Town, South Africa. The site was divided by the existing driveway, which rose steeply from the end of the cul-de-sac below. The new building’s form, perched as it is in a commanding position, was perceived from the outset to be a pavilion overlooking the lawns and the forested valley below.
The clients’ brief had a few specific requirements; orientation towards the Constantia Valley and distant False Bay, and the dramatic views up the mountains above Kirstenbosch were essential, as was the emphasis on developing the site to maximize the garden and lawn area. Following the brief the driveway was relocated to the southern boundary of the site to allow this and open up the lawns and the gardens towards the sun and mountain views. There are panoramic vistas towards the south and west from the bedrooms and living rooms; while the pool and terraces are located on the north-east side, in a courtyard protected from the Southeaster gales by the intersecting linear forms of the house.
The triangular shape of the site, and its elevation above the street and steep incline, required extensive excavation and retaining, in order to provide a driveway of acceptable gradient, and extensive building platform on one level, and garden terraces all round.
The double-winged roof, floating above the bedroom wing, and virtually glass box-enclosed living rooms, are the main architectural features. These are complemented by secondary architectural elements such as the cantilevered end of the main entrance feature wall, the floating stone-clad fireplace, continuous perimeter cantilever terraces to the bedrooms and the wrap-around cantilever eyebrow.
Finishes include: polished granite floors, no carpets, no curtains and the floating feature roof with clerestory lighting. The clients’ preference was towards a slick modernist environment with a definitive northern European flair. The imported light grey granite floor slabs set the tone for a color palette of cool greys rather than natural browns, a refreshing change from prevailing trends.
The dual living areas on the ground and first floors are linked by a double volume and are wrapped in glass which takes advantage of the views.
Photos: Wieland Gleich
POD Boutique Hotel is a luxurious hotel subtly promoting discretion and elegance, completed in 2009 by Greg Wright Architects, located in Cape Town, South Africa. POD is more than a luxury boutique hotel. It’s a declaration of love for fine living, fine design, and unforgettable experiences. Conceived of as a discreet and super-stylish location and getaway on the Camps Bay strip, this project is set to become the destination of choice for those “in the know”.
A unique palette of granite, slate, African timber and glass has been brought together in elegant simplicity in an attempt to make rooms and relaxation spaces desirable to those who appreciate stylish accommodation backed up by discreet, luxurious service.Add to that the fact that all that makes Camps Bay the international destination of choice, this project is set to redefine the boutique accommodation business in Cape Town and set the benchmark for those going forward.
15 bedrooms and suites provide ultimate comfort and privacy, evoking a feeling of sanctuary and serene relaxation.
Aloe Ridge House is a contemporary dream home designed by Metropole Architects, nestled under the leafy canopy of an immense Albizia Tree, located in the Eden Rock Estate on Kwa Zulu Natal’s South Coast of South Africa. Comprised of 3,229 square feet (300 square meters) of living space, the home promotes the notion that a dream house does not need to be sprawling and palatial but that in fact, small can be beautiful.
At first floor level, the design focus was to promote a sense of openness with privacy and create a diverse, joyful place in a limited space. Whilst the need for privacy has dictated the use of doors, these doorways are full height at 2.6 meters and when open allow continuity of space to be experienced through an uninterrupted ceiling plane.
The house is a veritable ‘Mesian box’ of bold contemporary architectural design set into the African indigenous coastal forest context, making a big architectural statement despite its relatively diminutive dimensions.
The house stands proud on its corner site and is a progressive cantilever form that proclaims its presence and is representative of a paradigm shift in the estate’s architectural design language.
The planar estate road (public) facade is intentionally bold, minimalist and austere and hard up against the south western site building line. The result is a visually engaging architecture that makes efficient use of the small site, provides effective privacy to the inhabitants whilst at the same time acting as an efficient barrier to bad weather and prevailing strong winds coming from the south west. In addition a narrow linear plan form, maximizes openness and sheltered private space for living, entertainment and relaxation behind this to the North East, in close proximity to the wild natural bush and looking out towards the view beyond.
The entrance to the house is a carefully considered grand, double volume arrangement of components in glass, timber and concrete and with ‘wrap around’ form making, a signature characteristic of recent Metropole homes.
There is a sense of ‘big-ness’ and ‘wow factor’ right from the start.
The strong horizontal line created by the roof of the garage structure provides visual axial thrust to the point of entry, into a transparent double volume entrance area and through to the kitchen and living spaces beyond.
Internally, at ground floor level, open plan design with a minimum of dividing walls, no internal doors and level thresholds between inside and outside facilitate a user experience of a single large multi-use space that unconstricted, uncluttered and weather permitting, is able to open up and connect and extend to the outdoors.
In Aloe Ridge House there is a unity of opposites.
The clean, hard and straight lines of the man-made intervention meet the soft flowing irregular line and textures of the natural bush context in a respectful harmony.
The 3 bedrooms are located on the first level opening out to an elevated balcony which allows distant views over the tree tops to the sea in the east and distant hills and the setting sun to the west. A series of movable Balau timber screens bring in filtered daylight to the clean, modernist interiors, without sacrificing privacy whilst adding a degree of detail and natural colors and texture to the modern facade.
High level perimeter strip windows visually lighten the experience of the first floor building mass overhead and enhance the experience of the vertical dimension of the living, dining and entertainment areas at ground floor level.
A generous external decked area with plunge pool and open lawn area beyond encourages the inhabitants to indulge in and celebrate an outdoor lifestyle of entertainment, play and relaxation.
The architecture brings the great big South African outdoors in and in turn encourages the inhabitants to venture out into it.
Extensive cantilevers resonant of the canopy of the Albizia tree provide a sense of lightness and floating of the upper building mass on the open plan lower level.
The extensive use of glass breaks down the traditional visual barriers between inside and out as well as providing reflections of the natural vegetation that is its context.
The palette of natural materials including earthy color tones, timber screens, decking stone cladding juxtapose with the bold and progressive architectural form making, creating a small home that ‘packs a big punch’ and that is not only visually and spatially exciting, but also comfortable and intimate.
Photos: Grant Pitcher
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