The industrial eclectic home of actor Gustavo Salmerón has been designed with reclaimed materials and plenty of imagination, located in Madrid, Spain. The actor came in and reinvented the home, which had been left unfinished by the previous owner. He invented the kitchen from scratch, improvised a second level and finished the frame with walls and floors of polished concrete. Below is the living area, and up the staircase you will find two bedrooms and the office.
The actor invented a polished concrete space where everything moves. It’s a great open and transparent space with permeable natural light that extends throughout the home. What happens in its 1,937 square feet (180 square meters) is controllable from any angle. With peculiar objects that inhabit and move to and fro with small wheels, as a prop, and lead to an interchangeable, chameleon stage, like a mechanical toy. It has an anachronistic point, fantastic story of Jules Verne, in which the recovered metals, old and rusty, the gleaming copper and a massive glazed abound. Nod to some prefab ago, lots of wood and lots of second hand customized waste in fireplaces, stoves, panels, faucets and other craft items. It is designed as a living theater, of regular warehouses, junkyards and salvage yards. They fed the creativity that has resulted in this home: futuristic, industrial and retro.
I had very clear ideas explains Salmeron. A New York loft, industrial, a decadent Berlin and leave a squatter point, and the third-a tropical Brazilian air with vegetation everywhere. I took the work like running a movie where the premise is fundamental. In this case it was to observe beams, columns, piping, or other structural elements. If they are there its because they are needed. We were like a film crew. When we were lost, each builder, plumber, electrician, blacksmith … all we had to follow was the premise: nothing should be ornamental. No plasterboard, ceilings, baseboards, paint, trim or anything that serves to cover another. That does not mean that later, if you want, you put a vase of flowers. The aim was to achieve “gritty”. Therefore, the concrete walls are vain in their nakedness. I want my house to be a sculpture in itself, says the artist, always ready to go onstage.
The House of the Infinite has been erected as if it were a jetty facing out to sea, designed by Alberto Campo Baeza, located alongside the Atlantic Ocean in Cádiz, Spain. Cádiz is a marvelous place, like a piece of earthly paradise, where the architects have built an infinite plane facing the infinite sea, the most radical house the architects have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic.
The 9,687 square foot (900 square meters) house is a podium crowned by an upper horizontal plane. On this resoundingly horizontal plane, bare and denuded, we face out to the distant horizon traced by the sea where the sun goes down. A horizontal plane on high built in stone, Roman travertine, as if it were sand, an infinite plane facing the infinite sea. Nothing more and nothing less.
To materialize this elevated horizontal plane, which is the main living room of the house, we built a large box with 20 meters of frontage and 36 meters deep. And under those first 12 meters we excavated two floors in the solid rock to develop the whole living space.
The Romans were there a handful of centuries ago. Bolonia, the ruins of the Roman fishing factories where they produced garum and built temples to their gods, is just a stone’s throw away. In their honor we have built our house, like an acropolis in stone, in roman travertine.
To give even greater force to the platform we incorporated all the terrain as far back as the entrance wall separating us from the street, also done in Roman travertine. Once inside the wall, the entrance to the house will be via a “trench” in the form of stairs dug into the upper surface of the platform.
A Greek poet said that this is a true temenos, a meeting-place, where according to mythology, humans and gods come together.
On the denuded stone platform, three walls surround us and protect us from the prevailing strong winds. Sometimes it is as if someone had opened the bag containing the winds of Aeolus. The same winds that drove on the vessel in which Ulysses made his journey home.
There is a lovely etching by Rembrandt from 1655, “Christ Presented before the People”, that has always fascinated me. In it, Rembrandt sketches a straight horizontal line. Perfectly straight and perfectly horizontal. It is the border of the powerful dais, the podium upon which the scene takes place. There, as Mies did so often, he has made the plane into a line. I am certain that Rembrandt and Mies would like our podium house, all podium, only podium. As would Adalberto Libera, who did the same thing when he built his Malaparte House in Capri. And we like it too. And when we look at our house from the beach, we will be reminded of all of them.
We wanted this house to be capable not only of making time stand still, but to remain in the minds and hearts of humankind.The house of the infinite.
Photos: Javier Callejas Sevilla
Model Concept 1
Model Concept 2
Jellyfish House is a four story property showcasing a cantilevered rooftop pool that has been designed by Wiel Arets Architects, located in Marbella, on the Mediterranean coast of Spain. The home’s neighboring buildings block its view onto the nearby sea, so appropriately it was chosen to cantilever the house’s pool from its roof, so that the beach and sea can always be seen while sunbathing or swimming. The 6,996 square foot (650 square meters) house is organized around two paths of circulation: a ‘fast’ and ‘slow’ set of stairs, which intertwine and traverse the house’s four levels of living.
