House in Wimbledon is a remodel and extension of a semi-detached Victorian house that was the vision of Stephen Fletcher Architects, situated in Wimbledon, London, England. The clients approached the architects in 2010 with the brief, looking to build-on the Victorian period features wherever possible and decorate, fit-out and furnish the house in a ‘period’ style.
The front of the property has largely been restored to its original condition following the removal of an unsightly ground floor bay window addition. Lower ground floor extensions have been constructed to the rear and the side, the former in matching London stock bricks with ‘Sky Frame’ sliding French doors, and the latter discreetly located beneath the side passageway.
The ground floor of the property has been opened-up as far as possible so as to maximize the illusion of space and daylight. The two original reception rooms have been combined to form a single, grand drawing room with a central opening leading to the entrance hall.
Victorian-style plaster cornices and ceiling roses, painted timber sash windows with folding shutters, painted timber architraves and moulded skirtings, and a new limestone fire surround have been installed in keeping with the period of the house. The Dinesen douglas fir floorboards have been laid on piped underfloor heating.
The original staircase from the ground floor up to the second floor has been restored; the lower ground floor stair has been relocated towards the rear of the house so as to allow for a more efficient use of space at that level. Its balustrade and handrail match the original.
The lower ground floor of the house has witnessed the greatest transformation. A series of low-ceiling rooms were knocked-together, excavated by a couple of feet, and extensions constructed to the side and rear.
A large open-plan space has thus been created. The kitchen is located at one end, and overlooks an enlarged lightwell with a new stone stair accessing the front garden; the dining area is located in the center of the space.
A large central island unit with a slate counter houses contains many of the kitchen appliances and cupboard space, as well as a casual dining area. The oven range, additional cabinetry and open shelves are located along the party wall.
New ‘Sky Frame’ sliding French doors fill the entire rear elevation of the space and open onto a new terrace and steps. The connection with the rear garden has thereby been hugely improved. A pair of antique French window shutters were adapted to form double doors to a small children’s playroom.
This roof terrace incorporates a large section of ‘walk-on’ glazing, which admits plenty of daylight and sunlight to the area below.
A spacious master suite has been created by connecting the two principal first floor rooms via a new opening with folding doors. This view is looking from the dressing room, at the front of the house, towards the bedroom at the rear.
A freestanding zinc bath on slate tiling has been installed in front of the master dressing room window; the shower room is located off this area. A log-burning stove has been installed within the original firebox.
Photos: Courtesy of Stephen Fletcher Architects
This stylish London mews house has undergone a complete interior overhaul by Turner Pocock to create the feeling of a spacious New York loft apartment in London, England, United Kingdom. Use of neutral colors and finished accented with splashes of color for interest. Finishes flow through the 1,500 square foot house seamlessly from room to room and floor to floor avoiding any division of spaces. Doorways have been lifted to generate height and the balustrades installed in glass open up the central staircase. Turner Poock were responsible for interior architecture throughout as well as converting the garage into a living space and the roof terrace into a large external garden.
Turner Pocock is a leading interior design company providing the highest quality design services for both private residential and commercial projects in the United Kingdom and abroad. The company designs inspiring traditional and contemporary spaces – taking the lead from the client’s brief and the building to create environments that work perfectly in both form and function. They provide a comprehensive service that is tailored and scaled to meet the precise requirements of individual projects.
Photos: Courtesy of Turner Pocock
This recently completed mixed-use project is a five storey brick clad building marking the corner of Orsman Road and Whitmore Road, designed by Trevor Horne Architects in London, England. The mixed-use scheme houses studios for artists and architects on the ground and first floors, with three floors of spacious residential apartments sitting above. It is a simple framed structure reflecting the neighbouring warehouse buildings. A concrete Cobiax system allows for large spanning floor slabs with few internal columns, giving great flexibility for layouts.
There are six generous apartments, each with 3m high ceilings and ample living areas. Some materials expressed in the spaces are exposed concrete soffits, waxed oak flooring and basalt stone. The building has a tripartite composition of base, middle and top. Its volume is sculpted to respond to its urban location, marking the corner at its highest points, with balconies cut into the mass, lining through with neighboring cornices and stepping down to form a private courtyard to its two storey neighbor.
Photos: Courtesy of Trevor Horne Architects
The two top floors of the iconic Westbourne Grove Church were converted by DOS Architects into a stunning home in the heart of Notting Hill, London, England. The clients wanted to create a space of openness and transparency, combining their desire for cutting-edge technology with a love of clean, luxurious designs, while respecting the traditional Gothic details of this historic building. The entire 4,300 square foot apartment is centered around a large double-height, light-filled space framed by spectacular arched windows, perfectly encapsulating the views beyond.
Our clients wanted interiors and design features to highlight, and not compete with the beauty of the church. In this way, the cantilevered glass staircase and glass-walled master bathroom are perfectly set-off against the Gothic arched windows. The new lay-out adds space and natural light to the entire home, while allowing for a seamless balance between areas to entertain in and those which remain private throughout this spectacular penthouse.
Photos: Courtesy of DOS Architects
Ensconced in a beautiful, leafy corner of Brook Green, DOS Architects have turned two classic Victorian terraces into one outstanding family home on Souldern Road, London, UK. The client’s vision was a bright, modern and spacious home which the architects achieved by retaining the overall structure of the 4,574 square foot (425 square meters) house and creating an ambitious rear extension. The result is a gracious double-height void which connects the kitchen and dining room on the lower floor to the rest of the public areas of the house.
