This modern urban townhome model has recently been designed by Cecconi Simone, representing a community of urban residences envisioned for Downtown West, Toronto, Canada. Conceived around the principals of Active House, a Danish movement committed to healthy and sustainable interior environments, the model brings to life a complete townhome ground-floor.
The 840 square foot show space features an open-plan live–cook–dine area centered on a skylight in the kitchen zone. A wall-to-wall run of custom millwork spans its entire length, with white matte-lacquer built-ins, white Corian counter-backsplash and syncopated walnut niches forming a sweeping backdrop to the extended kitchen-island, in black melamine with counter in black engineered-quartz and breakfast bar / dining surface in solid walnut. The result is a striking interplay of surface planes: pale and dark, matte and reflective, horizontal and vertical.
The model en-suite, arranged around a skylight, includes custom white lacquer and walnut vanities with custom Corian sinks and walnut niches over the tub. The shower and water closet are enclosed in clear and translucent glass, imbuing the space with dimensional complexity.
Photos: Joy von Tiedemann
Greenwich Village Townhouse is a landmark Greek Revival townhouse from the 1840’s that has been designed by Axis Mundi, situated on a charming street in New York’s Greenwich Village. The four floor building (plus sub-basement) was gutted to the original brick building envelope. All new mechanical, plumbing and electrical systems were installed, and the garden was redesigned. Axis Mundi was responsible for the complete architectural, interior design and decorating of this home.
The goal of the project was to respect the charms and scale of the original historical style without mimicking period details, and create a suitably modern context for the owner’s collection of artwork by Warhol, Haring and Basquiat. While restrained, the interior resolves certain contextual issues related to the site, yet is decidedly modernist in its attention to details.
A sculptural bronze and mirrored screen was designed by Axis Mundi to create an entrance foyer, using cast glass that was salvaged from Gio Ponti’s Alitalia showroom on Fifth Avenue. A chandelier was created with glass from the same project, all superbly fabricated by Urban Archeology.
Various surrealist touches, such as a painting by Matta, and furniture by Salvador Dali and Antonio Gaudi, add a touch of humor to a formally rigorous design scheme.
Most of the details were custom designed, from the marble mosaics in the bathrooms, to the millwork and Prouve-inspired shutters on the kitchen floor.
A custom bronze staircase, anodized aluminum metalwork, and overall spatial concerns relate to a contemporary sense of materiality.
Photos: Adriana Bufi, Andrew Garn, and Annie Schlecter
Tel Aviv Town House 1 is an incredible modern pad with a fabulous roof deck with a swimming pool designed by Pitsou Kedem Architects, located in Tel Aviv, Israel. The home was designed vertically to accomodate the small 270 square meter plot that it was built on, which consists of a basement and an additional six floors. The owners wanted to create the experience of life in a private residence but within the city. The architect designed an urban style courtyard on the roof and, as a result, reversed the usually, permanent, order of things. The authentic, urban skyline reveals to those in the courtyard, Tel Aviv’s rooftops and thus realizes the urban experience that the owners wanted to achieve.
The architectural design was based on a cross section of the structure whilst creating a physical and visual relationship between all the floors. Each floor encompasses an area of some 100 square meters with every floor being used for a different purpose. This enables the house’s residents to create common meeting spaces alongside separated spaces that, together, maximize the usage off the space and maximize the privacy that day to day life in a home requires.
Thus, the design incorporates a separate floor for the parents living area which includes a large library, a floor devoted to children’s rooms, a common living floor and the upper floor for the pool. Wooden paneling is used around openings on the ground floor and is also used to disguise the entrance hall and a separate living unit.
The home’s internal stairwell is designed as a dramatic, vertical line. In contrast to the stairwell common in most apartment buildings which is usually designed to be hidden from view, in this design the stairwell is open and runs along a wall covered grey. Silicate blocks.
