Bluff House is a contemporary three level house designed by Auhaus Architecture, for a steeply sloping site backing onto the Barwon Heads golf course, in Victoria, Australia. The house was designed as a series of stepped interior and exterior spaces meandering upward from the street towards seclusion and views at the rear of the block.
The house and landscape are fully integrated, providing a series of fluid living zones and a continuous dialogue between the internal spaces and surrounding environment. The tapered, curved studio space, landscape entry stair and roof planters evoke the local bluff landscape, drawing you up and into the heart of the house.
The first floor living sits level with the native vegetation at the rear of the site. Roof gardens and enclosed decks increase the sense of seclusion and connection to the landscape. The natural material palette of copper, timber and concrete will age and patina over time.
Bold and stylized, the building complements the lines of the sculptural Moonah trees that surround it, while a series of fluid living zones instigates a continuous dialogue between the internal spaces and surrounding environment that has been furthered by deep-set reveals that heighten awareness of the surrounding landscape while screening out the adjoining neighbors.
Coronet Grove Residence is two story contemporary home that has been designed by Maddison Architects, built on one of the most elevated seaside locations in Beaumaris, a suburb in Melbourne, Victoria, Australia. The orientation and associated views played a major part in the design response, having 270-degree views of port Philip Bay. These conditions presented a major dichotomy however as the view is to the south. The imperative to therefore place living spaces on the south to capture the view is counter to all ESD (Environmentally Sustainable Design) principles.
A strategy was developed to split the building into two elements, a south facing cantilevered zinc clad living element and a two-story north facing masonry bedroom element. These two elements are pulled apart with a circulation zone and the roof is prised up over between these areas allowing north sun to penetrate into the living zones. The building elements are further pulled apart internally with first floor bridges spanning between them.
We had an awareness of the history of the suburb within which the house is located. Beaumaris was established in the 1950’s and 60’s and has a heritage of experimental architecture from that period. Beaumaris was in the 50’s, the Mornington Peninsular of today. Architects such as Mcglashan and Everest, Chancellor and Patrick, Mockridge Stahle and Mitchell , David Godsell and later Neil Clerehan and Baird Cuthbert Mitchell created incisive original architecture. Our design response therefore acknowledges this historical context.
A skeletal PFC steel frame is expressed internally and externally to accentuate openings. This steel frame provides a fineness and legibility. The use of expressed steel work has its heritage in the 50’s when steel framing became available as an affordable extruded section. A ‘cloak’ of building fabric is hung from the PFC frame in the Coronet Grove Residence. The north facing Bedroom element has its alabaster sawn block work framed and supported by the PFC Steel. Windows in this building part are accentuated with 250mm deep incisive window frames. These provide a strong horizontal window composition.
Black zinc cladding wraps around the elevated southern living element. This cantilevered ‘tube’ hovers on an enormous Universal Steel Channel. The form of this element responds to the lookout nature of its use. The inclined cladding and inclined ends imply movement and provide a counterpoint to the static nature of the block work northern bedroom element. Intermediary spaces are generally clad in spotted-gum ship lap lining boards.
The concept of discreet North and South building elements is further emphasized internally with the PFC expression and concrete block work continuing in the circulation spaces. An emphasis was placed on embracing a cohesive response between the architecture and interior, where a materials run seamlessly from outside to inside. Other prerogatives regarding durability were also considered given the seaside location. This provided a further pragmatic overlay to all material and finished selections. All finishes had to pass strict minimal maintenance criteria.
Principals of sustainability include. The northern portion of the roof is lifted to allow a controlled sun penetration into the living areas. A thermal chimney is employed. The house can be purged through remote controlled highlight windows at night. External operable aluminium louvers provide sun control on all northeast and west windows and therefore minimize the heat load and damage to finishes internally. A geo-thermal bore is used to heat the swimming pool and internal spaces. A 20,000-litre subterranean water tank is used to collect all roof water runoff. A C bus lighting control system is used throughout to minimize power use. Low e glass is used throughout. Low energy led and florescent lighting sources are used throughout. Native planting is used throughout.
This project was cost managed by the builder owner with alternative materials, fittings and fixtures being requested for all selections. Accordingly, the project has been carefully cost scrutinized without loss of the original design intent.
