We have presented to you several different rustic barn interiors in the past, including a recent post on barn style bedroom ideas. Designing a trendy bathroom in your home with a rustic barn interior can create a warm and welcoming bathroom oasis. There are several different styles to decorate your bathroom in, but barn interiors seem to be a popular and current trend. Using reclaimed materials, barn doors, re-purposed and vintage objects and mixing some industrial elements can create the perfect rustic barn bathroom interior. You can clad your bathroom walls in reclaimed barn wood, use an old bucket for a sink and you are already on your way to a chic rustic bathroom. Mixing industrial elements with wood will keep your bathroom modern yet warm and inviting. If you are looking for a more country style look, try adding some folk art to the walls. With its self-sufficient, homegrown appeal, folk art can look particularly nice in a rustic style bathroom. Try using old lanterns or wire baskets for unusual lighting or go industrial, there are plenty of salvage shops that carry lighting that can create a great statement piece in your bathroom.
We have gathered together for you an assortment of 51 rustic barn style bathrooms that will give you some inspirational ideas for your next bathroom remodel. Enjoy and please let us know which one most inspired you!
Sliding barn doors borrowed from outbuildings are ultra-functional and perfectly appropriate with rustic style.
Too many mass-produced or overly tailored pieces dilute a room’s rustic style. Instead, choose furnishings and objects with strong, slightly rough profiles, such as the bread trough, and barrel waste basket shown here.
Rustic style is about using found objects, such as old pails turned into sinks and wire baskets transformed into light fixtures.
Rustic interiors tend to mix with industrial style. Feel free to take a bit of a risk with accents such as offbeat lighting, decorative displays and artwork.
A rustic bathroom is nothing without some patina. Your space shouldn’t convey a feeling of shiny newness, you want surfaces with a little age on them (or at the least, surfaces that fake it). Reclaimed wood, such as in this bath; hammered, distressed and tarnished metals; and wavy or seeded glass blend together in a distinctively layered way.
It’s nice to have a few sleek surfaces to tighten the look. Simple, clean cabinetry and shelving keep this space cohesive but allow the rustic notes to come through.
Photo Sources: 1. Peace Design, 2. JLF & Associates, 3. Knickerbocker Group, 4. Dan Joseph Architects, 5. Blender Architecture, 6. The Bath Works, 7. Lands End Development, 8. On Site Management, 9. Opeenheim Architects, 10. Lawrence Architecture, 11. Peace Design, 12. HGTV, 13. Habitat Post & Beam, 14. Frederick + Frederick Architects, 15. Home on the Range Interiors, 16. Sand Creek Post & Beam, 17. Studio Carver, 18. Wellborn + Wright, 19. Pinterest, 20. Kimberly Peck Architect, 21. Lawrence Architecture, 22. Peace Design, 23. Inspirations Kitchen and Bath, 24. threshold interiors, 25. R Brant Design, 26. Jordan Design Studio, 27. Pinterest, 28. Bates Masi Architects, 29. Fiorella Design, 30. Minarc, 31. Cushman Design Group, 32. Pinterest, 33. Montana Reclaimed Lumber Co., 34. LDa Architecture & Interiors, 35. Black Tusk Development, 36. Pinterest, 37. Andrew Melaragno, 38. Pinterest, 39. Artistic Designs for Living, 40. Ambiance Interiors, 41. Key Residential, 42. Peace Design, 43. Birdseye Design, 44. BeDe Design, 45. Northworks Architects and Planners, 46. Home on the Range Interiors, 47. Design Associates, 48. Peace Design, 49. Richard Olsen, 50. Joan Heaton Architects, 51. Birdseye Design
Bay House is a contemporary family home situated in Sag Harbor, New York, designed by Roger Ferris + Partners. This residence located on the Long Island coastline has been designed to capture and frame spectacular water views. The design also maximizes transparency between interior spaces and the link between interior and exterior. The design embraces sustainability with geothermal design, daylighting, solar shading strategies and xeriscape landscaping.