The ‘fast’ stair leads from the exterior directly to the roof; it is enclosed in glass, which physically separates it from the house’s interior, yet it is simultaneously open to the exterior elements, so that sand is not brought into the house when returning from the beach. The ‘slow’ stair whose long treads and short risers lend it its name spans the entire length of the house, from ground floor main entry to roof; it is indoors yet also open to the exterior elements, further amplifying the house’s capacity for ‘interiority’.
The house’s rooftop pool is cantilevered 9 m southwest toward the Sierra Blanca mountain range in the distance–and weighs nearly 60,000 kg. Equipped with an infinity edge, its water merges with the sea in the distance. This pool has a glass-bottom floor and a panoramic window at its interior facing edge, both of which are 6 cm thick; the latter allows those in the kitchen to voyeuristically view those swimming, while a third window affords those in the kitchen a glimpse of the living room, whose terrace extends under the cantilevered pool.
The searing Spanish sun constantly filters through the pool’s glass wall and floor, creating ripples of iridescent turquoise reflections throughout the entire house. As such, the pool can be seen and experienced from nearly all areas of the house. Integrated within the pool is an underwater bench, which traces its length and also integrates a pool cover, so that it is out of sight when the pool is in use.
Five bedrooms are located throughout the house, with two guest bedrooms situated on the basement level that face outward and onto an extensive private terrace for the exclusive use of guests. As the ‘slow’ stair leads from the main entry to the guest bedrooms below, this area of the house is able to function as a separate entity. The kitchen is strung along the southern facade of the house’s first floor, with all secondary appliances built-into an adjacent and perpendicular hallway.
The house’s structure is composed of poured in place white-concrete, supported by one column at the right-rear edge of its pool, and several smaller columns near the rear-dining terrace. All non concrete walls were constructed with glazing, which allows sunlight to permeate the house. Multiple bedroom closets, whose obverse faces the ground floor hallway, are finished in translucent glazing to compound this sunlight diffusing strategy.
Oversized and accordion like folding panels of translucent glazing adjoin each dining or entertaining space, which, when opened, essentially expands the house’s numerous areas of living by nearly doubling their size.
The first floor is also the location of the sauna and steam bath. A small service elevator also allows, for instance, food and drink to be brought from the kitchen, or any other floor, up to the rooftop pool and terrace. This roof terrace features an oversized and custom designed concrete table with an adjoining bench, which is contiguous to an angular chair for reclining while sunbathing.
All of the house’s audio video equipment such as its countless Bose speakers are recessed into its ceilings and walls, which allows them to disappear within their context little noticed. Lighting illuminates all corridors and staircases, as well as underwater within the pool, ensuring the rippling effects of its reflections that shimmer through its glass floor and wall can also be experienced throughout the house at night.
Taking full advantage of the ever present Spanish sun, the Jellyfish House is an avant-garde expression of luxurious living; as most of its façades can be opened, and as its staircases are mainly outdoor, the house’s ever shifting boundaries between inside and outside are curiously blurred.
Photos: Jan Bitter
House in Ontinyent is a modern minimalist design by Spanish architect Borja García, located in Calle Músico Vert, Ontinyent, Valencia, Spain. The core of the project is a large open space on the ground floor and a sculptural staircase made of concrete that guide visitors to the upper floors. The materials, with an absolute use of white, are always naked and honest. The basement, a large open space between concrete walls, connect the 5,920 square foot (550 square meters) house with the pool. The pool, built in white concrete, represents a large floating water surface.
We are in the historic heart of Ontinyent (Valencia), in a old textiles factory now converted into the headquarters of the outdoor furniture manufacturer Gandia Blasco. The aim of the project is to integrate new residential activity into the existing building. For this reason the house is proposed as an extension of modulation and structural system of the old building.
The house is located between party walls with dimensions of 22×7 meters and has five levels constructed. The distribution is solved with a simple band diagram that goes through the house drawing the small spaces (bathrooms, laundry, toilets, etc.). The rest of stays overturn both facades leaving the central area of the building reserved for the concrete stairway.
The ground floor has some social spaces that ends into a vertical space chaired by a huge mural with a visual overview from the history of the company. All materials selection has been carefully choose to ensure the coherence between the project and the company Gandia Blasco. The absolute present throughout the work and the nude and matte treatment complete the imagery projected by the brand through its products.
Finally, a white concrete pool that encloses a water box suspended inside. The proportions of the pool dialogue with the rear facade. Also the access stairway is a continuation of the system used inside the project.
