Mansion in The Hague is a residential renovation project of a hundred year old building, completed by designer Remy Meijers, located in the outskirts of The Hague, The Netherlands. The French owners wanted a surrounding designed in a neutral color scheme defined by a quite and peaceful ambiance with a lightness of space.
The original layout, the characteristic living room and the original ornaments have been maintained. ‘Because there was no need to change the structure of this impressive building.
Only the kitchen and bedroom were too small for actual standards. Therefore, these areas are increased.’ On the ground floor the separation between living room and kitchen was demolished allowing daylight to penetrate deep into the house.
The white walls contribute to the light and spatial character of the mansion. In this sober, open interior wooden elements act as modest highlights.
Contractor: In Toom Furniture: Bom Interieurs Furniture: Remy Meijers Collectie Natural Stone: Van Leeuwen Natuursteen Lightning: Flos, Modular, Delta Light Wooden Floor: Ebony and Co (begane grond)
Photos: René Gonkel
Apartment in Amsterdam is a renovation project of a duplex unit in an 85-year-old housing for a family of four, carried out by MAMM Design, located in Amsterdam, The Netherlands. Since they have not been brought up in Amsterdam where they have a lot of gloomy weather, the clients requested to have maximum sunlight in the 1,431 square foot (133 square meters) house. They also wanted to have a space where they can feel close by each other.
Originally, there is a skylight at the top of staircase which connects upper and lower floors. Though the staircase itself was filled with sunlight coming from the skylight, the stairs and walls around them prevent the light from entering into the other part of the house. We took away the stairs, walls and a part of the upper floor’s slab, so that the sunlight can spread into all over the house. At the same time, the void connects the family.
There is a symbolic tower-shaped element standing through the house. Kitchen, bathroom and toilets are packed into the tower, utilizing existing pipe box. We placed new grating stairs climbing around the tower to create some place to stay at various levels. With the new circulation and spatial device, the family can create and enjoy various scenes of their daily life.
Photos: Takumi Ota
This former garage spotted on Vtwonen has been transformed into a stunning two story working and living space for a family in Den Bosch, a city and municipality in the southern Netherlands. The garage turned home is comprised of over 10,764 square feet (1,000 square meters) of living space. When you walk into the studio-cum-living room, you will be embraced by a spacious and bright space with high ceilings and open living plan. The home offers an industrial air with exposed beams, concrete flooring and herringbone wood flooring in some of the living spaces to add coziness and warmth. The furnishings are very eclectic mixing vintage and modern pieces with bold pops of color to create a truly unique living environment. There are plenty of windows and skylights to filter in natural light, lessening the need for fluorescent lighting.
Photos: Jean-Marc Wullschleger/Living Agency
House N is a seaside villa that was originally built in 1938 and has just recently undergone a complete overhaul by Maxwan Architects in Noordwijk, The Netherlands. The villa was originally the holiday home of a concrete factory owner. Battered by the salty weather over the decades, the house was in need of renovation.
Besides roof replacement and basement repairs, the bedrooms, bathrooms and windows were outdated and some spaces had grown too small for the clients’ requirements. Maxwan’s additions bring new distinctive features to the house, while respecting its original character.
Extending into the back garden with floor-to-ceiling glass on three sides is the new living room, which maximizes light and views from among the treetops towards the garden and further out to the sea.
In the opposite direction stretches the new kitchen, incorporated in a single precast concrete block. Its color contrasts to the existing house while harmonizing with the surroundings. Both extensions of the new kitchen and living room are clearly separated from the existing structure with glass slits, through which the sky dramatically bursts.
The bespoke spiral staircase connecting the uppermost levels elegantly uses the balustrade to support the treads, with the laser-cut pattern blending from closed to open for structural efficiency and recalling the breaking waves.
The attic is given a new lease of life by new multi-functional wall furniture and large windows.
In addition to these major components, the entire house is renewed in a manner complementary to the original house.