Photos: Arch Photo Inc
Architect Peter Zaytsev, the partner in Za Bor Architects, designed this small apartment for his family. This small studio is located on 24th floor of newly built “Dubrovskiy” residential building in Moscow, Russia. Peter Zaytsev thinks, that architecture has to be simple in the context of decoration, but not in the context of shape, that’s why flat is finished in white color, “a simple and modest color”. Central living space connects a kitchen, a living room and a bedroom, though it may be separated with sliding partitions equally. In fully stowed position they can be hidden inside of the wall, and in fully expanded position they separate the whole bedroom space.
What’s interesting is that while the budget was not too high, architect still had to create some custom furniture. For instance, in the project there had to be a contrast black bar counter in the kitchen, but after a market research, it was obvious that it is more convenient to order a custom-built one. At the end this bar counter became one of the main interior details, made of steel sheets, and finished in aggressive lines. Though, this is not the only complicated and unique interior detail – a peculiar reply to it is a unique curved mirror frame, which makes it invisible from the bed. There are two animal silhouettes above the bed, acting as a contrast decoration. Made with a usual black cord, these hare and giraffe symbolize the house owners.
Photos: Courtesy of Za Bor Architects
The stunning Modern Barn project is an elegant, modern home within a reconstructed dairy barn situated in Milton, Connecticut. This historic gambrel barn was partially destroyed in a fire. The owners commissioned architecture studio Specht Harpman to design the rebuild so that the barn would remain contextual with the other buildings on the 8-acre site, while the interior was radically restructured to create a free and open volume that works as a modern, loft-like living space. Polished concrete floors blend with exposed maple framing and custom woodwork to create a warm, comfortable, and elegant place for living and entertaining.
Photos: Courtesy of Specht Harpman
Perched high upon Yeomalt Bluff, the Ellis Residence enjoys a commanding 180 degree view of Puget Sound and the Seattle skyline. The owners requested that the residence be sustainable, and the resulting design by Coates Design Architects is the first LEED Platinum home outside the city of Seattle. The owners had a special goal in mind when they decided to build a sustainable home in the beautiful surroundings of Bainbridge Island, Washington. The owners’ goal was two-fold: they wanted to prove that sustainability can be achieved without compromising a modern aesthetic design and they wanted to motivate others to follow suit.
The design limits its impact on the environment with a multitude of sustainable practices. Through implementation of geothermal, photovoltaic, solar hot water, and advanced heat-recovery technologies this 2,500 home has succeeded in reducing the energy consumption by more than 70% compared to a typical home construction. The home also makes use of rain water cisterns for irrigation of native landscaping and a vegetated roof. The project’s ecologically small footprint was not just constrained to the construction of the new house. Rather than demolishing the existing structure on the site, the team deconstructed, it effectively diverting 98% of its material from the landfill.
The home features intimate multi-use spaces that frame exceptional views of Seattle across Puget Sound. The view is best seen from the dining/living room’s large expanse of glass windows and doors that open out to a concrete patio. Another great location to capture the vistas beyond is the sunken concrete tub in the master bath and on the accessible vegetated roof. The anticipation of the owners, Ed and Joanne’s unique goal encompassed a 3 year process. This is a small price to pay when your home is a model of sustainability. Ed states it best when he describes the first morning in their home. “When I saw the sunrise with the skyline of Seattle as a backdrop the whole process was all worth it…”
There are sliding and bi-folding doors that transform smaller rooms into larger gathering spaces that can be easily connected to the outdoors. “Every room in the house serves at least two functions, and usually four or five,” said Coates.
The home’s roof became a vegetated garden patio providing a place to relax – and greater insulation.
The Dorsey Residence is a contemporary family home designed by Coates Design Architects on Bainbridge Island, Washington. The design concept was to maximize the home’s footprint through the use of vertical space. From the outside, the residence is an anonymous, austere, monumental concrete facade anchored deep into the hillside on a waterfront property. Much of the 2,800 square foot home is hidden behind the two-story concrete face. Upon entering, an entirely different experience is revealed on the inside: warm, light, and open. The back facade of the home is comprised mostly of glazing, illuminating the interior with natural light and offering spectacular views of the Olympic Mountains and the water. The main living area opens out onto a large deck that cantilevers from the home’s structure, providing a seamless connection from inside to out.