The overall result is a elemental house in its design and its realization but with a powerful constructive solution that gives the project a strong identity and character.
Photos: Courtesy of Borja García
Project Portable Home ÁPH80 is a design by Madrid based ÁBATON Architects, a dwelling ideal for two people, easily transported by road and ready to be placed almost anywhere. This tiny house is comprised of only 290 square feet (27 square meters), sectioned into private and public spaces and ready for immediate placement. The proportions are the result of a thorough study by the architectural team so that the different spaces are recognizable and the feeling indoors is one of fullness. This low cost pre-fabricated housing solution is priced from $42,862, with an estimated one day assembly time and manufacturing taking approximately 4-6 weeks per unit.
If you’re into mobile architecture, check out a sled house retreat that can be towed off the beach to avoid incoming tides.
It is a simple yet sturdy construction made of materials chosen to provide both comfort and balance. ÁPH80 embodies the principles and objectives of ÁBATON: wellbeing, environmental balance, and simplicity.
ÁPH80 has 3 different spaces measuring 27 square meters (9×3): a living-room/kitchen, a full bathroom and double bedroom. Its gabled roof is 3.5 meters high indoors. Most of the materials can be recycled and meet the sustainable criteria that ÁBATON applies to all its projects.
It blends in with the environment thanks to its large openings that bring the outdoors inside. The use of wood throughout the building not only adds calmness and balance but it is also hypoallergenic. The sourced wood comes from regulated forests (will regrow to provide a wide range of other benefits such as further carbon storage, oxygen generation and forest habitat).
Technical Data: The outside is covered with grey cement wood board. Ventilated facade with 10 centimeters thermal insulation around the building. Solid timber structure manufactured through numerical control; Inside timber panels made of Spanish Fir Tree dyed white. ÁPH80 has been designed and manufactured fully in Spain.
Manufacturing time: 4-6 weeks. Assembly time: 1 day. Transportation by road. We are currently developing simpler series which can be added to the ÁPH80 to suit every particular need, creating larger spaces and contributing to the project’s versatility.
Photos: Juan Baraja
LV House is a three story luxurious modern property that has been designed by architects Joaquín Torres and Rafael Llamazares of A-cero, located in Madrid, Spain. This 10, 763 square foot (1,000 square meters) house provides outdoors and indoors with high standard quality materials and furniture.
When we get into the house through the distributor hall we got surprised by the amazing staircase that connects the three floors. Downstairs the more public areas like dinning and living room are placed in the ground floor as well as the kitchen and the service area. The property also has an elevator. The top floor is reserved for the bedrooms.
There is a master bedroom with bathroom and dressing room and 4 other bedrooms also with its own bathroom.
In the basement we find the garage, an entertainment area which is perfect to meeting people and also the indoor pool with gym.
The project is characterized by its simplicity and its blend of classic style with modern flair. The property is located on a large landscaped garden and a swimming pool with organic shapes.
El Viento residence has been designed by architects Otto Medem de la Torriente, perched on a steep slope in Collado Villalba, Madrid, Spain. Inspiration for the interior and exterior spaces of the 9,030 (839 square meters) home came from the large blocks of natural marble emerging from the steep slope and breathtaking views over the mountains of Madrid.
The environment strengthens the architectural qualities, making nice emotions that we discover while we walk through the different areas. We created a very private access to the housing, with walls that shroud you and hide the environment from you. Therefore you will discover it gradually thanks to the big windows.
From indoors the openings put in a frame the wonderful views of the environment. As a result the views turn into daily elements in our lives. We created an architectural path to show the main facade, and going down by the gentle staircase we arrive to the main porch, from where we can go into the house.
This house has three floors. Crossing the main entrance we find the amazing hall. It is surprising due to its verticality. This is the most important area in the house, from where you gain access to the other ones. The daylight goes straight through the high windows to fill the main hall. These windows have narrow dimensions and are placed at 6.5 meters from high up. Furthermore they are strategically oriented towards two waterfalls that we can find in the eastern slope of the mountain.
That hall is the center of the house, the starting point to discover the architect and the environment, the place where all different areas are organized. Most of the activities we can do in the house take place in the living-room. It is based in a large block of natural marble that we found originally in the plot. We decided to leave it intact, and to convert it into a key element for the architecture.
From outdoors the living room gains more intensity thanks to the large block. It becomes a link between the living room and the swimming pool, with the best orientation for enjoying it. The lower level of the house is south-facing and it is adjusted to the slope. However the upper level, with western orientation, is floating over the lower ones. It seems to be based on the clouds. One of the more gratifying things in this project is to see how people are delighted with our architecture, it evokes feelings.