Photos: Amit Geron
This year’s Kips Bay Show House in New York City, New York, spotted on Sotheby’s, was the most magnificent ever – and the townhouse can be yours! It is located on one of Manhattan’s loveliest townhouse blocks, one filled with single family homes. 19 of the most prominent designers transformed this 20 foot wide, 5 story house with elevator, originally built in 1899, into a truly spectacular residence. Outstanding features include a state-of-the-art professional kitchen and lavish powder room on the ground floor which has not only a gorgeous planted garden, but a one-of-a-kind 2-story glass enclosed atrium. The expansive living room has soaring ceilings and the adjacent formal dining room overlooks the garden and atrium. There is a wine tasting room adjacent to the dining room. The master bedroom suite on the 3rd floor is exquisite, plus there are additional bedrooms on the 4th floor. The 5th floor has front and rear terraces, one with a gold fish pond, and a modern lounge/media room second to none. In the picture above, Andrew Suvalsky draped the front hall with a sheer black floral curtain.
This incredible designer showcase home is listed at $16,000,000, from here.
Mr. Suvalsky designed these cabinets himself. Above, a pair of photographs by Adrien Broom.
Mr. Suvalsky, who also colonized the foyer, said he is “equal opportunity” when it comes to color. The ’50s Italian sofa is from Gaspare Asaro. The painting is by Rainer Gross.
James Huniford designed this sofa in the atrium. The Josef Hoffmann chair came from Kimcherova; the fabric is from Maharam.
Bone and brass coffee tables by Enrique Garcel from Mondo Cane.
In Mr. Huniford’s room, a waterfall painting by Pat Steir from Cheim & Read. On the floor, a coyote skin rug and flooring made of recycled leather in a crocodile print.
In Mr. Suvalsky’s powder room, three shades of blue lacquer. It took three weeks, he said, to get the finish this liquid-looking. He designed the rug with Kyle Bunting. The “Chainon Mirror” is from Lorin Marsh.
Mariette Himes Gomez and Brooke Gomez made a monochromatic, mostly English sitting room. With the four-by-four-foot ottoman, it seats 14.
On a leathered drum table from Yale R. Burge Antiques, a wire sculpture from Maison Gerard.
Garcia/Maldonado Inc turned a bedroom into a stylish lounge. The Kate Moss photograph is by Russell Young. The Italian mid-century chandelier is from Bernd Goeckler. The walls are paneled in sueded buffalo.
Sara Story designed her living room to recall the shifting planes of a Cubist painting. The stylized bamboo wallpaper is from her own line; the sofas were custom-made, and the coffee table is 1940s French.
Ms. Story’s bathroom is an homage both to Andree Putman and to her own anxieties, she said. The bathtub is filled with crumpled paper, scrawled with words like, “Bamboo: Love or Hate?”
Eve Robinson’s family room is designed in lavender and gray. The vintage lounge chair is from Lorin Marsh.
In Ms. Robinson’s room, a table for Scrabble and lots of marshmallows. The hand-blown pendant lamps are by David Wiseman; the pair of photographs, from a series called “Tethered,” are by Randy West.
Ms. Robinson filled her stainless steel fireplace with silvery blown-glass logs by Suzan Etkin.
In Kristen McGinnis’s dining room, a neon, wood and string sculpture by Elliott Hundley. The painting is by Al Held, from Cheim & Read. The table and chairs are by Joaquim Tenreiro, from R 20th Century.
The Japanese bowls are from Sara Japanese Pottery. The Mepra flatware is from Barneys.
Above a leather bar by Dineen Architecture + Design PC, a photograph by Margaux Walter. The shell mask by Thomas Boog is from Maison Gerard.
In their sitting room, slipper chairs from Duane Modern. The huge Regency wine cooler is from Kentshire.
The mohair throw is by Susan Chalom.
Jack Levy designed this sitting room around the Fornasetti wallpaper. At the last minute, he sliced up a length of the brocade fabric he used for his pillows and stitched it to the back of the gray wool club chair.
Mr. Levy wanted the curtains “to look like water,” he said.