Vintage House Daylesford is an 1860s miner’s cottage that has been completely restored and re-designed by interior designer Kali Cavanagh, located on the border of Daylesford and Hepburn Springs, Victoria, Australia. Surrounded by various established trees, Vintage House Daylesford sits high on almost an acre of land with views over Wombat State Forest and Doctors Gully.
The home is available to rent as luxury accommodation and location hire. The house and studio currently sleep a maximum of 6 people, with rates ranging from $620 – $2,740, depending on whether you want to stay one night or a week, from here.
Sit in the leather chesterfield sofas and enjoy a glass of wine by the unique 1800’s cast iron fireplace from France. Original French CAFE sign sits above. Surrounded by many industrial furniture finds from the US.
Completely restored and re-designed with love to highlight the original features of the house. Combining the use of wood, metals and shades of white, black and everything in between to bring new life to the cottage. Finished with antique, vintage and industrial furniture and artwork from around the globe.
An old post office table from England made in the 1700’s sits with industrial wooden chairs and a leather chesterfield banquette. Seats eight. Large original stable doors open up to the side garden which holds a fire pit and an over-sized custom designed outdoor table made from oak and metal.
The layout of the house was re-designed to enjoy open plan living.
Cook up a feast in the restored 1920’s gas Chambers oven from the US which sits pride of place in the center of the kitchen. A double butler sink, dishwasher, industrial lighting also from the US along with custom made lighting. Old church doors were restored to house the fridge. Custom designed island bench made from old industrial metal legs and separate wood top is a perfect place for breakfast.
Each room has been carefully considered and designed. With three bedrooms and three bathrooms in total.
Two bedrooms have been combined to create the ultimate bedroom and en-suite! Featuring a king sized bed and luxury linens from the US. Enjoy a soak in an original claw foot bath before bed or shower in the en-suite bathroom which you enter through restored barn doors.
Enjoy sleeping in the ‘grey room’ with high ceilings, luxury linens surrounded by antique and industrial furniture and art from the US, France and the UK.
Lie back and enjoy the view in an over-sized bath big enough for two! It features a marble surround and large shower head from the UK. The large industrial window opens up fully to the nature surrounds.
Custom designed window, bench and mirror make the bathroom unique – combining industrial vintage pieces with new metal and materials to create the ultimate bathroom for a weekend away.
Vintage House Daylesford sits on just under an acre of land. The garden studio makes up a very private 3rd bedroom, complete with queen bed, luxury linens, original artwork from an old garage in the US and industrial pendant lighting.
An over-sized claw foot bath with shower looks out a large wall of glass to the valley below. Also contains a separate toilet, reverse cycle heating and air-conditioning and wall mounted TV to make the studio the perfect romantic hideaway!
The house and studio sit on almost an acre of land with large established willow trees, pine trees and many fruit trees including plums, lemons, apples and olive trees.
Photos: Armelle Habib
East Malvern Residence is a classic brick Federation house updated for modern family living by LSA Architects, nestled in the wide leafy streets of Malvern, a suburb of Melbourne, Victoria, Australia. The clients brief was to enhance open space and add light whilst paying homage to the original era of the home through the choice of classic lines and materials. Taking advantage of the grand Federation proportions LSA designed the new spaces to include elements of height and light whilst including many new amenities.
The rear garden was maximized by the merging of indoor and outdoor zones with the use of large glass sliding doors, a discreet threshold and a consistent color palette. The outdoor space was subtlety demarcated to include practical areas for all members of the family. Internal sight lines were again an important consideration for the rear exterior and with the clever use of landscaping and a dark perimeter wall to emphasize depth. Architectural features were also used to enhance balance and privacy.
The bedroom and formal living zones benefited from some floor plan changes to allow for greater flow and the addition of a dressing room and en-suite for the master bedroom. With the majority of the family time planned to be spent in the new rear living room it was important to accommodate for a growing family of five.
The kitchen was designed around a large square island bench to allow for many members of the family to congregate. The sight line to the garden from the kitchen was considered by featuring staggered pendant lights over the island bench as opposed to the dining table with the added benefit of a kitchen focal point. The use of marble and wood paneling reference the original era of the home whilst offering a textural and luxurious element to the large space.
The entire house blends seamlessly to create a harmonious and luxurious home with the emphasis on modern classic design.
Photos: John Wheatley from UA Creative
Chambers Street Residence is a three story property encompassing beautifully composed spaces designed by Mim Design, located in South Yarra, a suburb of Melbourne, Victoria, Australia. The interiors of this meticulously designed residence focuses on superior finishes and detailing throughout to showcase a highly effective planning and design strategy.