Photos: Courtesy of Maxwan Architects
H House features a modern glass facade designed by Wiel Arets Architects, situated in a leafy area of suburban Maastricht, The Netherlands, just south of the city’s center. The homeowner’s are a dancer and an actor, who are also landscape architects, locating the 3,229 square foot (300 square meters) home within an existing formal garden that the owners had cultivated over the years. Composed of two concrete floor slabs wrapped in an all glass skin that varies in shades of opacity–from transparent to opaque–the interior is organized so that it assumes the characteristics of a single, open, loft-like space. The two exceptions to this completely open living situation are the contiguous volume of the upper story bathroom, which cantilevers over the terrace entry off the kitchen below, and that of the front entry, which projects from the main volume to create a roof terrace.
The house’s staircase is suspended from the first level so that it does not touch the ground floor; its lower portion is composed of movable units that also function as storage for the ground floor kitchen and living space. Small rectangular columns support the house’s concrete slabs.
The owners are able to reconfigure their interior spaces, due to the numerous curtains–whose tracks are recessed within the floor slabs–and the lower components of the staircase; ephemerally defining rooms reflective of the seasonal changes within the surrounding formal garden.
Photos: João Morgado
We just received picture of the project Casa K, the transformation of a museum to a house, completed in 2013 by PEÑA Architecture in Rotterdam, The Netherlands. Here is a description of the project from the architects, “The former Kralings Museum at the Hoflaan has been transformed starting in 2010 into a luxury apartment building. The building contains three apartments with a communal entrance and an elevator that offers access to the upper floors. The Casa K project involves the street level apartment which consists of two layers: a ground floor of 195 square meters and a basement of 90 square meters. The apartment has a garden of over 600 square meters.
A new design for the project Casa K has been developed for the two levels using and adapting the existing installation structure in the building. The design challenge was to turn the windowless basement and the ground floor into one unified space while still adhering to the city’s preservation requirements pertaining to the Hoflaan area. In addition, the architect had to design the interior including all the closets in the office, bedroom and storage room. The kitchen is fully customized based upon collaboration between the architect and the client. A lighting plan has been designed, and materials and colors for the whole house have been chosen.
The key element of the design is a walnut cube which begins on the ground floor and protrudes through the first floor living room where the cube forms a raised platform. In the living room, the cube is surrounded by walkable glass. The cube determines by its size and position the division of the space and therefore provides a clear distinction between the front and rear parts of the living room.
The raised platform in the living room is suitable for various applications such as seating or lounging. The stairs to the cube give access to the basement where a small bathroom is built into the cube. The glass around the cube in the living room allows daylight to penetrate the basement. Three small windows in the street facade provide additional natural light.
Walnut is employed for the cube as well as for the cooking island and the office. The combination of walnut with the color black is an integral element in the apartment. Thus, the handrail is made out of black painted steel, like the kitchen door. In the kitchen and the hallway, black fittings are used.
The closets in the house are of different colors. In the kitchen, the cabinets are finished in an aluminium color. The bookshelves in the reading area are in dark grey stained wood.
Photos: Cornelie de Jong
Dutch Mountain home is a spacious single family home designed by architecture studio denieuwegeneratie, situated on a historical agricultural plot amidst hayfields and woods in a nature reserve in Huizen, The Netherlands. Although the plot has been overrun with small trees in time, it still bears the original character of the open field. To minimize disturbance of the landscape and as a reference to the surrounding hilly terrain, the 7,631 square foot (709 square meters) house is embedded in an artificial hill. At the same time, this answered the client’s demand for keeping his ecological footprint with the house to a minimum. The embedding in the hill simultaneously functions as camouflage and as a blanket, hiding the house from view from the north side and using the earth as thermal insulation. One enters the house through cuts in the mountain, sided with panels of slowly corroding scrap steel.
On the south side, the house has been opened to a maximum. The grand glass facade is framed in timber,which guides the transition from the artificial to the natural. The canopy regulates sunshine through the seasons and allows for a large terrace along the full width of the house. The terrace follows the split level of the ground floor, jumps up to the higher west facade creating a henhouse underneath. Finally, it curls back up to become the canopy.
The frame is constructed out of lark wood, forested from the immediate surroundings and therefore making it a hyperlocal use of material. Detailing creates a seamless transition between the interior and the exterior: the concrete floor, window frames and terrace finishing are all flush and continuous from inside to outside.
The spatial structure of the house is a rectangular 12 x 19 meter open space. Steel cross the entire 12 meter width allowing great flexibility to the interior arrangement. Inside the hall-like space, the rooms are stacked in a disorderly manner and built out of light wooden structures, facilitating easy implementation of possible future changes. The interior can evolve along with its inhabitants, a young family, rooms being added or removed through time.