The Anglo-Indian bed in Kathryn Ireland’s bedroom is draped in her fabric collection from Scalamandre.
Stephen Mooney’s peaceful lady’s “writing room” has no computer. The wallpaper is from Scalamandre.
In the back yard, a balloon bench and balls of boxwood by Nievera Williams Design.
There’s a fish pond, and a bathtub from AFNY.
West Chin turned this outdoor fireplace into a terrarium.
He designed this white Corian birdhouse to look like a house he designed for a family in Long Island.
Mr. Chin draped moss over the back terrace wall (he said it reminded him of the “Lord of the Rings” movies); the knitted poufs are from Karkula.
This new custom riverfront townhouse retreat was designed by Olson Group Architects in collaboration with interior design firm Jenni Leasia Design in Portland, Oregon. This property was a once a two unit condo that was merged into a beautiful three level townhouse with an ambiance of resort living yet with all the comforts of home. The interiors blend clean contemporary elements with traditional cottage architecture for a clean inviting design that lets the breathtaking views take center stage. It is luxurious, yet very relaxed.
The Weiland sliding door is fully recessed in the wall that leads out to the balcony. The fireplace stone is called Hudson Ledgestone by NSVI. The cabinets are custom. The cabinet on the left has articulated doors that slide out and around the back to reveal the television. It is a beautiful solution to the hide/show television dilemma that goes on in many households! The wall paint is a custom mix of a Benjamin Moore color, Glacial Till, AF-390. The trim paint is Benjamin Moore, Floral White, OC-29.
The Kohler trough sink is in the center of the island. During parties the home owners fill it with ice and let guests help themselves to beer and wine.
The interior designer designed this craft space on one side of the laundry room.
The designer took stock of everything the homeowner wanted to store here—from wrapping paper to knitting yarn—and designed the cabinets accordingly.
Photos: Lincoln Barbour
This Pacific Heights Townhouse, in San Francisco, California involved Feldman Architecture updating and reconfiguring a 1906 stucco clad Victorian. The owners not only wished to maintain the traditional feel of the building, but also to infuse some modern elements, so the house would be both more livable and reflective of their personalities. They also hoped for a light-filled house that would incorporate sustainable elements. Furthermore, the original house took up nearly the entire length of its lot and the clients wanted a garden that would be accessible from the main living spaces.
To achieve these goals, the architects placed the living areas on the top floor, where the light would be best and where, by removing a large portion of the rear space, a roof garden was created. Most of the walls were removed from this floor to create spaces that are visually connected but functionally separate.
The building is set off the south property line, which allowed the addition of numerous large windows along the length of the house. New skylights on the north side flood the interior of the top floor and the long hallway on the second floor with natural light. Open-riser stairs, a light well, and interior windows also allow light to filter down to the second floor hall.
Photos: Paul Dyer
Park Street Residence was designed by the studio of Hecker Guthrie in Melbourne, Australia. What began as an exercise in loose furniture quickly grew into a kitchen, bathroom and joinery overhaul as the potential of this inner-city townhouse became increasingly realized by both the owners and designers. Definition and texture were key elements introduced into the dwelling, clearly identifying gathering spaces. The kitchen and fireplace elements create focal points, while a coveted selection of loose furniture layered with objects and art has turned this house into a home.
“The house was originally planned to be two townhouses side by side, and in a struggling real estate market our dot.com entrepreneur and his wife swooped in and had the two apartments converted to one mid-way through the build. As with many developments, they are designed to sell, and rarely do they reflect the personalities of their future inhabitants.”
The kitchen was under scaled and had no connection to the surrounding living areas. Conversely, the living spaces were vast and had no real sense of purpose.
The kitchen increased in both scale and serviceability and the materials chosen had a whole lot more grunt then what was there previously.
A single rug connected the spaces followed by a Cassina shelf that divided them– allowing the client to showcase a new selection of objects.