Photos: Otto Medem de la Torriente
Mallorca Gold is luxury waterfront designer villa set in Santa Ponsa, a holiday resort in the south-west of Majorca, in the municipality of Calvià. The 6-bedroom south facing villa showcases spectacular views, with 4,521 square feet of living space plus terraces, nestled on a 1,250 square meters plot between the port of Puerto Adriano and the Nautical Club Santa Ponsa.
This stunning villa is listed for sale at $6,548,160, from here.
The residence is distributed over three floors. Ground floor: entrance hall, living room, dining room, kitchen, 1 bedroom with bathroom en suite, veranda. First floor: 1 master bedroom with dressing room en suite, 1 further bedroom with bathroom en suite, 2 bedrooms and 1 bathroom. Basement: Wellness and Spa area with Turkish bath, sauna, shower and Jacuzzi. 1 staff bedroom.
Very good building quality and equipment: central heating, under floor heating, air conditioning hot / cold, double glazed windows, hardwood and marble floors, electrical kitchen appliances by Gaggenau, alarm system, osmosis system. Beautiful garden with several open and covered terraces and salt chlorinated swimming pool. Parking for 2 cars.
AA House was designed for a family with two children by MVN Architects, located in Almeria, municipality of Mojacar, in the surrounding area of Cerro del Albar. It is a rugged topography, with steep and open distant horizon over the sea. On the site there exists a small platform, which will be used as base for the 3,067 square foot (285 square meters) building. The project needed to answer two questions raised by the client: One, offer a solution that would allow feeling the horizon as part of the house. Two, develop a housing program with the following needs: garage and kitchen; lounge dining room and office-library; main room, rooms for the children and guests; and a small sauna, workshop of sculpture and painting, and court-warehouse for drying and storage of parts.
The housing places on an existing platform oriented to the east, toward the Mediterranean Sea, in an area with a steep slope. Given the rugged terrain, the general organization of the project has been defined by the need to adapt in a rational way to the topography, avoiding dismantle that might be excessive and so minimize the impact that the building could suppose to the environment. The location of the home taking advantage of the small natural platform, minimizes earth moving and get a perfect adaptation of the architecture to the field. In lower levels, other platforms continue structuring the plot, creating zones of fruit-bearing trees and garden. Some of these platforms use existing stone walls in the plot, remains of ancient terraced plantations, thus recovering the character that had long ago the area. In this sense, the project maintains a constant relation with the environment, promoting the transition of scales and protecting the landscape value of the area.
The housing is organized into three bands that are displaced longitudinally: The services band, partially buried, anchoring the house on the slope. It organizes the uncovered parking, court of service, pantry and kitchen, the latter with a small terrace. The central band receives the main elements of the house. On having been delayed with respect to the other two, it sets up a large patio where is proposed the access, protected behind the fold of the walls. Once inside, a small patio glass distributes the routes, introducing a diffuse light sifted by vegetation.
The main double-height space articulates the relationship between the light and the horizon. Dining and living room establish a strong link with the sea, opening fully on a first platform that starts the dialog with the environment. This space is bounded by the dressing room and the main bedroom, which configure a cantilevered body over the visual flight of the landscape, again toward the coast line. The third band is the closure of the housing and its main facade. It includes rooms for the children, the guest room, the sauna, and the space for sculpture and painting, with a courtyard protected from the wind. A somewhat lower terrace provides an open space at noon, resolving the encounter with the ground.
The whole set is proposed as structural system of reinforced concrete, with Thermo-clay closure and solution of ecological flat roof supported by slab Filtron base. It is projected to finished with white monolayer mortar (with contribution of 10% of ochre) according to the architecture built in the area of influence of the Cerro del Albar. The pavement is solved with travertine marble, extending this finish to the outside to run ground platforms linked to the use of housing. In wet rooms and kitchen it is used compound of quartz and resins type Silestone to run tiled pavements.
The interior woodwork is white pre-lacquered MDF. The external joinery is composed of triple aluminium clad: the outer element is a sliding structure of adjustable slats; intermediate carpentry, a Climalit glass enclosure; and the inner element, a sliding mesh anti-insect. At the opening of the lounge toward the horizon, there are provided two spaces where fully collect the woodwork. On the outdoor spaces, surfaces that do not constitute open platforms to the horizon have been finished off with crushed aggregate of rocks from the area. The earth retaining runs through wall of riprap, selecting rocks of the area that will allow the integration of the project on the environment.
Photographs: Courtesy of MVN Architects