There is a binary spatial experience in the house. Either you are in a room, with a cave-like atmosphere, daylight coming to you through deep cuts in the mountain – or you are in the large open space in front of the stacked rooms. This large space is oriented towards the 90 m2 glass facade which offers a spectacular view of the surrounding woods.
The contrast between shell and rooms is clearly visible. The concrete wall, needed to retain the mass of the mountain, is left unfinished. The welding joints of the steel spans are visible and the wood is untreated. Within this rough shell of untreated construction materials, the stack of rooms tells a completely different story: every room is finished by the inhabitants in a unique and colorful way, which expresses the individuality of the boxes.
The design is an experiment in sustainable strategies in both architecture – the hardware – and the technical installations – the software – which have been designed by Arup Amsterdam. The software concept consists of photovoltaics, LED lighting, wood pellet heating in combination with low temperature heating, CO2 monitored ventilation, a grey water circuit and the use of smart domotics. The result is a house in which the total amount of energy produced exceeds its consumption: excess energy can be used for a electric car.
The house is bold and unpredictable: an experiment in sustainable strategies in concept, structure, material and technical installations. A house that blends quietly in its surroundings, but stands out with spatial surprises.
Photos: Courtesy of Eric Kant
Villa V is nestled on the edge of the Kennemer dunes, close to Bloemendaal in The Netherlands, designed by i29 interior architects. The sustainable home follows a minimalistic design and shows respect for man and nature alike, in a unique residential area where the existing flora and fauna are given full rein. I29 interior architects worked on the interior of the villa which was designed by Paul de Ruiter architects. A minimal approach to the materialization and detailing of the building is a core value of both the interior and exterior design. The large expanses of glass and the patio result in maximum day-lighting and give the inhabitants the feeling that the villa and the surrounding landscape are one.
In order to bring nature inside even more, all of the interior functions in the house are made from natural materials. i29 interior architects created large surfaces of wood through the whole house to connect the different areas. Cabinets, wardrobes, walls, sliding doors, beds and even a fireplace have been made in one and the same material. Pine wood panels, which are normally a basic material, have been used as a high end finishing with fine details.
Photos: Tim van de Velde
Joyce & Jeroen house renovation was an overhaul of a traditional townhouse in The Hague, Netherlands by Dutch studio Personal Architecture. The dilapidated state has necessitated a thorough reinforcement of the foundation and load-bearing structure of the entire house, opening up extraordinary possibilities in an otherwise commonplace apartment renovation. The combination of ambitious design visions and a large measure of trust from the client have resulted in a rigorous and uncompromising redesign, in which voids and split levels accentuate the full height of Den Haag’s typical row houses.
They added mezzanine floors, a glass elevation, a triple-height kitchen and a spiral staircase. Whilst the front half of the house retains its original facade and layout, the architects removed the brickwork garden elevation and replaced it with a steel framework and full-height glass wall, generating an optimal source of daylight. The interplay of voids, the split-levels and the glass facade, all create a spectacular drama between interior and exterior on the one hand, and between the existing and new floors on the other.
The intervention in the back of the house can be interpreted as a three-dimensional, L-shaped element of five storeys, accessed by a new steel spiral staircase. The staircase brings a new dynamic between the different parts of the house and makes a separation between owners and guests possible. Vertically, the L-shaped element ends in a roof-terrace with jacuzzi and outer kitchen that lies far above the balconies of the lower floors.
Small sets of steps connect the four mezzanine levels with the three existing floors of the house, while the original staircases provide a link between floors at the front of the house.
Above the kitchen, a translucent polycarbonate wall lets light into the master bedroom though a walk-in wardrobe positioned at its back.
A wire-fence balustrade creates a balcony on the second floor, so residents can look down from an office to the kitchen below.
Four new mezzanines overlook the kitchen from the side of the house, providing a new bathroom, library and pantry that feature untreated pine walls and floors. A steel staircase spirals up between the levels and leads up to a rooftop terrace and hot tub.
The architects cut away sections of the first and second floors, creating a triple-height kitchen filled with natural light.
Photos: René de Wit