Inserting a wall of joinery on the south wall which accommodated a fireplace, bar unit and study nook – this connected the two living spaces and gave a real sense of rigor to the space.
The powder room went from being an eyesore to a space the client was no longer embarrassed to allow guests to visit.
While Wayne Turett of Turett Collaborative Architects had been developing feasibility studies for this site, a charming and well-loved corner of West Broadway in Tribeca, New York, the present owners asked him if he knew of any townhouses they might purchase – and a deal was made. “This building enabled us to build exactly what we were looking for – and then some,” the client noted.
Developers of multi-unit condo towers had long admired the location with its 120′ of frontage, but balked at the limitations in height and use placed on it by the city’s preservationists. The audacity of suggesting that this parcel could become a single-family house is its genius; at almost 11,000 square-feet, it is large but consistent with luxury homes elsewhere in the city. The final plan was approved by the Landmarks Commission with the requirement that TCA meticulously restore the low corner portion of the historic structure, while the less historically interesting southern portion could become a new six-story tower, detailed, fenestrated, and finished to sit comfortably and elegantly in its context.
The home features a two-car loading dock, a 50-foot indoor lap pool, indoor gym, library, screening room and offices for both owners in addition to 6 bedrooms and 11 baths. On the second floor a kitchen, dining room, living room and poolroom overlook a sunken landscaped courtyard with steps up to the larger main garden on the third floor.
Photos: Paul Warchol Photography
The existing dwelling in Chelsea, London has a deep and narrow floor plate, with daylight penetrating from the east and west. The proposed project by architecture firm Elips Design aimed to enhance the amount of natural light by investigating levels of transparency both vertical and horizontally, through a play of reflections and perspectives. That is the reason why the architects chose to build an extension in complete glass, and used stainless steel for the structure in order to have the reflection of the surrounding green landscape.
The depth of the 52 square meters building creates a visual connectivity between the living space and the external landscaping, whilst maximizing transparency and natural daylight. The choice open space, creating a sequence of distinct functional areas where it is dismantled the concept of “room” for a context of spatial fluidity. The service areas including toilet and laundry cupboard are all together. The dining area is planned in the basement, along with the kitchen area, while the ground floor is dedicated to the living room and a library room.
The creation of a core services behind the kitchen frees up the stairs by expanding existing wardrobes across wide spaces and create a space for living adjacent to the well-being. The bedrooms, on the three floors below, maximizes the use of space with bespoke furnishings and creates contemporary yet cozy rooms.
This four story townhouse at 67 Charles has been designed by Turett Collaborative Architects, situated on a charming tree lined block in the heart of the original Greenwich Village Historic District in New York City. Originally constructed as one of a series of three rowhouses in 1867 by Bartlett Smith, the brownstone facade and painted wood cornice is a typical example of the French Second Empire style common to rowhouses built in that period. While the front facade has remained relatively unchanged throughout the building’s history, the 4,070 square foot interior has seen several renovations throughout the years which were less than kind to its historic bones.
Several historic details on the parlor level including base and crown mouldings, a ceiling medallion, and fireplace mantles throughout the house had managed to survive. These historic elements were very dear to the clients, yet they also recognized the value of contemporary space planning, details, and amenities. Their design directive to TCA was threefold: to preserve these historic elements; to create a dialogue between these preserved elements and a decidedly contemporary envelope; and to create a functioning layout complete with modern amenities that would serve the family into the future. In response, TCA created an architectural language to highlight the moments where old and new would interact.
Original base and crown mouldings appear to pass through glass entry vestibules at both the garden and parlor levels. Recessed metal reveals encircle the perimeter of preserved fireplace mantles demarcating old and new. A modern chandelier is juxtaposed against a restored ceiling medallion. Door jambs lined in non-directional stainless steel discreetly celebrate the use of contemporary reveals, without diminishing the texture and finesse that the owners so cherished in the preserved original mouldings. The new home demonstrates at every scale how the old and new can complement and enhance each other.
Photos: Courtesy of Turett Collaborative Architects