The glass box is flanked by a cantilevered shear wall, serving to realign the house on a north-south axis. The new volume of the house is a natural continuation of the house’s existing geometry, and we used material contrasts to create a smooth but visually exciting contrast between the indoor and outdoor spaces. We are very proud of this entirely liveable, comfortable and yet definitively stylish home which our clients tell us they now never want to leave.
Photos: Courtesy of DOS Architects
Little Venice is a recently completed house extension by DOS Architects in the very desirable Little Venice neighborhood of West London, England, United Kingdom. The architecturally sensitive building was a Grade II-listed Victorian semi-detached house. The architects brief was “to inject a breath of fresh air into the property while keeping some of the splendid features and character with which our client had fallen in love when first viewing the property,” states the architects.
From the architects: This led us to focus our intervention on the lower ground floor, where most of the original features had already been removed by the previous owners. In order to create a more family-friendly space on the lower ground floor, we chose to free up some of the internal partitions and add a rear extension to draw more natural light into the property. The extension, consisting of a high-tech stainless steel frame with glass inserts, became a bold addition to the house that, we believe, further enhances the beauty of both architectures by virtue of their contrasting nature.
Photos: Courtesy of DOS Architects
Holland Park Avenue is a beautiful four-story Georgian house that has been updated by DOS Architects in London, England, United Kingdom. At the request of the client, this Grade II listed home was in need of modern updates while at the same time keeping its original quirks while creating a perfect family home – with all the latest creature comforts – which would simultaneously form the ideal backdrop for a truly spectacular art collection. This 5,382 square feet (500 square meters) masterpiece was originally built by a renowned artist, where natural light was at the heart of the construction. “Our aim was to perfectly complement this with cleverly installed and complimentary artificial lighting throughout,” states the architects.
Because the facade is untouchable, we set about altering the interior ceiling heights and updating the lay-out and technology throughout. On the top floor, the artist’s studio has been transformed into a spectacular master bedroom, featuring the double-height vaulted windows onto the garden below. Our aim was to complement the fantastic art and our client’s decor, and judging from the attention this property has since received in the press, we think we did just that.
Photos: Courtesy of DOS Architects
Responding sensitively to the existing Edwardian architecture, Chevron House designed by Andy Martin Architects is a new five bedroom family house in a creative suburb of West London, England. Inspired by the architecture of the existing elegantly proportioned spaces, the design sets out to exaggerate, by scaling the space by removing walls, and attaching new space to create a large Edwardian warehouse on each of the three levels. The ground floor, the public level is essentially one space which is divided only by the use of color and material. On the second and third levels, the private floors, bedrooms merge into bathrooms and visa versa.
The rear of the property has new extensions off both the living and kitchen reaching into the garden to absorb the light from the south. The clients brief to use color extensively was applied in such that the walls and ceilings are left light in color (off white) and that only elements or interventions (joinery etc) would be strongly colored giving the house a lighter atmosphere with greater sense of perspective.
The client is a collector of contemporary British art and it was also an important part of the brief for AMA to how one may integrate it within the house.
Photos: Courtesy of Andy Martin Architects
Designer Ebba Thott of Sigmar transforms a Notting Hill Flat for a client who wanted to achieve the feel of 1930′s Vienna, in the fashionable neighborhood of Notting Hill, London, England. This was achieved through a muted grey scale, with dramatic dark woodwork to contrast and plenty of vintage touches. The designer used a blend of Scandinavian modernism and English eclecticism in the interiors—an apt reflection of the far-flung travels of both designer and client (who is an American in London).
In the photograph above, the bookshelf was designed by Sigmar, along with the ladder. It needed to house the owner’s large collection of books, as well as accommodate the existing radiators. The backdrop for the interior is various grey shades, while the green and red provide bright accents. The walls and bookshelf are painted in London Cloud from the Damo collection, available at Sigmar. The woodwork is Cocoa, also from Damo.
The designer brings an Old World feel to the entrance hall (reminiscent of those in prewar New York apartment buildings) with the main feature being a vintage Thonet bench upholstered in a checkered black-and-white fabric.
The floor has stone slabs in the middle, which is hard and durable, great for an entrance. The stone is edged with the same oak planks that flow through the rest of the house. The walls are painted in Sure Grey from the Damo collection, available at Sigmar.
A view from the entrance towards the living room. Reclaimed oak floors throughout the flat introduce a relaxed warmth.
A painting from the owner’s contemporary art collection hangs in the hallway.
A detail from the living room in which the accent colors of the room are picked up on. “The green on the lampshade and cushion is a lovely pea green,” Thott says. “I was inspired by the green in some of the paintings in the client’s beautiful and quirky art collection and used it to tie the room together.
The dining room generously opens up to the living room allowing a flow between the rooms. The colours in the two rooms correlate to create a link through the flat. The walls are painted in Sure Grey from the Damo collection, available at Sigmar.
In the bedrooms you can afford to break off from the dark woodwork in the rest of the flat and go for a more traditional white. The walls are painted in London Cloud from the Damo collection, available at Sigmar.
A detail of the bedside table from the guest bedroom. The switches are built into the bed and are completely flush.
A steel four-poster bed adds a modern note to the wallpapered bedroom in Marthe Armitage’s oak leaf in a custom blue. The ladder is custom, as designed by Sigmar.
A detail from the master bedroom. A small shelf hold a selection of books next to an armchair. The master bedroom is wallpapered in Marthe Armitage’s oak leaf in a custom blue.
Toilets are a place for being expressive. In this small space the beautiful blue tiles break off an otherwise all white bathroom. The Blueware tiles are patterned with photographic-negative images of pressed weeds from London streets.
Photos: Petr Krejci