The kitchen invites guests to sit at a beautifully crafted bar designed with caramelized bamboo, gloss laminate, and a three-way mitre corner. The refrigerator, wine cooler, and washer and dryer are visually hidden within the custom built cabinetry. The stairway is lit by a large skylight above, and is made of customized blackened steel and wood that was milled from a tree previously located on the property. An 18-inch concrete wall forms two sides of the building’s exterior, providing a poignant counterpoint to the warm wooden and copper “box” form that rests at a slight angle. The exterior concrete wall and exposed concrete within the home reduce energy costs by serving as a thermal mass that naturally cools the home in the summer and holds warmth in the winter.
Photos: Courtesy of Coates Design Architects
The Fairfield House has been designed by Webber + Studio, located on a tree-lined street in the Austin, Texas, neighborhood of North Hyde Park. The Hyde Park Historic District is listed in the National Register of Historic places, and the area’s popularity has been growing in recent years due to its proximity to the University of Texas. In many respects, the 3,180 square foot home draws upon the district’s rich architectural traditions, just as its neighbors do. In response to Texas’s hot, humid climate, for example, the house is separated into small building masses that are open to ventilation. A breezeway – another classic architectural element – connects the front and the back portions of the building, but that is where the nod to tradition ends. In every other aspect of its design, the Fairfield House is an exercise in modernism.
The program lent itself to the creation of separate massings. The clients wanted a main house with three bedrooms and two-and-a-half baths because they anticipate a growing family. “They also wanted an in-law suite for a father-in-law who lives out of state and comes for extended periods, and needs his own suite,” says David Webber, Principal Architect of Webber + Studio. “The father-in-law was also interested in owning property in Austin,” Webber explains, adding that this made the inclusion of his own suite a desirable option.
The bridge, by crossing from one part of the house to another, captures a space below it which becomes a breezeway,” says Webber. Overall, the weaving together of interior and exterior space creates a house that is “intertwined with its site, since it wraps around edges of the site to create an enclosed backyard. Yet it still allows an easy flow from the backyard, under the bridge, to the front of the property. Also, from inside the house’s first floor, several windows and doors allow easy flow out into the backyard spaces,” Webber continues. Several small patios extend daily living into the outdoors, and the ground floor living area of the in-law suite is glazed to allow a visual flow of space between the interior and exterior.
The building volume is further broken down at its western elevation by “pop-outs.” These allow the bedrooms along the bridge to have north- and south-facing windows, thereby avoiding solar gain from the western exposure. Along this side of the site, a driveway is pushed to the edge of the property line, providing ample access and parking without bisecting the 60’ x 125’ lot and sacrificing valuable space.
One of the architects’ captured spaces is a double-height interior space. Representing the front portion of the conceptual programmatic volume, the extra height gained here makes for a dramatic entryway. Three vertical “columns” of glazing make the volume read on the planar front facade. Even the front porch and pergola don’t interfere with the purity of the volume, thanks to the use of contrasting materials (concrete, redwood, and ebony-colored steel) and minimalist styling.
Local materials were also used inside the house: pecan for interior hardwood flooring and cabinetry, and Lueders Limestone tile for bathroom floors and walls. A countertop in the powder room is made of mesquite wood.
For the center island, undercounter drawers stand in for base cabinets.
The luxury of airiness and light trumped the luxury of stuff in this kitchen.
The kitchen’s design allows for countertop-to-ceiling windows that bring in backyard views.
Full-height windows and partial walls allow sunlight to stream into adjacent rooms.
The western facade is clad in metal siding with vertical standing seams. “Metal resists harsh exposures,” explains Webber, “and it has a long legacy in Texas, like many places in the south. Many metal manufacturers are based in Texas.” This fact meshed well with the architects’ desire to use materials with local origins. Webber explains that wood siding was chosen for use on the home’s more prominent facades because wood gives a humaneness to the building; local cypress keeps the material sourcing regional.