Love this house? Check out another home the designer’s have done here.
An abundance of light filters throughout all levels, from the master bedroom and en-suite down to the lounge, dining and kitchen which flows out on to an entertainers courtyard. Locally sourced handmade brick tiles span the 3 levels adjacent to the staircase to provide a vertical integration feature.
Stone throughout bathrooms and kitchen add a softness to the strong monochromatic palette. Efficient use of space throughout the living zone creates a well-proportioned, comfortable and clean lined interior.
Photos: Derek Swalwell
Moor Street Residence is a contemporary renovation for a family of four, designed by Andrew Maynard Architects, located in Fitzroy, Victoria, Australia. The family had lived in this modest, aging house for almost eight years. As the children neared their teenage years something had to be done. Abandoning their home and moving elsewhere was not an option as the family was an important part of a thriving community. The tricky yet fun part of this home re-design was creating a new house in a narrow plot of only 4.5 meters.
Within this pocket of Fitzroy is a dense mix of workers’ cottages and small terraces. All are modest in size, many are dark and cold. Many of the cottages and terraces are in original condition, with a simple facade hiding an assemblage of brick and weatherboard lean-tos in the rear yard looking onto bluestone laneways. These lean-tos create a mesh of detailed and varying volumes, in stark contrast to the simplicity of the street front. When building in the rear of a property in this context, facing onto the laneway, one is acutely aware of the smallness and texture of the existing built form. Within this context the burden is on the designer is to respond to the assemblage of small volumes while also maximizing the potentials of the owners’ brief.
As Fitzroy has gentrified we have seen renewal take place in unsympathetic ways. There are numerous examples of this assemblage of dark brick and weatherboard being replaced with large contemporary objects that dominate its context. The tactic at Moor Street was to maximise the interior functions and available space, while also responding to the context by creating a single building out of three small objects rather than a single contemporary monolith. The tired lean-to which housed the kitchen, bathroom, dining and laundry were removed. These functions were relocated and updated along with the addition of a master bedroom over. The original brick terrace was retained, tidied and brought back to life.
In the center of the original house was a small light well containing a beautiful, yet constrained, Japanese maple tree. The family often found themselves conversing through this lightwell. Conversations took place, through the maple, from upstairs bedroom to kitchen opposite, to study space and even the bathroom. The maple was retained and the lightwell expanded and surrounded in glass, bringing the tree into the living spaces. The conversations between spaces and levels, through the maple, are better and easier than ever.
The separate boxes on the upper level contain the master bedroom. This space is surrounded by the canopy of the maple to the south and the canopy of a large gum tree to the north, making the master bedroom feel much like a treehouse. Through the gum’s canopy are views over Fitzroy, revealing the detailed assemblage of the brick and weatherboard lean-tos of the surrounding workers’ cottages and small terraces.
Photos: Peter Bennetts
Brunswick House is a single family property that has been designed by Christopher Botterill, located in Brunswick, an inner northern suburb of Melbourne, Victoria, Australia. The 990 square foot (92 square meters) home is positioned amongst an eclectic mix of residential and industrial building typologies. Purchased as a derelict shell, the building has been recycled using modern spatial arrangements, materials and a strong focus on sustainability.
At the front of the house the two main bedrooms have been retained with a shared robe dividing the rooms. Bathroom and Kitchens areas have been centralised allowing the Living spaces to open out to the garden space and roof deck above. Above the Bathroom is a study/bedroom that is open to the living areas and provides access to a storage space in the roof. The decommissioned fireplace has been retained to support the open roof structure and provide space for the concealed pantry and wine cellar.
When the double doors at the rear of the house are open, the green carpet in the living room visually connects with the soft lush lawn diminishing the definition of inside and out. The layered palette of materials and forms, particularly the black timber box elements, creates a sense of journey and individuality.
A rain water tank is located under the external stairs and is used for irrigation of the organic vegetable garden at the front. Where possible all new materials have been locally sourced and finished by hand during construction. All windows of the existing house have been reconditioned with traditional sash cords and high performance glazing.
Surrounding the house are circular concrete stepping stone pavers set into soft grasses creating a dynamic landscape environment. At points of entry to the house the pavers are densely populated providing a playful representation of bubbles emerging from the house.
Photos: Christopher Alexander