By marrying modernism’s diagrammatic flexibility to some traditional architectural solutions, Webber + Studio not only maximized usable space but achieved a separation of the home’s two distinct living areas, while still allowing them to maintain a dialogue.
In a concept diagram, the architects show how they took a typical cubic house volume dictated by the program, then unfolded and extruded portions of it. Doing so allowed them to integrate, or capture, extra space within the site. “The house stretches along the length of the property and then kicks back into the backyard, essentially wrapping around a large pecan tree and capturing that space as its own discrete area.
The Cady Mountain Home on San Juan Island, Washington has been designed by Prentiss Architects. The home is comprised of three separate structures, a main house, a sleeping cabin and a guest house, all connected by walking paths and each blending into the natural landscape and draped over an island ridge-top. The architects also incorporated environmentally sustainable elements into the design, such as sod roofs, reclaimed wood and bamboo flooring. The house received a top design award from the Northwest chapter of the American Institute of Architects (AIA), selected by the jury of architects for the Honor Award of 2005. The AIA jury stated that “the building seems to settle into the earth, and it is very grounded in the site. The stone landscape walls allow the exterior terraces to link the interior with the natural landscape, a sure-handed clarity of plan. The axis in the main house is handled with striking consistency and integrity as a single solid object of distinct material.”
The home was built on a secluded 20-acre lot, with the vision of creating a space that brought the outdoors in and the indoors out. The 1,350 square foot main living space is the hangout area for the owners and guests, containing a dining room, living room, sitting room and kitchen, plus an entertainment-sized terrace accessible through a series of folding sliding and single doors.
The spacious chef’s kitchen operates as a functional outdoor kitchen where the entire kitchen wall opens up and disappears. A raised barbeque area with built-in seating and a fireplace is one of the places on the property that sees the most traffic, particularly in the summer months.
Photos: Courtesy of Prentiss Architects
The Ettley Residence is an incredible beach house designed by architects Studio 9 one 2 in Los Angeles, California. The home is a study in solid-void relationships. The Aluminum and wood “umbrella” over the blue glass, which appear to be blocks of frozen blue Pacific ocean, juxtapose against the solid wood boxes giving an appearance of a modern seaside sculpture. Situated just a few blocks from the ocean, the up-sloping lot achieves commanding views of the water while providing a cityscape foreground to the setting. The master suite located at the mid level front has a glass floor sitting area, which overlooks a reflecting pond and garden below. This patio is located off the theater/family room.
There is a vertical bamboo garden surrounded by wood slats that grow up through the building providing needed privacy to the master and to the main living spaces at the top level. This vertical garden gives a Zen like feeling completing the richness in the selected materials utilized in the designing of this home.
Studio 9one2 has become known for its particularly interesting staircases. The majority of beach houses in the LA area are designed as inverted plans with the living spaces at the top level in order to achieve the best ocean views. As a result the both visitors and occupants alike utilize the stair system quite often. Studio 9one2 always strives to make those normally mundane trips into sculptural experiences. This home with its “Esher-esque” stairs and glass floor landings is certainly no exception.
Photos: Courtesy of Studio 9 one 2
The Hudson/Panos Residence, located on a knoll on a nine-acre site overlooking the Dry Creek Valley in Healdsburg, a city in Sonoma County, California. The home was designed by Swatt | Miers Architects as an informal vacation house for a young family with two children, the plan consists of two parallel wings which are slightly offset to create a linear entry court. The east wing contains the children’s and guest bedrooms while the west wing contains the public spaces on the lower level and the master bedroom suite on the upper level. A large, two-story volume with clerestory glazing creates an exciting counterpoint to the mostly horizontal designs and bathes the interior with natural light. A 50-foot-long swimming pool, overlooked by the kitchen, emphasizes the linearity of the plan.
Photos: Russell Abraham